AShortHistoryofWesternPainting,1,dance,music,Brainstorming,Listsomeartstylesyouknow.,2,sculpture,architecture,3,literature,movie,4,painting,calligraphyklgrf書法,5,Chinese-stylePaintingsAppreciation,6,Western-stylePaintingsAppreciation,7,8,Discussing,1.Whatsthetopicandhowstheinformationorganized?2.HowmanystylesofWesternpaintingarementionedinthetext?Whatarethey?3.Bestchoice.4.Finishexercise1onP3onyourtextbook.,9,5th-15thcentury,1religiousthemes2manyreligioussymbols,15th-16thcentury,1realisticthemes2perspective3newoilpaints,Presenting,10,Late19th-early20thcentury,1paintedoutdoors2paintedchangesinlight3notdetailed,20thcentury-today,1abstract:concentratedonqualitiesoftheobject2veryrealistic:likephotographs,11,Whatsthetopicandhowstheinformationorganized?,ItdescribesthestylesinWesternartandtheinformationisorganizedintimeperiod,fromearliesttopresenttime.,2.HowmanystylesofWesternpaintingarementionedinthetext?Whatarethey?,Four.TheyaretheMiddleAges,theRenaissance,ImpressionismandModernArt.,ReadingComprehension,AACBDCB,12,略讀(skimming)只看文章標(biāo)題、下標(biāo)題以及每個部分或者段落第一行，關(guān)注文章中反復(fù)出現(xiàn)的關(guān)鍵詞。略讀時，要用充足的時間讀懂段落的第一句和第二句，因為第一句往往是該段的主題句(topicsentence)，而第二句往往是對前句的延伸(extension)或進(jìn)一步的解釋(explanation)。,通過略讀把握文章大意,13,運用掃讀(scanning)迅速瀏覽從第三句開始的后面部分,搜尋作者對開頭兩句的支持句(supportingsentences),并同時注意文章中間是否有轉(zhuǎn)折詞(transition),因為這些詞常常會把文章的思路逆轉(zhuǎn)或加入其它重要的信息。當(dāng)讀到段落的最后一句時,我們又要使用略讀,這時必須再次放慢速度(slowdownyourpace)直到完全消化作者對段落的小結(jié)(conclusion),因為該小結(jié)有可能與主題句截然相反或引導(dǎo)讀者進(jìn)入下一個段落。,通過掃讀尋找特定信息或特定詞組,14,StylesinWesternarthavechanged_.Artis_bythe_and_.DuringtheMiddleAges,themain_ofpainterswasto_themes.Artistswere_creating_and_forGod.IntheRenaissance,peoplebecamefocusedlesson_andmoreon_.Artiststriedtopaintpeopleandnature_theyreally_.Masaccioused_inhispaintingswhichmadepeople_theywere_aholeinthewall_arealscene.Inthelate19thcentury,Europechanged_.The_werethefirsttopaint_.Theyhadtopaint_andtheirpaintingswerenot_ofearlierpainters.,manytimes,influenced,customs,faithofapeople,aim,representreligious,interestedin,respect,love,Checking,religion,humans,as,were,perspective,convinced,looking,through,at,agreatdeal,impressionists,outdoors,quickly,asdetailedasthose,15,Betterunderstanding,Butitwasevidentthatideaswerechanginginthe13thcenturywhenpainterslikeGiottodiBondonebegantopaintreligiousscenesinamorerealisticway.但是,很顯然到了13世紀(jì)時,觀念發(fā)生了變化,像喬托這樣的畫家開始以一種比較現(xiàn)實的風(fēng)格來畫宗教場景。2.Iftherolesofperspectivehadnotbeendiscovered,noonewouldhavebeenabletopaintsuchrealisticpictures.如果沒有透視法,人們就不可能畫出如此逼真的畫,（）,16,3.Withoutthenewpaintsandthenewtechnique,wewouldnotbeabletoseethemanygreatmasterpiecesforwhichthisperiodisfamous.沒有新的顏料和繪畫手法，我們就不能看到更多使這一時代著名的杰作。4.AmongthepainterswhobrokeawayfromthetraditionalstyleofpaintingweretheImpressionists,wholivedandworkedinParis.在那些突破傳統(tǒng)畫法的畫家中有生活和工作在法國巴黎的印象派畫家。,(）,17,Discussing,1.Whatsthetopicandhowstheinformationorganized?2.HowmanystylesofWesternpaintingarementionedinthetext?Whatarethey?3.Bestchoices4.Finishexercise1onPage3,18,Presenting,TorF1)Westernarthaschangedverylittleoverthelastseventeencenturies.()2)PaintingsintheMiddleAgesdidnotuseperspective.()3)Impressionistspaintedlandscapes.()4)Youcantrecognizeanyobjectinabstractmodernart.()5)IntheRenaissance