Loveofbeautyistaste.Thecreationofbeautyisart.-RalphWaldoEmerson

對美的喜愛是品味。對美的創(chuàng)造是藝術(shù)。-拉爾夫?沃爾多?愛默生SchoolofAthens（《雅典學(xué)園》）byRaphael(拉斐爾,1483-1520)Doyouknowaboutthispainting?SchoolofAthens《雅典學(xué)院》Lead-inWhatkindsofartdoyouknow?danceliteraturemusicoperafilmpaintingarchitecturesculptureLookatotherpaintingsandanswerthequestions.Whatdoyouknowaboutthem?Doyouknowwhopaintedthem?Canyoumatchthepaintingswiththepainters?

Picasso畢加索DaVinci達(dá)芬奇Monet莫奈VanGogh梵高Whatdoesthepassagemainlytalkabout?Itmainlytalksaboutthemostimportantstylesof____________infourperiods,includingtheMiddleAges,______________,_____________,____________.WesternarttheRenaissanceImpressionismModernArtFastreadingHowWesternartdeveloped2.What's

the

order

of

this

article?A.time

order

B.spatial

order

C.logical

order3.What’sthefunctionofthefirstparagraph?A.Ittellsuswhatartis.B.Itstressestheimportanceofart.C.Itintroducesthetopic.D.IttellsushowtheImpressionistpaintingsdeveloped.ASHORTHISTORYOF

WESTERNPAINTINGFast

readingCanyoudividethepassageintodifferentparts?IntroductionDifferentperiodsofwesternpaintingTheMiddleAges(5th-15th)TheRenaissance(14th-17th)Impressionism(19th-20th)ModernArt(20th-)Para2Para3-5Para6-7Para8ReadforstructureAShortHistoryofWesternPaintingWhatisWesternart?Itishardtogiveaprecisedefinition.AstherehavebeensomanydifferentstylesofWesternart,itisimpossibletodescribethemallinashorttext.PerhapsthebestwaytounderstandWesternartistolookatthedevelopmentofWesternpaintingoverthecenturies.Para.1Religious_________themesFindWork(s)oftheMiddleAgesPara.2TheMiddleAges(fromthe5thtothe15thcentury)DuringtheMiddleAges,thepurposeofWesternartwastoteachpeopleaboutChristianity.Thus,artistswerenotinterestedinpaintingrealisticscenes.Theirworkswereoftenprimitiveandtwo-dimensional,andthemaincharacterswereoftenmademuchlargerthaneveryoneelsetoshowtheirimportance.Thisbegantochangeinthe13thcenturywithGiottodiBondone(1267-1337).Whilehispaintingsstillhadreligiousthemes,theyshowedrealpeopleinarealenvironment.Inparticular,hispaintingsaresetapartfromotherpaintingsbytheirrealistichumanfacesanddeepemotionalimpact.GiottodiBondone喬托·迪·邦多納

猶大之吻Activity2:DetailedReadingReadpara.2andfillintheform.TheMiddleAges1.primitiveand_____________2.maincharacterswere____________3._________themes4.showed____________ina________________(13thcentury)TheMiddleAgesTimepurposeCharacteristicsofthepaintingsArtistslargerreligioustwo-dimensionalrealpeoplerealenvironmentteachpeopleaboutChristianityfromthe5thtothe15thcenturyGiottodiBondonePara.2TheMiddleAges(fromthe5thtothe15thcentury)1.thepurposeof······的目的2.werenotinterestedin

對······不感興趣3.showtheirimportance

顯示出他們的重要性4.religiousthemes

宗教主題5.Inparticular

尤其是6.setapartfrom

使與眾不同7.realistichumanfaces

逼真的人物面貌8.deepemotionalimpact

深刻的情感沖擊Para.3TheRenaissance(fromthe14thtothe17thcentury)NewideasandvaluesgraduallyreplacedoldonesfromtheMiddleAges.Asaresult,paintersconcentratedlessonreligiousthemes.Theybegantoadoptamorehumanisticattitudetolife.AnimportantbreakthroughduringthisperiodwastheuseofperspectivebyMasaccio(1401-1428).InfluentialpainterssuchasLeonardodaVinci(1452-1519),Michelangelo(1475-1564),andRaphael(1483-1520)builtuponGiottoandMasaccio’sinnovationstoproducesomeofthegreatestartthatEuropehadeverseen.新的思想和價值觀逐漸取代了中世紀(jì)的思想和價值觀。因此，畫家較少關(guān)注宗教主題。他們開始持一種更人性化的生活態(tài)度。這一時期的一個重要突破是馬薩喬（1401-1428）對透視法的運用。一些頗具影響力的畫家，例如萊昂納多·達(dá)·芬奇（1452-1519）、米開朗琪羅（1475-1564）和拉斐爾（1483-1520），在喬托和馬薩喬的創(chuàng)新基礎(chǔ)上繼續(xù)發(fā)展，創(chuàng)造出歐洲前所未有的一些最偉大的藝術(shù)作品。Masaccio馬薩喬(1401-1427)MadonnawithChildandAngels《圣母子》Crucifixion《三位一體》WorksoftheRenaissanceRaphael(1483-1520)拉斐爾TheWomanwiththeVeil《披著面紗的女人》SistineMadonna《西斯廷圣母》WorksoftheRenaissanceTheLastSupper《最后的晚餐》LeonardodaVinci

