PLAYTHEGUITAR10級(jí)電信一班劉雨帆GuitarhistoryHerefollowsabriefTimeline1265JuanGilofZamoramentionstheearlyguitarin"ArsMusica.1283-1350GuitarraLatina&GuitarMorescaarementionedmultipletimesinthepoemsoftheArchpriestofHita1306A"gitarer"wasplayedattheFeastofWestminsterinEngland1404"Dermynnenregein"byEberhardVonCersnemakesreferencetoa"quinterne."1487JohannesTinctorisdescribedtheguitarraasbeinginventedbytheCatalans.Thisreferstothefourcourseguitar.Eachcourserepresentsonepairofdoublestrings.1546"TresLibrosdeMusicaenCifrasparaVihuela"byAlonsoMudarraisthefirstpublicationtoincludemusicforguitar.1551-1555NinebooksoftablaturewerepublishedbyAdrianLeRoy.Theseincludethefirstpiecesfor5courseguitar.TheadditionofthefifthcoursewasattributedtoVicenteEspinel1600-1650Manypublicationsoftablaturefortheguitar.It'spopularitybeginstorivalthelute.1674Publicationof"GuitarreRoyal"byF.Corbettaincreasedtheguitar'spopularity.ItwasdedicatedtoLouisXIV.1770-1800Asixthstringwasaddedtotheguitarandthecourseswerereplacedbysinglestrings.1800-1850Guitarenjoyedalargepopularitybothinperformancesandpublishing.FernandoSor,MauroGuiliani,MatteoCarcassiandDionisoAguadoallperformed,taught,wroteandhadpublishedtheircompositions.1850-1892GuitarmakerAntoniodeTorresdevelopsthelargermoreresonantinstrumentweknowtoday.1916SegoviaperformsatAteneo,themostimportantconcerthallinMadrid.Beforethisitwasthoughtthattheguitardidnothavethevolumeforthistypeofvenue.1946NylonreplacesgutasastringmaterialAboutguitarFolkGuitarFolkguitarisfunandeasytoplay.Itmostlyconsistsofsimplechordswithsomebassruns.MostofthetimeIhitabassnoteonthedownbeatandstrumontheupbeat.WhenIplaythis"boom-chuck"bymyselfthereisn'tmuchofamelody;butwhenIplaywithafiddle,thereissomegoodmusicbeingmade.ElectricguitarAnelectricguitarisaguitarthatusestheprincipleofdirectelectromagneticinductionorpiezoelectricitytoconvertvibrationsofitsmetalstringsintoelectricaudiosignals.Inventedin1931,theelectricguitarbecameanecessityasjazzmusicianssoughttoamplifytheirsound.Sincethen,theelectricguitarhasbecomethemostimportantinstrumentinpopularmusic.Ithasevolvedintoastringedmusicalinstrumentthatiscapableofamultitudeofsoundsandstyles.Itservedasamajorcomponentinthedevelopmentofrockandrollandcountlessothergenresofmusic.Classical

guitarTheclassicalguitar(alsocalledclassicguitar,Spanishguitar,nylon-stringguitarorconcertguitar)isa6-stringedpluckedstringinstrumentfromthefamilyofinstrumentscalledchordophones.Theclassicalguitariswellknownforitscomprehensiverighthandtechnique,whichallowsthesoloisttoperformcomplexmelodicandpolyphonicmaterial,inmuchthesamemannerasthepiano.FlamencoguitarThetraditionalflamencoguitarismadeofSpanishcypress,sycamore,orrosewoodforthebackandsides,andspruceforthetop.This(inthecaseofcypressandsycamore)accountsforitscharacteristicbodycolor.Flamencoguitarsarebuiltlighterinweightthanclassicalguitars,whichproducesa“brighter”andmorepercussivesoundquality.HawaiianguitarThisguitar'sstringsareraisedatboththenutandbridgeendsofthefingerboard,typicallytoabouthalfaninch.Thestringsaretoohightocontactthesurfaceoftheneck,sofrets,ifpresent,areonlyforreferenceandareoftenreplacedbymarkers.Somelapsteelguitarscanbeconvertedbetweenlapandfrettedplaying,oraremodifiedversionsofconventionalguitars—theonlydifferenceisusuallystringheight.Round-neckedresonatorguitarssetupforsteelplayingfallintothiscategory.MyfavoriteguitarplayerBytheageof6,in1961,hewasaworkingprofessionalmusician.Afterhisfatherdiedin1966,thefamilysettledinParkes.TommyeventuallymovedtoSydneywherehecametobenoticednationallywhenhewonastringoftalentcontestsinhisteenyears.In1994AustralianmusicveteranJohnFarnhaminvitedhimtoplayguitarnexttoStuartFraserfromNoiseworksfortheConcertForRwanda.EmmanuelbecameamemberofFarnham'sband.InlateJanuary2010,havingbeendeeplytouchedbythetragic2010Haitiearthquakeearlierinthesamemonth,Emmanuelannounced[7]thathewouldbeauctioningoffthreeguitars,thathepersonallyplayedandowned,oneBay,inordertoraisemoneytodonatetoUNICEFinHaiti.EmmanuelwasborninAustraliain1955.Hereceivedhisfirstguitarin1959atagefour,beingtaughtbyhismothertoaccompanyherplayinglapsteelguitar.Attheageof7heheardChetAtkinsontheradio.KotaroOshioKotaroOshiowasborninOsaka,JapanonFebruary1st,1968.Whiletherearemanysologuitarplayerswhoplaynylon-stringguitar,Oshiotookthechallengeofmasteringasteel-stringacousticguitarinahighlyuniquestyle.ItwasOshio’sstrongdesiretobringoutthemaximumcapacityofanacousticguitarthatimpelledhimtoboldlyemployvarioustechniquessuchasopentuningandtapping.Oshioartfullyinfusesthoseinventivetechniquesintotheemotionalcoreofeachofthesongson“STARTINGPOINT”-ratherthanoverpowering,Oshio'sastonishingtechniqueenhanceshislyricalinterpretations.Fromthewhimsicaltothebittersweet,Oshiobringsscienceandpoetryintoperfectharmony.KotaroOshiowasborninOsaka,JapanonFebruary1st,1968.Whiletherearemanysologuitarplayerswhoplaynylon-stringguitar,Oshiotookthechallengeofmasteringasteel-stringacousticguitarinahighlyuniquestyle.SunghaJungSeonghaJeong(???)(colloquially:SunghaJung)(born2September1996)isaSouthKoreanprofessionalacousticfinger-styleguitaristwhohasrisentofameonYouTubeandothersites.Hisfirstguitarcoverwas"Anak"byFredieAguilar.Asof2012,hischannelhadover17milli