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2022年大學(xué)英語考試模擬卷
(本卷共分為1大題50小題,作答時(shí)間為180分鐘,總分100分,60分及格。)
單位:姓名:考號(hào):
題號(hào)單選題多項(xiàng)選擇判斷題綜合題總分
分值
得分
一、單項(xiàng)選擇題(共50題,每題2分。每題的備選項(xiàng)中,只有一個(gè)最符合題意)
1.Isthereanythingmoreboringthanhearingaboutsomeoneelse'sdream
AndisthereanythingmoremiraculousthanhavingoneofyourownThe
voIuptuouspIeasureofHarukiMurakami'senthra11ingfictions-fu11of
enigmaticimagery,randomnonsense,andprofunditiesthatmayormaynot
holdupintheIightofday-remindsmeofdreaming.Likenootherauthor
Icanthinkof,Murakamicapturesthejuxtapositionsofthetrivialand
themomentousthatcharacterizedreamIife,thosecrazyincidentsthat
seemsovividinthemomentandsoblurryandpreposterouslateron.His
charactersIiveordinaryIives,boilingpastaforIunch,ridingthebus,
andblastingPrincewhileworkingoutatthegym.Thensuddenlyand
matter-of-factIy,theydosomethingutterlynuts,Iikestrikeupa
conversationwithacoquettishSiamesecat.OrmaybemackereIand
sardinesbegintorainfromthesky.InMurakami*sworld,thesethings
makecomplete,cock-eyedsense.LikemanyofMurakami*sheroes,Kafka
TamurainKafkaontheShorehasmorerewardingrelationshipswith
Iiteratureandmusicthanwithpeople.(Murakami9spassionformusic
isinfections;nothingmademewanttorushoutandpurchaseaBrahms
CDuntiIIreadhisSputnikSweetheart.)Onhis15thbirthday,Kafkaruns
awayfromhisTokyohomeforobscurereasonsrelatedtohisfamous
sculptorfather.Hischoiceofadestinationisarbitrary.Orisit
"Shikoku,Idecide.That,swhereI'IIgo...ThemoreIIookatthemap
—actua11yeverytimeIstudyit-themoreIfeelShikokutuggingatme."
OntheislandofShikoku,Kafkamakeshimselfafixtureatthelocal
Iibrary,wherehesettlesintoacomfortablesofaandstartsreadingThe
ArabianNights:"LikethegenieinthebottIetheyhavethissortofvitaI,
Iivingsenseofplay,offreedomthatcommonsensecantkeepbottIed
up."AsinaDavidLynchmovie,alItheIibrarystaffersarephiIosophicaI
eccentricsreadytoadvancethesurrealnarrative.Oshima,the
androgynousclerk,taIkstoKafkaabout(inevitably)Kafkaandthemerits
ofdrivingwhileIisterlingtoSchubert("adense,artistickindof
imperfectionstimulatesyourconsciousness,keepsyoualert.IfIIisten
tosomeutterlyperfectperformanceofanutterlyperfectpiecewhile
11mdriving,Imightwanttoclosemyeyesanddierightthere").The
tragicallyalluringheadIibrarian,MissSaeki,oncewroteahitsong
called"KafkaontheShore"—andmayormaynotbeKafka,slong-lost
mother.Alarmingly,shealsostarsinhiseroticfantasies.In
aIternatingchapters,MurakamirecordstheevenodderanticsofNakata,
asimpIemindedcatcatcherwhospendshisdayschattingwithtabbiesin
avacantTokyolot.Oneafternoon,amenacingdogleadshimtothehome
ofasadisticcatkiIlerwhogoesbythenameJohnnieWalker.WaIkerends
updeadbytheendoftheencounter;backinShikoku,Kafkaunaccountably
findshimseIfdrenchedinbIood.Soon,NakatatoobeginsfeeIingan
inexpIicablepuIItowardtheisland.IfthisplotsoundstotaIIy
demented,trustme,itgetsevenweirderthanthat.Likeadream,you
justhavetobethere.And,Iikeadream,whatthisdazzlingnovelmeans
-orwhetheritmeansanythingatalI—wemayneverknow.