達(dá)芬奇Whichoneusesperspective?HolyTrinity

《圣三位一體》

byMasaccio馬薩喬Perspective（透視法）Itistheartofcreatinganeffectofdepthanddistanceinapicturebypresentingpeopleandthingsasbeingsmallerthanthosearenearerthefront.SchoolofAthensbyRaphaelPara.3TheRenaissance(fromthe14thtothe17thcentury)1.Asaresult

因此，結(jié)果2.concentrate

on集中精力于；全神貫注于3.adoptamorehumanisticattitudeto

持一種更人性化的生活態(tài)度4.importantbreakthrough

重要的突破5.theuseofperspective

透視法的運用Anotherinnovationwastheuseofoilpaints.Withtheirdeepcoloursandrealism,someofthebestoilpaintingslooklikephotographs.WhilepaintersasearlyasDaVincihadusedoil,thistechnique

reacheditsheightwithRembrandt(1606-1669),whogainedareputationasamasterofshadowandlight.Insubjectmatter,theemphasisincreasinglyshiftedfromreligiousthemestopeopleandtheworldaroundus.Kings,nobles,andpeopleofhighrankwantedtopurchaseaccuratepicturesofthemselvesandthepeopletheyloved.Otherswantedpaintingsshowingimportanthistoricaleventsorstoriesfrommythology.Finally,mostclientswantedpaintingsthatwerebeautifulandinterestingtolookat.Para.4-5Para.4-5TheRenaissance(fromthe14thtothe17thcentury)1.asearlyas

早在---時期2.reachitsheight

達(dá)到頂峰3.gainedareputationas

作為······獲得名譽4.amasterofshadowandlight

光影大師5.shiftedfrom···to···從···向···轉(zhuǎn)變6.peopleofhighrank

上流階層的人們Activity2:DetailedReadingReadpara.3-5andfillintheform.1.less______________2.more_________________tolife3.useof_____________;useof__________4.deep_________and___________;5.looklike___________6.emphasisshiftedto____________________TheRenaissanceTimeCharacter-isticsofthepaintingsArtistsfromthe14thtothe17thcenturyreligiousthemeshumanisticattitudeperspectiveoilpaintscoloursrealismphotographspeopleandtheworldaroundusMasaccioLeonardodaVinci MichelangeloRaphael

RembrandtThedevelopmentofWesternartsloweduntiltheinventionofphotographyinthemid-19thcentury.Afterthat,paintingswerenolongerneededtopreservewhatpeopleandtheworldlookedlike.Hence,paintershadtofindanewwayoflookingattheirart.Fromthis,Impressionism

emergedinFrance.ThenameofthisnewmovementcamefromthepaintingbyClaudeMonet(1840-1926)calledImpression,Sunrise.Inthiswork,Monet'saimwastoconveythelightandmovementinthescene—thesubjectiveimpressionthescenegavehim—butnotadetailedrecordofthesceneitself.Para.6Impressionism(late19thtoearly20thcentury)WhilemanyImpressionistspaintedscenesofnatureordailylife,others,suchasRenoir(1841-1919),focusedonpeople.Unlikethecold,black-and-whitephotographsofthattimeperiod,Renoir’spaintingsarefulloflight,shadow,colour,andlife.Hesoughttoshownotjusttheouterimageofhissubjects,buttheirinnerwarmthandhumanityaswell.Para.7Impressionism(late19thtoearly20thcentury)ClaudeMonet莫奈ArrivaloftheNormandyTrain圣拉扎爾火車站Impression,Sunrise《日出印象》Renoir雷諾阿Para.6·7Impressionism(late19thtoearly20thcentury)1.theinventionofphotography

攝影技術(shù)的發(fā)明2.nolonger

不再=no···anylonger3.thesubjectiveimpression

主觀印象4.detailedrecord

詳細(xì)的記錄5.scenesofnatureordailylife

自然或日常生活的場景6.focusedon

關(guān)注7.arefullof

充滿=befilledwith8.outerimageofhissubjects

個體的外在形象9.innerwarmthandhumanity

內(nèi)心的溫暖和人性Activity2:DetailedReadingReadpara.6&7andfillintheform.1.inventionof_______________2.Paintingswerenotneededto____________________________1.aimedtoconvey___________________ratherthan_______________________2.paintedscenesof______________________3.fullof_______________________________4.showednotjust_______________but__________________________________ImpressionismTimeCharacter-isticsofthepaintingsArtistsphotographyrecordingrealisticdetailnature,dailylifeandpeoplelight,shadow,colour,andlife

ClaudeMonetRenoirtheirinnerwarmthandhumanityReasonspreservewhatthingslookedlikelightandmovementtheouterimagelate19thtoearly20thcenturyAfterImpressionism,subsequentartistsbegantoask,“Whatdowedonext?”PainterssuchasPicasso(1881-1973)triedtoanalysetheshapeswhichexistedinthenaturalworldbutinanewway,withCubism.Othersgavetheirpaintingsarealisticbutdream-likequality.Stillothersturnedtoabstractart.Whattheyattemptedtodowasnolongershowreality,butinsteadtoaskthequestion,“Whatisart?”Para.8ModernArt(fromthe20thcenturytotoday)WorksofModernArtPicassoPicasso(1881-1973)(Spanishcontemporaryartist)analysedtheshapesexistinginthenaturalworldinanewway,withCubism.Cubism立體主義立體主義是富有理念的藝術(shù)流派，它主要追求幾何形體的美，追求