Unit1重點(diǎn)句

P2-3:1.PerhapsthebestwaytounderstandWesternartistolookatthedevelopmentofWesternpaintingoverthecenturies.2.Thus,artistswerenotinterestedinpaintingrealisticscenes.3.Inparticular,hispaintingsaresetapartfromotherpaintingsbytheirrealistichumanfacesanddeepemotionalimpact.4.NewideasandvaluesgraduallyreplacedoldonesfromtheMiddleAges.5.Asaresult,paintersconcentratedlessonreligiousthemes.6.Theybegantoadoptamorehumanisticattitudetolife.7.Insubjectmatter,theemphasisincreasinglyshiftedfromreligiousthemestopeopleandtheworldaroundus.8.Finally,mostclientswantedpaintingsthatwerebeautifulandinterestingtolookat.9.Afterthat,paintingswerenolongerneededtopreservewhatpeopleandtheworldlookedlike.10.Monet'saimwastoconveythelightandmovementinthescene--thesubjectiveimpressionthescenegavehim--butnotadetailedrecordofthesceneitself.11.Hesoughttoshownotjusttheouterimageofhissubjects,buttheirinnerwarmthandhumanityaswell.12.Whattheyattemptedtodowasnolongershowreality,butinsteadtoaskthequestion,"whatisart?"1.也許了解西方藝術(shù)的最好方法就是看看幾個(gè)世紀(jì)以來(lái)西方繪畫的發(fā)展。2.因此，藝術(shù)家對(duì)寫實(shí)場(chǎng)景不感興趣。3.尤其是他的畫作，因其逼真的人物面貌和深刻的情感沖擊，而從其他畫作中脫穎而出。4.新的思想和價(jià)值觀逐漸取代了中世紀(jì)的思想和價(jià)值觀。5.因此，畫家較少關(guān)注宗教主題。6.他們開始采取一種更人性化的生活態(tài)度。7.在題材上，重點(diǎn)逐漸從宗教主題轉(zhuǎn)移到人和我們周圍的世界。8.最后，大多數(shù)客戶都想要看起來(lái)美麗且有趣的畫作。9.在那之后不再需要繪畫來(lái)保存人和世界的面貌了。10.莫奈的目的是傳達(dá)場(chǎng)景中光線和運(yùn)動(dòng)一場(chǎng)景給他的主觀印象，而不是場(chǎng)景本身的詳細(xì)記錄。11.他不僅試圖展示他的人物的外在形象，而且還展示了他們內(nèi)心的溫暖和人性。12.他們?cè)噲D做的不再是展示現(xiàn)實(shí)，而是提出一個(gè)問(wèn)題“什么是藝術(shù)？"P8：1.BornduringtheMingDynasty,Tangsoughtandfailedtogainentryintothecivilservice,soheturnedtopaintinginstead.2.Intime,hegainedrecognitionasoneofthegreatestartistsChinahaseverknown.3.Thispainting,showinghighmountains,treesandhousescoveredinshow,wasmadewithextraordinaryskill.4.Thoughitisover500yearsold,itlooksasfreshandfulloflifeasthedayitwascreated.5.Whiletheartistswhomadethesegreatworksarenotknown,theyshowedgreatskillincreatingthesebeautifulpieces.6.SomeoftheitemsondisplayarethoughttohavecomefromthecollectionofEmperorQianlong.7.EventhoughBuddhismenteredChinamuchearlier,itdidnotreallybegintoshowexpansionuntiltheseventeenthcentury.8.Duringthissameperiod,tradealongtheSilkRoadalsoboomed.9.TheseworkswereintendedtospreadBuddhismandtheyareofexceptionalbeautyandquality.10.Lookingatthefacesofthefiguesinthesesculptures,oneseesthefacesofthepast.11.Historyisbroughttolife.12.Thisisjustasmalltasteofwhatisinstoreforyouinthisexhibition.13.Noonewillbeadmittedintotheexhibitionafter4：30p.m.14.Nophotosorfoodanddrinkareallowedinthemuseum.1.出生于明朝，但唐寅以未能進(jìn)入國(guó)民服務(wù)，因此，他轉(zhuǎn)而從事繪畫。2.隨著時(shí)間的推移，他被公認(rèn)為中國(guó)有史以來(lái)最偉大的藝術(shù)家之一。3.這幅畫作運(yùn)用非凡的技巧，展現(xiàn)了高山樹木和被雪覆蓋的房屋。4.雖然它已經(jīng)有500多年的歷史了，但它看起來(lái)與它創(chuàng)建之日時(shí)一樣清新，充滿生機(jī)。5.雖然創(chuàng)作這些偉大作品的藝術(shù)家并不為人所知，但他們?cè)趧?chuàng)造這些精美作品時(shí)展現(xiàn)了高超的技巧。6.一些展覽的物品被認(rèn)為來(lái)自乾隆皇帝的收藏。7.即使佛教進(jìn)入中國(guó)的時(shí)間要早得多，但直到公元七世紀(jì)才真