PocketLandscape——SunkengardeninBeijing口袋景觀案例分析——凹陷公園content目錄ThedefinitionofpocketlandscapeDesignconceptaboutsunkengardenThezoningoflandscapeTheanalysis

ofstructureTheanalysisoftrafficflowSectiondrawing口袋景觀定義凹陷公園設(shè)計(jì)理念景觀分區(qū)結(jié)構(gòu)分析交通流線分析剖面及效果圖ThedefinitionofpocketlandscapePocketLandscape

alsoknownasPocketparks,referstosmallurbanopenspace,oftenshowPatchesscatteredorhiddenintheurbanstructure.Avarietyofsmallgreenspaceinthecity,smallerparks,StreetGardens,communitiesofsmallpocketLandscapearecommon.

PocketLandscape

isanewformofurbanopenspaces,anditisanimportantcomponentofurbangreensystem.口袋景觀也稱袖珍公園，指規(guī)模很小的城市開(kāi)放空間，常呈斑塊狀散落或隱藏在城市結(jié)構(gòu)中。城市中各種小型綠地、小公園、街道花園、社區(qū)小型運(yùn)動(dòng)場(chǎng)所等都是常見(jiàn)的口袋景觀?？诖坝^是城市開(kāi)放性空間中的一種新形式,是城市公園綠地系統(tǒng)的重要組成部分。美國(guó)達(dá)拉斯城市公園HAPA吸管公園上海Kik公園LocatedinFengTaidistrictinBeijingTheninthinternationalEXPOgardeninBeijingDesignconceptaboutsunkengarden靈感來(lái)源Gorge峽谷Conceptofgardengrottoes園林假山概念TheSitehasaverystrongsenseofspaceconflict.Thevisitorscanparticipate,climbingtours,explore,feeldifferentlatitudeinthegarden.In

thegardens,frombelowtoabove,fromtheinsidetotheoutside,fromopentoclosed,itisdifferentlandscapesexperience.Theconceptofworkingwithasunkengroundcomesfromamissionoffabricatinganexperiencebothintimateandintensecombinedwithastrongfeelingofharmonywiththeenvironmentandintimatecontemplation.SunkengroundlooksatconceptspresentinSuzhougardenstradition,suchastherock,theoutcropandtheoccidentalequivalentofthegrottotothentravelinspaceandtimetotheimageofhanginggardensandfurtherontotheconceptofasunkencourtyard.Theresultisacombinationbothofintensedistortionsofthegroundandanacutesenseofthreedimensionally,whereonefeelsitselfdrapedbyconcrete,steelandvegetation,freetoexploreathickenedversionofamicrocosminaseriesofpocketlandscapesforreflection,relaxationandultimateplayfulness.本次設(shè)計(jì)的理念是凹陷的地表。這個(gè)設(shè)計(jì)理念來(lái)自于希望創(chuàng)造一種與環(huán)境親密并激烈相融的空間感覺(jué)。凹陷地表從傳統(tǒng)的中國(guó)蘇州園林（假山的堆疊）以及西方的石窟中吸取靈感。雖然在空間和時(shí)間上它們有所不同，但這種空中花園以及下沉式庭院的概念卻是異曲同工。本次設(shè)計(jì)敏銳地扭曲了地表空間，從而形成了強(qiáng)烈的三維感，使得人們感覺(jué)自己被水泥，土壤和植被包裹著，并可以自由探索一系列“口袋景觀”，而正是這些“口袋景觀”為游客提供了放松嬉戲的機(jī)會(huì)。Thezoningoflandscape

封閉口袋花園封閉口袋花園封閉口袋花園下沉花園上升花園上升花園Asifweweretravelingbothinspaceandtime,wearrivetotheancientideasofhanginggardens,wherevegetationisviewedfromtheunderneath.Thisgeneratesasenseofimmersioninnature,favoringretreatandreflectionwithinthevisitor.Thegardenalsoincludessunkengardenswhichstartfromadifferentpoint,enablingtoexperiencenaturefromabove,butalsoframetheskylinewhen

weareinsidethem,closingthelookofinside,outsideofnature.Itisperhapsthisconstanttravel