Whatis"KafkaontheShore"
A.ItisafictionwrittenbyaheadlibrarianMissSaeki.
B.ItisanautobiographicalnovelofKafkaTamura.
C.ItisamovieadaptedfromHarukiMurakami,sbook.
D.Itisthenameofahitsonginanovelunderthesamename.
2.ThomasHardywrotethefollowingnoveIsEXCEPT
[A]GreatExpectations.
[B]TessoftheD'Urbervi1les.
[C]TheReturnoftheNative.
[D]UndertheGreenwoodTree.
3.Questions7and8arebasedonthefollowingnews.Attheendofthe
newsitem,youwiIIbegiven20secondstoanswerthequestions.Now
Iistentothenews.
JohnHolmesthoughtthattheBurmesegovernmentcouldbemore
followingtheconstitutionalreferendum.
A.naive
B.feasible
C.open
D.elastic
4.TheroadfromMiIduratoMerbein,innorth-westVictoria,isasadsight.
Manyofitsfarmsarecoveredwithwinegrapes,dyingonthevines.Farmers
plantedthevineshopingtocashinontheseeminglyendlessboomin
Australianwine.Butin2007theboomturnedtobust,forcingmanyfarmers
towalkawayfromgrapesandlandtheycannotsell.Overthepast15
yearsAustraIia'swineindustryhasbeenoneofitsgreatsuccessstories.
ExportrevenueslastyearreachedA$3billion($2.4biIIion),fourtimes
thefigurefrom1997.Britain,AmericaandCanada,amongthemost
competitivemarketsforwine,areAustralia'sthreebiggestcustomers.
ButthesufferinginplacesIikeMiIduraandnearbyRenmarkinSouth
AustraliaisasignthattheindustryfelIvictimtoitsownsuccess.
FlushedwithagrowingdemandforAustralianwines,agrapeshortage,
andsoaringgrapeprices,growersrushedtoplantmorevinesinthelate
1990s.In1998theyputinarecord16,000newhectares,doublethenew
pIantingstwoyearsearIier.In2005AustraIiaproducedaImost2mi11ion
tonsofwinegrapes,aquartermorethananalystssayitsmarketscan
absorb.ThencameAustralia'sworstdroughtinacentury.MiIduraand
Renmarkaresurroundedbydesert,andfruitfarmsandvineyardssurvive
onlywithirrigationfromtheMurrayRiver,theIifebloodofAustralia*
sagriculture.SmalIerfirms,whichsupplythebigwinemakerswithsome
oftheirgrapes,facedadoublewhammy:fallinggrapepricesandcuts
toirrigationwater.StephenStrachan,chiefexecutiveoftheWine-
makers'FederalionofAustraIia,reckonsthedroughtwasaturningpoint,
evenatragiconeinsomecases,inforcingtheindustrybackto
"sustainablelevels'.ThepIantingrushhasended.The3,600hectares
ofnewvinesplantedin2006aImostequaIedthe3,400hectaresofvines
rippedoutofthegroundthatyear.ThedroughthasaIsoIedtomuch
soul-searchingamongAustralia1s2,000wineproducersabouthowthe
industrycanrecaptureitsreputationforquaIitywines.Thereisnow
stiffcompetitioninthemid-marketfromotherNewWorldproducers,
notabIyNewZealand,wherethewineindustryisbooming.MuchAustralian
wineduringthegrapeglutfounditswayontotheworldmarketasbulk
or"commodity"wine,soldatlowpricesorevenataloss.Thisharmed
Australia'sreputationamongconsumers.AustraIianproducersnowface
thetaskofearningareputationforquaIityratherthanquantity.The
appreciationoftheAustraliandollar,whichmakesAustralianwinesmore
expensiveoverseas,hasbroughtanewurgencytothejob.Historically,
manyAustralianwinemakershavederidedtheFrenchapproachtomaking
wine,especiallytheideathatthefinestwinescomeonlyfromaterroir
-theunionofclimateandsoiIcharacteristicofeachplace.Australian
producersinsteadpridethemseIvesonwhattheyregardasalesssnooty
andmoredemocraticapproach:blendinggrapesfromdifferentregionsto
achieveaconsistentwine.Butsomearenowaskingwhethermarketingan
Australianwine'slocality,asmuchasitsgrapevariety,mightwork
better.SomesmalIerproducersarealreadydoingjustthat.InMargaret
RiverinWesternAustralia,forexample,smaIIwinemakersproduce3%of
thecountry*sproduction,mainlyatthehighendofthemarket,and
independentlyofthebigcompaniesthatpredominateineasternAustralia.
