上海市普陀區(qū)2026屆高三一模英語(yǔ)試題考生注意： 2025.121.考試時(shí)間105分鐘，試卷滿分115分。2.本次考試設(shè)試卷和答題紙兩部分。所有答題必須涂(選擇題)或?qū)?非選擇題)在答題紙上，做在試卷上一律不得分。3.答題前，務(wù)必在答題紙上填寫準(zhǔn)考證號(hào)和姓名，并將核對(duì)后的條形碼貼在指定位置上，在答題紙反面清楚地填寫姓名。I.GrammarandvocabularySectionADirections:Afterreadingthepassagebelow,fillintheblankstomakethepassagecoherentandgrammaticallycorrect.Fortheblankswithagivenword,fillineachblankwiththeproperformofthegivenword;fortheotherblanks,useonewordthatbestfitseachblank.AJourneyBacktoEachOtherInspiredbymydaughter'stalesofbackpackingadventuresandmydesiretohangoutwithmyyoungestsonoutsidethehouse,IbookedtwoticketstoShanghaifortheSeptemberschoolholidays,surprisingusboth.We,(1)(arm)withabudget,sometravelinsurance,andaroughplanbuiltaroundsomelast-minuteinternetsearches,headedtotheairport.WearrivedinShanghaisleepyandexcitedat5:30a.m.Despitetheearlystart,theairwasalreadyhotandsoupy,(2)mysonusedasanexcusetoheadstraightforaconveniencestoreandbuyoneofthemanydrinkshe'drememberedfromallthoseyearsbefore.Thereissomethingveryfreeingaboutarrivinginaplacewhereyouhavenoplans.Andwe(3)(notdo).Idiscoveredthathecouldfindhisway(4)rememberinglandmarks.Withinadayhe'dbecomethenavigator,andIwasthelostone,followingbehind.Astourists,we(5)(expose)toeverythingtogether,givingusbackaconnectionwedon'talwayshaveinourdailylives.Heisnaturallycurious,which(6)(make)foragoodtraveller,andinsteadofhesitatingoverthethingshesuggested,Ijustwentwithit.Hewastheonewhosaidweshouldhirebikes.Hewastheonewhoshowedmehowtospeedupandledmethroughthestreetsdowntown,laughing(7)Iscreamedindelight.Hedraggedmeshoppingforjeansinstoresandmademecatchbuses(8)(take)usinthewrongdirectionentirely.HewasjustaslikelyasIwas(9)(know)whattraintocatch,orfindtherightstreettoturndown,orstandinaweatthefootofagianttemple,orqueueforhoursforasteamingbowlofXiaolongbao.IsawhimdifferentlyinShanghai.Travellingmeantweweremorelikeequals——partnersinadventure.Andinsteadofmissingthechildversionof(10),Isawtheadulthewasbecoming.SectionBDirections:Fillineachblankwithaproperwordchosenfromthebox.Eachwordcanbeusedonlyonce.Notethatthereisonewordmorethanyouneed.A.addictive B.approaches C.cataloging D.dominatedEencountersF.expandingG.identified H.obstacles I.prospective J.reference K.targetsAppsThatBringArttoLifeAttheBettyCunninghamgalleryontheLowerEastSiderecently,Inoticedanarrestingpainting:awomanasleepbyawindowwiththeEmpireStateBuildinginview,andafloatingfishaboveher.Fascinated,IopenedasmartphoneappcalledMagnus,andwithinseconds,it11thepieceasPhilipPearlstein'sModelWithEmpireStateBuilding(1992),pricedat$300,000.Theappalsoprovideditssaleshistoryandsavedthedetailsforfuture12.Magnusispartofawaveofsmartphoneappstryingtorecognizethephysicalworldasawayofprovidinginstantinformationaboutsongsorclothesorplantsorpaintings.WhileShazamhas13withoverabilliondownloads,appslikeMagnusandSmartifyappealtoartenthusiastsbydemystifyingtheartworld.Magnushasbuiltadatabaseofmorethan10millionimagesofart,andaimstohelp14artbuyersnavigateartgalleriesandfairswithlittleinformation.Smartify,ontheotherhand,15museumgoers,cooperatingwithinstitutionstoprovideeducationalcontentandaccessibilityfeatureslikeaudioguidesforuserswithvisualproblems.Similarly,GoogleLensis16intoart,partneringwithmuseumslikeSanFrancisco'sdeYoungMuseumandplatformslikeWescovertoidentifypublicandlocalart.However,buildinga“Shazamforart”facesuniquechallenges.Unlikemusic,17individualartworksiscomplicatedbyitssheervolume,copyrightissues,andthelimitationsofimagerecognitiontechnology,particularlywith3Dobjects.Despitethese18,appslikeMagnusbringclaritytoacommonlysecretivemarket,helpingusersnavigategalleriesandevennegotiateprices.Afterafewweeksoftryingoutapps-for-artinmuseumsandgalleries,Ifoundthattheydidnotincreasethequalityofmyvisual19.Theappshouldn'tbeoursoleguidethroughthevisualworld.WalkingaroundtheNewMuseumwiththeMagnusapp,Ifoundmyselfbreezingpastpaintings,notlookingtoohardatdetailsbecausethecamerawaslookingforme,andtheappknewmuchmorethanIdid.Therewasthatlittle20,satisfyingclickofrecognition.Itwashardtostop.II.ReadingComprehensionSectionADirections:ForeachblankinthefollowingpassagetherearefourwordsorphrasesmarkedA,B,CandD.Fillineachblankwiththewordorphrasethatbestfitsthecontext.Iscookingascience?Foryears,many——includingmyself——wouldhavesaidno.Akitcheniswhereweseekwarmthandcomfort,notaclinicallab.However,theideaof21sciencewithhomecookinghasbeengainingpopularity.BookslikeTheFoodLab:BetterHomeCookingThroughSciencebyJ.KenjiLópez-Alt,whichhasovertakenclassicslikeTheJoyofCookinginonlinereviews,22thisshift.Science,itseems,offershomecooksthetoolstomakeeverydaydishesmoredeliciousand23——thinkmeatloafthatdoesn'tfallapart.Thisenthusiasmforscienceinthekitchenhasbeen24bytrendslikesourdoughbakingandfermentation(發(fā)酵),whereprecisionmatters.Weekendbakersnowexperimentwithwatercontentindough,whilemanyhomecooks25toolslikedigitalscalesandinstant-readthermometerstoachieveconsistentresults.Likemanypeople,Igrewupconvincedthatsciencewasthe26ofgoodcooking.Formymother,itmeantcheap,industrialfood—farfromherfreshvegetablesoupsandslow-cookedbeef.Yet,27,shewaspracticingkitchenscience.Bycookingmeatuntilitturnedbrownforarichflavorandlettingitcooklongandslowenoughtomakeitsoftandjuicy,sheusedsimplecookingtechniquestocreatedeliciousdishes.Lopez-Alt28thiseverydayscience,focusingnotontrendycookingtricksbutonpracticalinsightsforbetterresults.29,tochoponionswithouttears,headvisescuttingfromroottotip,releasingfewertear-wateringchemicals.Thesesmall30,groundedinobservationandexperimentation,makecookingmoreeffectiveandenjoyable.Evenlong-heldcookingwisdomcanbe31.HaroldMcGee,authorofOnFoodandCooking,disprovedthemyththatasparagus(蘆筍)naturallybreakswhereitbecomessoft.32,hefoundbetterresultsbysimplycuttingthestalks(莖)6-7inchesfromthetip.Lopez-Alteven33traditionalpasta-cookingmethods,showingthatlesswaterandashorterboilcanstillyieldperfectlycookednoodles.IfeelluckytobecookingatatimewhenpeoplelikeMr.Lopez-Altareconductingsuchfunkitchenexperiments.Yetit'salsotruethat34cannevertellthewholestoryofcooking.Agreatmealisnotjustacombinationofchemicalsandphysicalprocesses.Itisalsoareflectionofcultureandfamilyandthecraftofthepeoplewho35beforeus.21.A.crediting B.replacing C.charging D.integrating22.A.reflect B.enhance C.undergo D.reverse23.A.changeable B.reliable C.inspiring D.isolating24.A.adopted B.discouraged C.fueled D.recovered25.A.employ B.create C.customize D.switch26.A.enemy B.companion C.result D.ingredient27.A.mentally B.consciously C.unknowingly D.mistakenly28.A.delivers B.champions C.mobilizes D.criticizes29.A.Incontrast B.Asaresult C.Onthecontrary D.Forexample30.A.adjustments B.reactions C.patterns D.regulations31.A.absorbed B.popularized C.challenged D.pursued32.A.Instead B.Moreover C.Previously D.Consequently33.A.risked B.adopted C.questioned D.skipped34.A.writers B.science C.cooks D.evolution35.A.cooked B.showed C.excelled D.tastedSectionBDirections:Readthefollowingthreepassages.Eachpassageisfollowedbyseveralquestionsorunfinishedstatements.ForeachofthemtherearefourchoicesmarkedA,B,CandD.Choosetheonethatfitsbestaccordingtotheinformationgiveninthepassageyouhavejustread.