第1題中國(guó)繪畫已經(jīng)有將近兩千年的歷史Chinesepaintinghasahistoryofnearlytwothousandyears第2題中國(guó)畫繪畫的“繪”自意思是“meeting”Theword"繪"inChinesepaintingmeans"meeting"第3題筆墨在中國(guó)繪畫中含義很廣并且極其重要PenandinkhaveawidemeaninginChinesepaintingandareextremelyimportant第4題墨代表的是西方繪畫中的明暗InkrepresentslightandshadeinWesternpainting第1題吳道子為唐代畫家，被稱為畫圣WuDaozilivedinTangdynastyandwasacclaimedasPainterSaint.

第2題宋代李公麟從白畫的畫稿中發(fā)展出素淡的白描LiGonglinofSongdevelopedthesimpleandunderstatedplaindrawingfromthesketchesofwhitepaintings.

第3題鐵線描線條纖細(xì)、循環(huán)往復(fù)、綿延不息，代表作北齊楊子華《北齊校書圖》、唐閻立本《歷代帝王圖》《步輦圖》

Theironwirelineisslender,andmovesinacircularandcontinuousmanner,representedbyNorthernQiScholarsCollatingClassicTextsbyYangZihuaofNorthernQi,ThirteenEmperorsScrollandEmperorTaizonginaSedanChairGreetingThreeEnvoysfromTibetbyYanLibenofTang.

第4題戰(zhàn)筆描代表作有周文矩《重屏?xí)鍒D》、梁楷《八高僧圖卷》ThetremulouslineisrepresentedbyPlayingChessbyDoubleScreensbyZhouWenjuandIllustrationstoEventsintheLivesofEightFamousMonksbyLiangKai.第5題吳道子的用筆不同于當(dāng)時(shí)世俗流行的畫風(fēng)WuDaozi'sbrushworkdidnotfollowthenormofhisday.

第6題高古游絲描又稱春蠶吐絲rchaicgossamerlineisalsoknownassilkwormspinningthreads.

第7題唐閻立本《歷代帝王圖》《步輦圖》采用行云流水描YanLibenofTangusedthescudding-cloud-and-running-waterlineinThirteenEmperorsScrollandEmperorTaizonginaSedanChairGreetingThreeEnvoysfromTibet.

第8題不同的描法適用于表達(dá)不同衣服的質(zhì)感、不同人物性格身份

Differentdrawingtechniquesservetorepresentdifferenttexturesofclothingandpersonalitiesofthefigures.第9題現(xiàn)傳《道子墨寶》為唐代吳道子原作，本是佛教壁畫的畫稿TheextantInkTreasureofWuDaoziwasanoriginalworkbyWuDaoziofTang,andacollectionofsketchesforBuddhistmurals.

第10題吳道子從觀看公孫大娘舞劍獲得線條表現(xiàn)的靈感WuDaozidrewhisinspirationoflinedrawingfromLadyGongsun'ssworddances.第11題李公麟《五馬圖》的描法以琴弦描為主

TheprincipaltechniqueusedinLiGonglin'sFiveTributeHorsesiszitherstringline.

第12題高古游絲描特點(diǎn)線條纖細(xì)、循環(huán)往復(fù)、綿延不息Thearchaicgossamerlineisslender,circularandcontinuous.

第三章測(cè)試Chapter3test第1題螞蝗描由蘭葉描而來(lái)Theleechlineevolvedfromtheorchidleafline.

第2題古人畫羅漢或古僧多用棗核描Mostancientpaintingsofluohansandmonksweredrawninthejujubepitline.

第3題梁楷是民間畫師LiangKaimainlypaintedforthecommonpeople.

第4題粗筆描有折蘆描、混描、蘭葉描、棗核描、竹葉描等

foldedrushleafline,mixedandlayeredline,orchidleafline,jujubepitlineandbambooleafline,etc.

第5題真正讓指墨畫綻放光彩是清代高其佩

FingerpaintingreallyflourishedinthehandsofGaoQipeioftheQingdynasty.

第6題梁楷《六祖撕經(jīng)圖》采用折蘆描

LiangKai'sTheSixthPatriarchTearingupaSutraemploysthefoldedrushleafline.

第7題潘天壽也作指墨畫PanTianshoualsopracticedfingerpainting.

第8題羊毫前段半透明的毛被稱為“引”Thetranslucentpartattheendofsheep’shairiscalled"lead".

第9題禿筆撅頭描多出現(xiàn)于山水，代表作有馬遠(yuǎn)《人物山水冊(cè)頁(yè)》Splitbrushlineismostcommoninlandscapepaintings,representedbyMaYuan'sAlbumofFigureandLandscapePaintings.