DenisHorgan,theownerofLeeuwinEstate,ravesabouttheregion,ssoiI
andclimate,andprideshimseIfonLeeuwin1shigh-quaIitywines,which
seiIforasmuchasA$95abottle.SteveWebber,thewinemakeratDe
Bortoli,afamilywineryintheYarraVaileyofVictoria,arguesthat
Australiacannolongerhopetocompeteonpricealone."Wehavetobe
maltingmoreinterestingwines,andwehavetolookmoretoourregions,
astheFrenchdo,"hesays.AustraIia's2008grapeharvestisexpected
tobebackdownto1.6miIIiontons.GrapesareonceagaininshortsuppIy,
andpricesarerisingmodestly.Butonlythefoolhardywouldtakethis
asachancetomakeakilling,andstartplantingagain.
GrowersinAustraliaplantedofnewvinesin1996,accordingto
thepassage.
A.3,600hectares
B.3,400hectares
C.8,000hectares
D.16,000hectares
5.ItwassaidbySirGeorgeBernardShawthat"EnglandandAmericaare
twocountriesseparatedbythesamelanguage."Myfirstpersonal
experienceofthiswaswhenIworkedasacampcounselorfortwomonths
in2000inSummerCamprunbytheBoyScoutsofAmerica,aspartofan
internationalleaderexchangescheme.BeforeIwent,alItheparticipants
intheschemeweregivenashortIistofwordsthatareincommonuse
intheUKwhichAmericanswouIdeitherbeconfusedbyorwouIdevenoffend
them.Imemorizedthewordsandthought"1111cope".WhenIfinally
arrivedintheStatesthreemonthslater,Irealizedthatperhapsa
IifetimeofwatchingAmericantelevisionwasnotadequatepreparation
forappreciatingandcopingwiththedifferencesbetweenAmericanand
Britishspeech.InthefirsthourofarrivingatthecampIwasexposed
toHighSchooIAmericanEnglish,BlackAmericanEnglishandAmerican
EnglishspokenbyJoePubIic,aIIeverydifferenttoeachother.Needless
tosay,Ididcopeintheend.TheAmericansImetwereveryweIcoming
andhelpful,andIfoundtheywerepatientwithmewhenImadeasociaI
fauxpaswhenIusedaninappropriatewordorphrase.Uponmyreturn
Ibegantowonderwhetheranyonehaddocumentedthedifferencesbetween
AmericanandBritishEnglish.Ifoundseveralbooksonthesubjectbut
oftenthesewerewritteninadryandacademicway.IfeltthatIcould
dobetterandusemysenseofhumorandpersonaIexperiencestoheIppeopIe
frombothsidesofAtIantictocommunicatemoreeffectiveIywhenthey
meet.MyresearchintothesubjectledmetoseveraIconeIusions.
