緒論單元測(cè)試Theteachinggoalofthiscourseistoimprovestudents’understandingandaestheticappreciationofEnglishMoviesbyillustratingessentialfilm-makingelementsincludingshots,Mise-en-Scène,narrative(classicthree-actlinearstructure,basicstories),genre,character&performanceetc.

A:對(duì)

B:錯(cuò)

答案:A

Thecontentofthiscourseincludesixchapters:style,narrative,artists&awardsandthreemajorGenresofEnglishMoviesincludingtheirdefinition,characteristics,classification,representativesandmasterpieces.

A:對(duì)

B:錯(cuò)

答案:AChapteroneincludesMise-en-Scène,theideologyofclassicalHollywoodcinemaandgenres.

A:錯(cuò)

B:對(duì)

答案:BBasicstories

andthree-actlinearstructurewillbethefocusinchaptertwoNarrative.

A:對(duì)

B:錯(cuò)

答案:A

TherearecasestudiesinchaptersofRomanceandSocialDramafilms.

A:對(duì)

B:錯(cuò)

答案:A第一章測(cè)試Whichofthefollowingshotscangiveaudienceasenseofimmediacy?

A:Hand-heldshots

B:Tilt

C:Pan

D:Tracking

答案:AWhichofthefollowingshotscangiveaudiencea“bird’seyeview”andthuscreatesasenseofomniscience？

A:Lowangleshots

B:Craneshots

C:Overheadshots

D:Wide-anglelens

答案:CWhichgenreisNOTcategorizedonthebasisoftheeffectproducedontheaudience？

A:Horror

B:

Comedy

C:Thriller

D:

Action

答案:DWhichoftheCriteriaisNOTusedtodefinegenericcategories?

A:Editing

B:Subjectmatter

C:Style

D:Formalproperties

答案:AWhichofthefollowingfilmsisNOTtheblockbuster?

A:Avatar

B:Titanic

C:Matrix

D:TheDallasBuyersClub

答案:DAccordingtoRobinWood,whichofthefollowingstatementsisNOT

theideologyofclassicHollywoodcinema

A:Marriageandhome

B:Equalityandfeminism

C:Enterpriseandinitiative

D:Progressandtechnology

答案:B

WhichofthefollowingmoviesisNOTdefinedbyitssubjectmatter?

A:Romance

B:Fantasy

C:SocialDrama

D:Musical

答案:DThisideologyisneverstatedexplicitly,butcanneverthelessbedetectedthroughthesetofvaluesandassumptionsunderlyingHollywoodfilmoftheperiod.

A:錯(cuò)

B:對(duì)

答案:BClassicalHollywoodexplicitlyextols

successandwealthbutisatthesametimeashamedtodosoandseekstocoveritstrackswithacontradictoryideologyof“moneyisn’teverything;moneycorrupts;thepoorarehappier”

A:對(duì)

B:錯(cuò)

答案:BBoththeWesternandthemusicalconstitutewell-definedgenres,theformerisnowbasicallyextinct,andthelatterverynearlyso.

A:錯(cuò)

B:對(duì)

答案:B第二章測(cè)試Theprotagonistofthe（

）storyusuallybeginsinalowlypositionbut,throughhisgoodnature,convincesalldoubtersandisrewarded.

A:Faust

B:Cinderella

C:Candide

D:Tristan

答案:BWhichofthefollowingbasicstoriesisgenerallya“happyending”story?

A:RomeoandJuliet

B:Faust

C:Candid

D:Achilles

答案:CWhatof

thefollowingbasicstoriesisusuallyavariantoftheclassicaltragedy?

A:Faust

B:

Cinderella

C:Achilles

D:

Candide

答案:CWhichoneasfollowsisthefunctionofpointofnoreturn?

A:Protagonistbecomestrulycommittedtohisgoal

B:Incidentthatdisturbslifeofprotagonist

C:Grabsattentionofaudience

D:Posesquestiontobeexplored

答案:AWhicheventasfollowshasthefunctionthatposesquestiontobeexplored?

A:

Pointofnoreturn

B:Incitingincident

C:Thekeyline

D:

Thehook

答案:CActIwillalsogiveenoughinformationtoallowtheaudiencetoknowthebasic

story

towhichthefilmbelongs,andthustoknowroughlywhattoexpectofit.

A:對(duì)

B:錯(cuò)

答案:BTurningpointone

is

ascenethatpresentstheprotagonistwithaproblemthatdisturbsthenormalityandpredictabilityoflife.

A:對(duì)

B:錯(cuò)

答案:BTheturningpointdiffersfromtheincitingincidentinthatitisassociatedwithsomedecisiveactiontakenbytheprotagonistthatdramaticallyraisesthestakesandincreasesthedangerlevel

A:對(duì)

B:錯(cuò)

答案:A

Theturningpointtwoisthemomentatwhichtheprotagonistfaceshisgreatestchallengeandeitherdefeatshisopponentsorisdefeated

A:對(duì)

B:錯(cuò)

答案:BPlotistheviewer’simaginaryconstructionofalltheeventsinthenarrativewhilestoryisthefilm’sactualpresentationofcertaineventsinthenarrative.

A:對(duì)

B:錯(cuò)

答案:B第三章測(cè)試Whichinternationalfilmfestivalasfollowshasthelongesthistory?

A:ShanghaiInternationalFilmFestival

B:VeniceFilmFestival

C:

MoscowInternationalFilmFestival

D:TokyoInternationalFilmFestival

答案:B

WhowontheAcademyHonoraryAwardfor“forthecreationof

MickeyMouse”intheyear1932?