第10題馬和之《唐風(fēng)圖》《月色秋色》采用螞蝗描

MaHezhiadoptedleechlineinOdesofTangandBrightMoonamidSoundsofAutumn.

第11題梁楷早期作品《八高僧圖卷》《釋迦出山圖》《潑墨仙人圖》LiangKai'searlyworksincludeIllustrationstoEventsintheLivesofEightFamousMonks,SakyamuniLeavingHisMountainRetreatandImmortalinSplashedInk.

第12題梁楷被后人稱為禪宗畫家

LiangKaiisconsideredasaChanpainterbylatergenerations.

第四章測(cè)試Chapter4test第1題整畫首尾相連，同一人物反復(fù)出現(xiàn)謂之“移步換景”Ifascrollisend-to-endandacharacterappearsmanytimes,thispaintingtechniqueiscalled“changingsceneswithinsteps.”

第2題李嵩的畫作多用接近于白描的手法進(jìn)行表現(xiàn)LinedrawingisadoptedinmostofLiSong’spaintings.

第3題風(fēng)俗畫始于漢盛于唐TheChinesegenrepaintingstartedintheHandynastyandblossomedintheTangdynasty.

第4題寫實(shí)主義的作品中有相當(dāng)多的一部分作品用來(lái)描繪宮廷生活A(yù)greatnumberofrealismpaintingsareaboutcourtlife.第5題兩宋時(shí)期是我國(guó)人物畫發(fā)展的全盛時(shí)期TheChinesefigurepaintingfloweredduringtheNorthernSongandSouthernSongdynasties第6題李嵩的貨郎圖采用工筆重彩的方式進(jìn)行表現(xiàn)MeticulousstyleandenrichedcolorsareusedinLiSong’sPedder.

第7題風(fēng)俗畫是李嵩最擅長(zhǎng)的一類作品

LiSongwasbestatgenrepainting.

第8題《清明上河圖》《骷髏幻戲圖》是李嵩的作品SkeletonFantasyShowandAlongtheRiverduringtheQingmingFestivalareLiSong’sworks.╳第9題除了《骷髏幻戲圖》很少有中國(guó)畫作品會(huì)如此寫實(shí)地描繪骷髏形象

ExceptSkeletonFantasyShow,Chineserealisticpaintingsarerarelyaboutskeletons.

第10題宋代風(fēng)俗畫作品多用工筆重彩的方式進(jìn)行描繪MeticulousstyleandenrichedcolorswereusedinmostgenrepaintingsduringtheSongdynasty.

第11題《骷髏幻戲圖》采用宋畫較為典型的半邊式構(gòu)圖

Half-sidecomposition,atypicalpaintingmethodduringtheSongdynasty,isadoptedinSkeletonFantasyShow.第12題《韓熙載夜宴圖》采用工筆淡彩進(jìn)行表現(xiàn)

MeticulousstyleandlightcolorareappliedinNightRevelsofHanXizai.

第五章測(cè)試Chapter5test第1題中國(guó)畫設(shè)色的依據(jù)為光影下物象所顯現(xiàn)的色彩ThecoloringofChinesepaintingisconsistentwiththetruecolorofobjects.

第2題敦煌壁畫多用赭石土紅類顏色起稿，與西方繪畫起稿方式相類似ThemuralsofDunhuangGrottoesaredraftedinochreorsoil-red,similartothedraftofwesternpaintings.

第3題敦煌壁畫的藝術(shù)形象依靠模仿對(duì)象來(lái)達(dá)到逼真的效果ThevividnessofartisticimagesinthemuralsofDunhuangGrottoesisrealizedthroughimitation.

第4題傳統(tǒng)中國(guó)畫用色不以豐富多彩見長(zhǎng)TraditionalChinesepaintingdoesnotexcelinrichcolors.

第5題傳統(tǒng)中國(guó)畫用色多根據(jù)畫家自身的內(nèi)心情感與藝術(shù)格調(diào)氣息ThecoloringoftraditionalChinesepaintingdependsonthepainter’smentalityandartisticstyle.

第6題中國(guó)傳統(tǒng)高染法在西魏時(shí)期進(jìn)入畫家們的視野

TraditionalhighcoloringcameintotheviewofpaintersintheWesternWeidynasty.

第7題敦煌壁畫表現(xiàn)空間是以一個(gè)瞬間的單一視點(diǎn)為依據(jù)ThespaceofmuralsofDunhuangGrottoesisdisplayedfromasingleperspectiveataninstant.

第8題敦煌壁畫中用筆只體現(xiàn)在線條的勾勒描繪Themovementofbrushtiponlyplaysanimportantroleinsketchingmurals.

第9題高染法主要暈染物象形體的高處或凸起處

Highcoloringisusedinshadingbulgeandhighpartsofobjects.

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