Firstly,AmericanEngIishandBritishEnglisharecovering,thanksto
increasedtransatIantictraveIandthemedia.ThemovementofsIangwords
ismostIyeastwards,thoughafewwordsfromtheUKhavebeenadopted
bytheIvyLeaguefraternities.Thisconvergenttrendisarecentone
datingfromtheemergenceofHo11ywoodasthepredominantfiImmaking
centerintheworldandalsofromtheSecondWorldWarwhenlargenumbers
ofAmericanGIswerestationedintheUK.Thistrendwasconsolidated
bytheadventoftelevision.Beforethen,itwasthoughtthatAmerican
EnglishandBritishEnglishwoulddivergeasthetwoIanguagesevolved.
In1789,NoahWebsterstatedthat:"Numerouslocalcauses,suchasanew
country,newassociationsofpeople,newcombinationsofideasinthe
artsandsomeintercoursewithtribeswhollyunknowninEuropewi11
introducenewwordsintotheAmericantongue,"Hewasright,buthisnext
statementhassincebeenprovedtobeincorrect."ThesecauseswiII
produceinthecourseoftimeaIanguageinNorthAmericaasdifferent
fromthemodernDutch,DanishandSwedisharefromtheGermanorfrom
oneanother."WebsterhadunderratedtheamountofsociaIintercourse
betweenEnglandandherformercolony.EvenbeforeWebsterhadstarted
tocompiIehisdictionary,wordsandexpressionsfromtheAmericahad
aIreadyinfiItratedtheBritishlanguage,forexampIe"canoe"and
"hatchet".SecondIy,therearesomegeneralizationsthatcanbemade
aboutAmericanandBritishEnglishwhichcanrevealthenatureofthe
twonationsandtheirpeoples.Britishspeechtendstobelessgeneral,
anddirectedmore,innuancesofmeaning,attendantmurmuringsandpauses,
carriesaweaIthofsharedassumptionsandattitudes.Inotherwords,
theBritisharepreoccupiedwiththeirsociaIstatuswithinsocietyand
speakandactaccordinglytofitintothesociaIclasstheyaspireto.
Thisisparticularlyevidentwhentalkingtosomeonefrom"themiddle
class"whenhepointsoutthatheis"uppermiddleclass"ratherthan
"middleclass"or"lowermiddleclass".JohnMajor(theformerUKPrime
Minister)mayhavesaidthatwearenowIivingina"classlesssociety"
butthecIasssystemstillprevaiIs.AtthatmomentbothheandtheLeader
oftheOpposition,TonyBlair,weretalkingaboutcapturingthe"middle
England","middleclassvote"asthekeytowinningthenextgeneral
election.Americanspeechtendstobeinfluencedbytheover-heated
languageofmuchofthemedia,whichisdesignedtoattachanimpression
ofexcitingactivitytopassive,ifsometimesinsignificantevents.Yet,
curiously,reallyviolentactivityandIife-changingeventsarehidden
inbIindantiseptictonesthatservetodisguisethereaIity.TwoexampIes
comereadilytomind-theUSMiIitarywiththeir"friendlyfire"and
"collateraldamages"andthebusinessworIdwiththeir"downsizing".
BritishpeopletendtounderstatementwhereasAmericanstowards
hyperbole.ABritonmightrespondtoasuggestionwithawordsuchas
"Terrific!Honlyifheisexpressingrapturousenthusiasm,whereasan
Americanmightusethewordmerelytosignifypoliteassent.Thirdly,
TheAmericanIanguagehaslessregardthantheBritishforgrammatical
form,andwi11happilybulIdozeitswayacrossdistinetionsratherthan
steerapath
A.support,thpstatpmpnt.nfRprnardShaw.
B.describehispersonalexperiences.
C.showhissenseofhumor.
D.helppeoplerscommunication.
