2025年大學《大學英語》專業(yè)題庫——英語文學與影視作品對比考試時間：______分鐘總分：______分姓名：______PartOne:ReadingComprehensionDirections:Readthefollowingpassagescarefullyandchoosethebestanswer(A,B,C,orD)foreachquestionbasedontheinformationprovidedinthepassage.1.Theadaptationofliteratureintofilmhaslongbeenasubjectofcriticalinterest,largelybecausetheprocessinvolvestranslatinganarrativeconceivedinwordsintoavisualandauditoryexperience.Whilesomearguethatthelimitationsofthemediuminevitablydiminishtheartisticintegrityofthesourcematerial,otherscontendthatfilmadaptationcanoffernewperspectivesandemotionalresonancethatthewrittentextmightlack.Understandingthesedynamicsrequiresananalysisofhoweachmediumencodesmeaningdifferently.Literature,withitsrelianceondescription,interiormonologue,anddetailedexposition,allowsforadepthofcharacterintrospectionandthematiccomplexitythatcinema,boundbyvisualrepresentationandtemporalconstraints,strugglestoreplicate.Conversely,film'scapacitytomanipulatespace,time,andpace,aswellasitsabilitytoconveyemotionthroughmusicandimagery,providesadifferentkindofengagementwiththestory.Accordingtothepassage,whatisaprimarydifferencebetweenhowliteratureandfilmconveycharacterinformation?A.Literatureisbetteratshowingactions,whilefilmisbetteratshowingthoughts.B.Literatureexcelsatdetaileddescriptions,whilefilmreliesmoreonvisualsymbolism.C.Literatureoftenomitscharacterthoughts,whilefilmfrequentlyusesdialoguetorevealthem.D.Literatureislimitedtoexternaldescriptions,whilefilmcanshowinternalfeelingsdirectly.2.Adaptationisrarelyastraightforwardtransferofplotpointsfrompagetoscreen.Directorsoftenfacethedilemmaofcondensingvastamountsoftext,decidingwhichsubplotstoabandon,andhowtocondensecharacterdevelopmentwithoutlosingthematicweight.Thisprocessfrequentlyinvolvessignificantchangestothesourcematerial.Sometimes,thesealterationsarenecessitatedbypracticalconsiderationssuchasruntimeconstraintsortheneedtoappealtoabroaderaudience.Atothertimes,theystemfromthedirector'sartisticvisionordesiretoupdatethestoryforacontemporarycontext.Criticallyevaluatinganadaptation,therefore,requiresexaminingnotonlyhowwellthefilmcapturesthespiritoftheoriginalbutalsothevalidityandimpactofthechoicesmadeintheadaptationprocessitself.Whatfactormentionedinthepassagecanleadtochangesinafilmadaptationthatdifferfromtheoriginalliterarywork?A.Thepersonalpreferencesofthenovel'sauthor.B.Theneedtoalterthefilm'sintendedreleasedate.C.Thedesiretoupdatethestory'ssettingtothepresentday.D.Thestudio'srequirementforaspecificstar演員toappearinthefilm.3.Thesuccessofaliteraryadaptationoftenhingesonthefilmmaker'sabilitytobalancefaithfulnesstothesourcetextwithcreativeinterpretation.Anadaptationthatistooslavishlyboundtothenovel'splotmayfeelstaticorpretentiousonscreen,failingtoutilizethemedium'sfullpotentialforvisualstorytelling.Ontheotherhand,anadaptationthatmakessignificantdeviationsfromthesourcematerialmightalienatefansofthebookandlosetheessenceofwhatmadetheoriginalworkresonate.Theidealadaptation,manyargue,findsamiddleground,retainingthecorethemesandcharacterarcsofthenovelwhileusingcinematictechniquestoenhancethenarrativeandconnectemotionallywiththeaudienceinawaythatcomplements,ratherthanmerelyreplicates,thewrittenword.Accordingtothepassage,whatisapotentialdrawbackofanadaptationthatstaysveryclosetotheoriginalnovel?A.Itmightseemboringorlackaction.B.Itmayfailtocapturetheauthor'sintendedemotionaltone.C.Itcouldignoreimportantsubplotspresentinthefilmversion.D.Itmightnotutilizetheuniquepossibilitiesofthefilmmediumeffectively.4.ConsidertheadaptationofF.ScottFitzgerald's*TheGreatGatsby*.BazLuhrmann's2013film,whilemaintainingthenovel'sJazzAgesettingandcentralthemesofdecadenceandtheAmericanDream,madesignificantchangestotheplotandcharacterdynamics.ThemostnotablealterationwastheadditionofthecharacterofNick'scousin,Daisy'ssister,JordanBaker,whoservesashisloveinterestinthefilm,arolenotpresentinthenovel.Furthermore,thetragicfateofTomBuchananwasaltered;insteadofdyinginacaraccident,hefaceslegalconsequencesforhisactions.ThesechangesreflectLuhrmann'sattempttorecontextualizethestorywithinamodernframeworkandemphasizedifferentaspectsofthenovel'scritique.Whilesomecriticspraisedthefilm'svisualstyleandenergeticpace,otherslamentedthedeviationsfromthesourcematerial,arguingtheydilutedthenovel'smelancholictoneandthematicdepth.Basedonthepassage,whatspecificchangedidBazLuhrmann'sadaptationof*TheGreatGatsby*makethatwasnotintheoriginalnovel?A.Introducinganewcharacterwhoiscentraltotheplot.B.Alteringthesettingofthestorytoadifferenthistoricalperiod.C.Changingthenameoftheprotagonisttofitamoderncontext.D.Expandingthenovel'slengthtoincludemoresubplots.PartTwo:VocabularyDirections:Choosethebestword(A,B,C,orD)tofillintheblankineachsentence.5.Thenovel'srichcharacterdevelopmentallowsfora______explorationoftheprotagonist'sinternalconflictsandmoraldilemmas.A.SuperficialB.SuperfluousC.ProfoundD.Prevalent6.Despitethe______differencesbetweenthebookandthemovie,bothversionseffectivelyconveyedthecoremessageofthestory.A.MinorB.MajorC.TrivialD.Obvious7.Filmdirectorsoftenfacethe______ofhavingtocondensecomplexliterarynarrativesintoaconcisecinematicformat.A.FacilitationB.AversionC.PredicamentD.Obligation8.Thedirector'svisualinterpretationoffereda______perspectiveonthenovel'sthemes,highlightingaspectsthatwereoftenoverlooked.A.TraditionalB.ConventionalC.NovelD.Derivative9.Criticsarguedthatthefilm'sportrayalofthesupportingcharacterswassomewhat______,lackingthedepthseenintheoriginalnovel.A.ExaggeratedB.IncongruousC.InadequateD.Inimitable10.The______successoftheadaptationwaslargelyattributedtotheskillfulintegrationofthenovel'sstylisticelementsintothefilm'svisuallanguage.A.PromisingB.ControversialC.UnprecedentedD.IndebtedPartThree:IdentificationandAnalysisDirections:Identifythefollowingtermsorconceptsfromthepassage(s)provided,andthenwriteashortparagraph(approximately100-120words)analyzinghowonespecificexample(eitherfromtheprovidedpassagecontextoroneyouknowwell)illustratestheconcept.Youranalysisshouldclearlyconnecttheexampletothedefinitionorcharacteristicoftheterm/concept.11.Term:Medium-specificityDefinition:Theuniquewayinwhichaparticularmedium(likeliteratureorfilm)encodesandconveysmeaning,influencedbyitsinherentcharacteristics.12.Term:AdaptationStrategyDefinition:Themethodsorapproachesusedbyfilmmakerswhentranslatingaliteraryworkintoafilm,suchascondensation,expansion,modification,orintertextualreferencing.PartFour:EssayDirections:Writeanessayofapproximately300-350wordsonthefollowingtopic.Supportyourargumentswithspecificexamplesdrawnfromliteraryworksandtheirfilmadaptations.Topic:Discussthepotentialstrengthsandweaknessesofusingvisualeffects(VFX)inadaptingsciencefictionliteratureforfilm.ConsiderhowVFXcanenhancethestorytellingorpotentiallydetractfromtheoriginalauthor'svision.試卷答案1.A解析思路：文章第一段明確指出，文學允許深度的人物內(nèi)心探索，而電影難以復制這一點。選項A“文學擅長展示行動，而電影擅長展示思想”準確反映了這種媒介特性差異。選項B、C、D均未抓住文章強調(diào)的核心對比點。2.C解析思路：文章第二段提到，導演有時為了“將故事更新到當代背景”而進行修改。選項C“為了將故事背景更新到現(xiàn)代”直接對應(yīng)了這一原因。選項A是作者的觀點，不是原因；選項B、D是干擾項，文章未提及。3.D解析思路：文章第三段指出，過于忠實于原著的改編可能“未能充分利用電影媒介的視覺敘事潛力”。選項D“可能未能有效利用電影媒介的獨特可能性”準確表達了此意。選項A、B、C描述的不是過于忠實改編的典型缺點。4.A解析思路：文章第四段明確提到，Luhrmann的影片“增加了尼克表妹，黛西的姐姐喬丹·貝克的角色，她在電影中是尼克的戀人，而在小說中并不存在”。選項A“增加了在電影中是核心情節(jié)的角色”準確概括了這一變化。選項B、C、D描述的改動在文中未被提及或與事實不符。5.C解析思路：句子描述小說允許對人物內(nèi)心沖突進行深入探索，需要形容詞表示“深刻的，深刻的”。選項C“profound”（深刻的）符合語境。選項A“superficial”（表面的）、B“superfluous”（多余的）、D“prevalent”（盛行的）均與句意相反或無關(guān)。6.B解析思路：句子指出盡管書和電影之間存在“差異”，但都有效地傳達了核心信息，暗示這些差異是“主要的”而非無關(guān)緊要的。選項B“major”（主要的）符合語境。選項A“minor”（次要的）、C“trivial”（瑣碎的）、D“obvious”（明顯的）程度過輕或含義不符。7.C解析思路：句子描述導演面臨將復雜文學敘事濃縮成簡潔電影格式的困境，需要名詞表示“困境，窘境”。選項C“predicament”（困境）符合語境。選項A“facilitation”（便利）、B“aversion”（厭惡）、D“obligation”（義務(wù)）均與句意不符。8.C解析思路：句子指出導演的視覺解讀提供了“新穎的視角”，強調(diào)其不同于常規(guī)或傳統(tǒng)的解讀。選項C“novel”（新穎的）符合語境。選項A“traditional”（傳統(tǒng)的）、B“conventional”（常規(guī)的）、D“derivative”（衍生的）均與句意相反。9.C解析思路：句子批評電影中次要角色的塑造“不夠充分”，缺乏原著的深度，需要形容詞表示“不充分的，不足的”。選項C“inadequate”（不足的）符合語境。選項A“exaggerated”（夸張的）、B“incongruous”（不一致的）、D“inimitable”（不可模仿的）均與句意不符。10.A解析思路：句子描述改編的“成功在很大程度上歸因于將小說的stylistic