A:WaltDisney

B:ShirleyTemple

C:

CharlieChaplin

D:GeorgeLucas

答案:AForpersonalityactors,eithertheymustfitexactlytherolesinwhichtheyarecast,ortherolesmustbetailoredtofittheirpersonality.

A:錯(cuò)

B:對(duì)

答案:BForinterpretersandcommentators,theyinterprettheirpartsdramaticallywhollylosingtheirownidentity.

A:對(duì)

B:錯(cuò)

答案:B

Interpretersandcommentatorsattempttoradicallychangetheirindividualpersonalitytraits,physicalcharacteristics,orvoicequalities.

A:對(duì)

B:錯(cuò)

答案:BImpersonatorscancompletelysubmergethemselvesinarole,alteringtheirpersonal,physical,andvocalcharacteristicstosuchadegreethattheyseemtobecomethecharacter.

A:錯(cuò)

B:對(duì)

答案:BThemovieactorisultimatelyatoolofthedirector–another“l(fā)anguagesystem”thatthefilmmakerusestocommunicateideasandemotions.

A:錯(cuò)

B:對(duì)

答案:BEditingisanimportantstylisticelementbecauseitaffectstheoverallrhythmorpaceofthefilm.

A:錯(cuò)

B:對(duì)

答案:BTypicalcriticismoftheAcademyAwardsforBestPictureisthatamongthewinnersandnomineesthereisanover-representationofcertain

genres

such

ashorrorandSci-fi.

A:錯(cuò)

B:對(duì)

答案:AThefirstAcademyAwardsortheOscarswerehandedoutonMay16,1929,movieshadjustbeguntotalk.

A:錯(cuò)

B:對(duì)

答案:B第四章測(cè)試Assoulmates，theyshareasimilar_______thathelpthemdevelopintomorematureandwell-roundedpeople.

A:value

B:familybackground

C:worldview

D:

interests

答案:B

isoneofthecharacteristicsofromancefilms.

A:Tragicending

B:Emotionalexperience

C:

Reflectionofreality

D:Escapesandfantasies

答案:BWhichofthefollowingelements

isNOTinConsummatelove?

A:

intimacy

B:commitment

C:loyalty

D:

passion

答案:CRomance

usually

play

adispensable

part

in

the

other

genre

films

A:對(duì)

B:錯(cuò)

答案:BRomancefilmsmakethelovestoryorthesearchforlovethemainplotfocus.

A:錯(cuò)

B:對(duì)

答案:B

Cinderellaconveysthemessageinromancefilms:Goodpeoplewithluckashisshielddeservehappyendings.

A:錯(cuò)

B:對(duì)

答案:ASoulmatesshareasimilarworldview,valueandeducationbackground.

A:錯(cuò)

B:對(duì)

答案:AThefunctionoftragic-endingromanceistoreflectthereality.

A:對(duì)

B:錯(cuò)

答案:ARomancefilmsarelovestories,oraffairsoftheheartthatcenteronpassion,emotion,andtheromantic,affectionateinvolvementoftheromancecharacters.

A:對(duì)

B:錯(cuò)

答案:B

SomebeautiesasVivienLeighmadethetragic-endingromancemuchmoreconvincingandunforgettable.

A:對(duì)

B:錯(cuò)

答案:A第五章測(cè)試RacialdesegregationintheUnitedStates,mostoftenreferstothelegallyorsociallyenforcedseparationofAfricanAmericansfromotherraces.

A:對(duì)

B:錯(cuò)

答案:BForrestandJennyhavecoverednearlyallofthelandmarksofculturalhistoryfrom1950sto1980s.

A:對(duì)

B:錯(cuò)

答案:AThebestsocialdramaavoiddidacticismbypresentingthesocialproblemfromtheperspectivesofbothitsvictims.

A:對(duì)

B:錯(cuò)

答案:AForrestGump(1994)is“acomedy,adrama,

or

adream”reviewedbyRogerElbert.

A:錯(cuò)

B:對(duì)

答案:BAsocialdramafilmshowsushumanbeingsattheirbest,theirworst,andeverythingin-between.

A:對(duì)

B:錯(cuò)

答案:AA

Science

fiction

shouldbeinstructiveaswellasentertaining.

A:錯(cuò)

B:對(duì)

答案:AThefunctionofsocialdramafilmsis“totellaudiencesomething,tomakepeoplethink,toinitiateadialogue”.

A:錯(cuò)

B:對(duì)

答案:BSocialdramastemfromthemostnobleandhonorablemotive.

A:對(duì)

B:錯(cuò)

答案:ASympatheticperspectivetowardsthevictimisoneoftheconventionstodefineasocialdrama.

A:錯(cuò)

B:對(duì)

答案:BDramaticfilmsareprobablythelargestfilmgenrebecausetheyincludeabroadspectrumoffilms.

A:錯(cuò)

B:對(duì)

答案:B第六章測(cè)試Thesciencefictionfilmshasdealtwiththeimpactonmankindofthenewandtheunknown,whetherintheformofmysteriousalienbeingsorradicaltechnologicalinnovation

A:錯(cuò)

B:對(duì)

答案:BTheworldoffantasymaybeunreal,butusuallyitwillbelogicallycoherent

A:對(duì)

B:錯(cuò)

答案:BThesciencefictionfilmsareintellectually“open”tonewideasandexperie