6.Iknownowthatthemanwhosatwithmeontheoldwoodenstairsthat
hotsummernightoverthirty-fiveyearsagowasnotataiIman.Butto
afive-year-old,hewasagiant.Wesatsidebyside,watchingthesun
godownbehindtheoldTexacoservicestationacrossthebusystreet,
astreetthatIwasnevera11owedtocrossunlessaccompaniedbyanadult,
orattheveryleast,anoldersibIing.Cherry-scentedsmokefrom
Grandpa1spipekeptthehungrymosquitoesatbaywhilegray,wispyswirls
dancedaroundourheads.Nowandagain,heblewasmokeringandIaughed
asItriedtotargettheholewithmyfinger.I,cladinacoolsummer
night,andGrandpa,hissleevelessT-shirt,satwatchingthetraffic.
Wecountedcarsandtriedtoguessthecolorofthenextonetoturnthe
corner.Onceagain,Iwascaughtinthemiddleofcircumstances.The
fourthbornofsixchiIdren,itwasnotuncommonthatIwaseithertoo
youngortoooldforsomething.ThisnightIwasboth.Whilemytwobaby
brotherssleptinsidethehouse,mythreeoldersibIingspIayedwith
friendsaroundthecorner,whereIwasnota11owedtogo.Istayedwith
Grandpa,andthatwasokaywithme.IwaswhereIwantedtobe.My
grandfatherwasbabysittingwhiIemymother,fatherandgrandmotherwent
out."Thirsty"Grandpaasked,neverremovingthepipefromhismouth.
"Yes,nwasmyreply."HowwouldyouIiketorunovertothegasstation
thereandgetyourselfabottIeofCokenIcouldn,tbeIievemyears.
HadIhearditrightWashetalkingtomeOnmyfamily'smodestincome,
Cokewasnotapartofourbudgetordiet.AfewtantaIizingsipswas
alIIhadeverhad,andcertainlynevermyownbottIe."Okay,"Ireplied
shyly,aIreadywonderinghowIwouIdgetacrossthestreet.SurelyGrandpa
wasgoingtocomewithme.Grandpastretchedhislonglegoutstraight
andreachedhishugehanddeepintothepocket.IcouldhearthefamiIiar
janglingoftheloosechangehealwayscarried.Openinghisfist,he
exposedamoundofsiIvercoins.Theremusthavebeenamilliondollars
there.Heinstructedmetopickoutadime.Afterhedepositedtherest
ofthechangebackintohispocket,hestoodup."Okay,“hesaid,helping
medownthestairsandtothecurb,"I'mgoingtostayhereandkeep
anearoutforthebabies.I'IItellyouwhenit'ssafetocross.You
goovertotheCokemachine,getyourCokeandcomebackout.Waitfor
metotelIyouwhenit'ssafetocrossback.'*Myheartpounded.IcIutched
mydimetightIyinmysweatypalm.Excitementtookmybreathaway.
GrandpaheIdmyhandtightly.TogetherweIookedupthestreetanddown,
andbackupagain.Hesteppedoffthecurbandtoldmeitwassafeto
cross.HeletgoofmyhandandIran.IranfasterthanIhadeverrun
before.Thestreetseemedwide.IwonderedifIwouldmakeittotheother
side.Reachingtheotherside,IturnedtofindGrandpa.Therehewas,
standingexactIywhereIhadlefthim,smilingproudly.Iwaved.MGo
on,hurryup,"heyeIled.MyheartpoundedwiIdlyasIwaIkedinside
thedarkgarage.Ihadbeeninsidethegaragebeforewithmyfather.My
surroundingswerefamiIiar.IheardtheCoca-CoIamachinemotorhumming
evenbeforeIsawit.IwaIkeddirectIytothebigoldred-and-white
dispenser.Iknewwheretoinsertmydime.Ihadseenitdonebeforeand
hadfantasizedaboutthismomentmanytimes.Thebigoldmonster
greedilyacceptedmydime,andIheardthebottIesshift.OntiptoesI
reachedupandopenedtheheavydoor.Theretheywere:oneneatrowof
thickgreenbottles,necksstaringdirectlyatme,andicecoldfromthe
refrigeration.Iheldthedooropenwithmyshoulderandgrabbedone.