frominsidetooutsidenaturewhichshallletthevisitorunderstandamultilayeredrelationshiptonatureandtheenvironment,moreinlinewith

conceptsofharmonyandimmediacy.三類口袋花園在其中交替——上升花園、下沉花園、封閉花園?！吧仙▓@”中植被從上方俯瞰游人，讓人們產(chǎn)生一種浸在大自然中的感覺(jué)，游客們可以立刻對(duì)所看到的景觀產(chǎn)生強(qiáng)烈的回應(yīng)?！跋鲁粱▓@”則始于另一種相反的理念，使我們從俯瞰的角度體驗(yàn)自然?！胺忾]花園”則用封閉的小空間容納景觀進(jìn)行生態(tài)交流，人們可以從觀察孔觀察它的復(fù)雜性，以及平靜的演變過(guò)程。Theanalysis

ofstructure

Theanalysisoftrafficflow

Giventhatthesitehasastronglinearcharacter,thedesigntask

isthestructuringoftwocorridorsparalleltothemainaxis.Thelongercorridortakestheuserthroughastrongexperienceofbeingsurroundedbyconcrete,Endimmersedinadensevegetation

canopy.Thecanyoneffectisachievedthoughttheincorporationofoversizedpotswhichdelineatethepathandarebothmicrogardens

orpocketlandscapeswhichcanbeeitherenteredorobservedfromtheexterior.Thesecondcorridor,whichstemsfromthefirstone,movesfromthefeelingofbeingundertheLandscape,tothatofbeingontopoftheLandscape.Inordertodothis,agentleslopeplacesthespectatoronaslightlyupperposition,whilethepotisloweredslightly.Thecombineeffectrevertstheeffectofthemainaxisinsuchawaythatthehanginggardenshavegivenwaytoasunkengardeneastofthecorridor.Bothcorridorsarelinkedthroughaseriesoflandscapeterracesofdifferentmaterials,generatingadiversegroundwhichistheultimateresponsiblefordiversityandvarietyofexperiences.公園內(nèi)設(shè)計(jì)了兩個(gè)平行走廊式的主軸結(jié)構(gòu)。較長(zhǎng)的廊道引導(dǎo)游客從一個(gè)由混凝土圍合的空間中通過(guò)，最終沉浸在茂密的植被樹(shù)冠中。這條主要通道引領(lǐng)體驗(yàn)者沿路進(jìn)入“下沉花園”欣賞景觀，以及從外部觀賞“封閉花園”的生態(tài)系統(tǒng)演替，實(shí)現(xiàn)峽谷效應(yīng)。第二個(gè)廊道與第一個(gè)的感覺(jué)截然相反，是一種游走于景觀上方的體驗(yàn)，為了達(dá)到這種效果，第二個(gè)廊道連接了兩個(gè)上升花園，人們可以進(jìn)入上升花園，也可以在廊道上觀測(cè)上升花園里的景觀。兩個(gè)走廊由一系列不同材料的鋪裝相連，形成不同的地面景觀，從而產(chǎn)生景觀多樣性及不同的景觀心靈體驗(yàn)。SectiondrawingThepotsserveasmeanderingelementswithinthelargerlandscape,alargescaleversionoftraditionalSuZhougardencomponentoftherockboulderandtheminiaturizedlandscapewithintheflowofthesea.Onecanobserveeachobjectbutalsoimagineoneselfclimbingintoitinanactofintimaterelationshipwithnature.Someofthetraditionalgardensalsoincorporateanelementofcirculationwithintheserocks,sothattheybecomebothminiature,butalsobelvedereandobservation.封閉花園作為大型景觀的一種延伸，是傳統(tǒng)蘇州園林（假山空間的堆疊）的微型景觀的現(xiàn)代版本。人們可以觀察到每一個(gè)對(duì)象，想象自己在其間游走并與自然產(chǎn)生親密的關(guān)系。一些傳統(tǒng)的花園也納入到這些混凝土的巖石元素，使他們成為山川大地的縮影。SunkenGroundconceptusesthesetraditionstogenerateadiverseexperiencewherethelevelsinsidethepotsarethoughtsothatvisitorscanexperiencethefullthreedimensionalityofthepark,climbingtothetopofthepot,lookin