Withaquickyank,Ipulleditfreefromitsbondage.Anotherone
immediatelytookitsplace.ThebottIewascoldinmysweatyhands.I
wiIIneverforgetthefeelingofthecoolglassonmyskin.Withtwohands,
Ipositionedthebottleneckundertheheavybrassopenerthatwasbolted
tothewall.Thecapdroppedintoanoldwoodenbox,andIreachedin
toretrieveit.Iwascoldandbentinthemiddle,butIknewIneeded
tohavethissouvenir.Cokeinhand,Iproudlymarchedbackoutintothe
oarIyeveningdusk.GrandpawaswaitingpatientIy.Hesmiled."Stop
rightthere,"heyeIled.Oneortwocarsspedbyme,andonceagain,
Grandpasteppedoffthecurb."Comeon,now,"hesaid,"run."Idid.Cool
brownfoamsprayednyhands."Don'teverdothatalone,"hewarned.I
heldtheCokebottIetightIy;fearfulhewouldmakemepouritintoa
cup,miningthisdreamcometrue.Hedidn't.Onelongswa11owofthe
coIdbeveragecooIedmysweatingbody.Idon*tthinkIeverfe11soproud.
BysayingIwascaughtinthemiddleofcircumstances"inthethird
paragraph,theauthormeans
A.hewasfacingadi1emmaanddidnotknowwhatdecisiontomake.
B.hewascaughtwhenhewasdoingsomethingthathewasnotsupposedto
do.
C.hewaseithertooyoungortoooldforsomethingasthefourthborn
ofsixchildren.
D.hewasdoingsomethingthatrequiredhimtoconsiderdifferent
circumstances.
7.Isthereanythingmoreboringthanhearingaboutsomeoneelse'sdream
AndisthereanythingmoremiraculousthanhavingoneofyourownThe
voluptuouspleasureofHarukiMurakami'senthralIingfictions-fulIof
enigmaticimagery,randomnonsense,andprofunditiesthatmayormaynot
holdupintheIightofday-remindsmeofdreaming.Likenootherauthor
Icanthinkof,Murakamicapturesthejuxtapositionsofthetrivialand
themomentousthatcharacterizedreamIife,thosecrazyincidentsthat
seemsovividinthemomentandsoblurryandpreposterouslateron.His
charactersIiveordinaryIives,boilingpastaforIunch,ridingthebus,
andblastingPrincewhileworkingoutatthegym.Thensuddenlyand
matter-of-factIy,theydosomethingutterlynuts,Iikestrikeupa
conversationwithacoquettishSiamesecat.OrmaybemackereIand
sardinesbegintorainfromthesky.InMurakami1sworld,thosethings
makecomplete,cock-eyedsense.LikemanyofMurakami,sheroes,Kafka
TamurainKafkaontheShorehasmorerewardingrelationshipswith
Iiteratureandmusicthanwithpeople.(Murakami9spassionformusic
isinfections;nothingmademewanttorushoutandpurchaseaBrahms
CDuntiIIreadhisSputnikSweetheart.)Onhis15thbirthday,Kafkaruns
awayfromhisTokyohomeforobscurereasonsrelatedtohisfamous
sculptorfather.Hischoiceofadestinationisarbitrary.Orisit
"Shikoku,Idecide.That*swhereI'IIgo...ThemoreIIookatthemap
—actua11yeverytimeIstudyit-themoreIfeelShikokutuggingatme."
OntheislandofShikoku,Kafkamakeshimselfafixtureatthelocal
Iibrary,wherehesettlesintoacomfortablesofaandstartsreadingThe
ArabianNights:"LikethegenieinthebottIetheyhavethissortofvitaI,
Iivingsenseofplay,offreedomthatcommonsensecan,tkeepbottIed
up."AsinaDavidLynchmovie,alItheIibrarystaffersarephiIosophicaI
eccentricsreadytoadvancethesurrealnarrative.Oshima,the
androgynousclerk,taIkstoKafkaabout(inevitably)Kafkaandthemerits
ofdrivingwhileIisterlingtoSchubert("adense,artistickindof
imperfectionstimulatesyourconsciousness,keepsyoualert.IfIIisten
tosomeutterlyperfectperformanceofanutterlyperfectpiecewhile
I*mdriving,Imightwanttoclosemyeyesanddierightthere").The
tragicallyalluringheadIibrarian,MissSaeki,oncewroteahitsong
called"KafkaontheShore"—andmayormaynotbeKafka*slong-lost
mother.Alarmingly,sheaIsostarsinhiseroticfantasias.In
alternatingchapters,MurakamirecordstheevenodderanticsofNakata,
asimpIemindedcatcatcherwhospendshisdayschattingwithtabbiesin
avacantTokyolot.Oneafternoon,amenacingdogleadshimtothehome
ofasadisticcatkillerwhogoesbythenameJohnnieWaIker.WaIkerends
updeadbytheendoftheencounter;backinShikoku,Kafkaunaccountably
findshimselfdrenchedinbIood.Soon,NakatatoobeginsfeeIingan
inexpIicablepulItowardtheisland.IfthisplotsoundstotaIIy
demented,trustme,itgetsevenweirderthanthat.Likeadream,you
justhavetobethere.And,Iikeadream,whatthisdazzlingnovelmeans
—orwhetheritmeansanythingatalI—wemayneverknow.
Accordingtotheauthor,whichofthefollowingisNOTtrueaboutHaruki
Murakami1snovels
A.Theybringthesensorypleasuretotheauthor.
B.Theyareful1ofimaginationwithoutanyprofundities.
C.Theyjuxtaposethetrivialwiththemomentous.
D.Theyaresimilarincharacteristicstodreams.
8.WhatshouldthechiIdrendotoensurethepossessionoftheirsites
A.Frequentlychangetheirpasswordsofonlineaccounts.
B.Puttheirphotosonlinefrequentlyandrandomly.
C.Guaranteethedecencyoflanguageontheirsites.
D.Usetheirreadfullnamefortheironlineaccount.
9.HumanIanguagecancopewithanysubjectwhatever,anditdoesnot
matterhowfarawaythetopicofconversationisintimeandspace.Which
designfeatureofIanguagedoesthisphenomenonreferto
[A]Productivity.
[B]Culturaltransmission.
[C]Disp1ac.pmpnt..
[D]Arbitrariness.
10.ThemainmountainrangeinthewestofLISstretchingfromtheCanadian
bordertoNewMexicois
[A]theAppalachianMountains.
[B]theRockyMountains.
[C]theGreenMountains.
[D]theWhiteMountains.
11.TheroadfromMiIduratoMerbein,innorth-westVictoria,isasad
sight.Manyofitsfarmsarecoveredwithwinegrapes,dyingonthevines.
FarmersplantedthevineshopingtocashinontheseemingIyendIessboom
inAustraIianwine.Butin2007theboomturnedtobust,forcingmany
farmerstowaIkawayfromgrapesandIandtheycannotsell.Overthe
past15yearsAustraliaswineindustryhasbeenoneofitsgreatsuccess
stories.ExportrevenueslastyearreachedA$3billion($2.4billion),
fourtimesthefigurefrom1997.Britain,AmericaandCanada,amongthe
mostcompetitivemarketsforwine,areAustralia1sthreebiggest
customers.ButthesufferinginplacesIikeMiIduraandnearbyRenmark
inSouthAustraIiaisasignthattheindustryfelIvictimtoitsown
success.FlushedwithagrowingdemandforAustraIianwines,agrape
shortage,andsoaringgrapeprices,growersrushedtopIantmorevines
inthelate1990s.In1998theyputinarecord16,000newhectares,double
thenewplantingstwoyearsearIier.In2005
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