(A)BecomingaBirderLastSeptember,IdrovetoaprotectedwetlandnearmyhomeinOakland,andwalkedtotheendofapierandstartedlookingatbirds.Sincethen,mybirdingobsessionhasprogressedatanalarmingpace.I'veseen452species,including307thisyearalone.Birdinghasprovedmoreabsorbingandpeace-bringingthanmindfulreflection.Whilebirding,Iseemimpervioustoheat,cold,hungerandthirst.Mysensesfocusfirmlyonthepresent,andtheusualbuzzinmyheadbecomesquiet.WhenIspotaspeciesforthefirsttime,Icoursewiththrillwhilebeingentirelyatpeace.Ialsofeelamuchdeeperconnectiontothenaturalworld.Thepassingoftheseasonsfeelsmoredetailed,markedbythearrivalanddisappearanceofparticularspeciesinsteadofmuchslowerchangesindaylength,temperatureandgreenery.Ifindmyselfnoticingsmallshiftsintheweatherandsmalldifferencesinhabitat.Ithinkaboutthetides.Somuchmoreofthenaturalworldfeelscloseandaccessiblenow.WhenIstartedbirding,IrememberthinkingthatI'dneverseemostofthespeciesinmyfieldguide.Ihadinternalizedtheideaofnatureasdistantandremote——theprovinceofnaturedocumentariesandfar-flungvacations.Butinthepastsixmonths,I'veseensoaringgoldeneaglesandmarveledatdivingPacificloons,allwithinanhourofmyhouse.It'seasytothinkofbirdingasanescapefromreality.Instead,Iseeitasimmersioninthetruereality.Idon'tneedtoknowwhothemaincharactersareonsocialmediaandwhateveryoneissayingaboutthem,whenIcaninsteadspendanhourtryingtofindararesparrow.It'sverycleartomewhichofthosetwoactivitiesisthemoreridiculous.It'snottheonewiththesparrow.36.Whydoestheauthordescribehisbirdinghabitas“anobsession”?A.Toshowhisintensepassionforbirding.B.Toillustrateitspeace-bringingmindfuleffect.C.Tohighlighthisrapidspecies-spottingprogress.D.Tostressit'smoremeaningfulthansocialmedia.37.Theunderlinedphrase“seemimperviousto”isclosestinmeaningto.A.seemsensitiveto B.seemunaffectedbyC.appeartroubledby D.appearsubjectto38.Whichofthefollowingdescriptionsisclosesttoabirder'sstateofmindaccordingtothepassage?A.Watchingnaturedocumentariestofeelclosetowildbirds.B.Long-distancejogginginthewoodstotrainforamarathon.C.Fishingbyalocalpondengagedintheprocessofobservation.D.Travellingmileswiththegoalofcheckingararespeciesoffalist.39.Whatlifelessondoestheauthordrawaboutbirding?A.Qualitytimespentinnature'swondersleadstoajoyfullife.B.Birdwatchingitselfismoremeaningfulthanone'sbusydailyroutines.C.Focusontheimmediatenaturalsurroundingsbreedstruemeaninginlife.D.Oneshouldliveinthepresentratherthanescapefromrealitytopursuejoy.(B)FourtoFollow:AthletestoWatchoutforFromaUSswimmingstartoFrenchcycling's“championofchampions”,thesefourwillbeonthehuntformedals.May,20241.USA,swimmingAthlete:JessicaLongThiswillbeLong'ssixthGames,inwhichtimeshehaswonanastonishing29medals,makingheroneoftheUS'smostdecoratedParalympicathletesofalltime.The32-year-oldmadeherfirstappearanceintheGamesin2004attheageof12andhassincebecomeahigh-profileadvocatefortheParalympicmovement,includingappearinginaSuperBowlcommercialin2021andwritingachildren'sbook.2.Australia,wheelchairrugby(橄欖球)Athlete:ShaeGrahamMelbournelibrarianShaeGrahamisanintegralpartoftheinternationalpowerhousethatisAustralia'swheelchairrugbyteam.The37-year-oldwasthefirstwomantorepresentAustraliainwheelchairrugbyin2019andwillbejoinedbytwofemaleteam-matesinParis,EmilieMillerandEllaSabljak.KnownastheSteelers,theteamclaimedtheworldtitlein2022,andtheywillbetheonestobeatinParis.3.France,cyclingAthlete:He?diGaugainThe19-year-oldtrackandroadcyclistfromavillageinLaMayennehaswonchampionshipsinFranceandEuropeaswellastheworldchampionshipsinGlasgowlastyear.Shewasbornwithoutaleftforearmandhandandisthefirstpara-athletetobecomeaworldchampioninbothcyclingandpara-cycling.ShewasvotedchampionofchampionsbytheFrenchSportspaperL’équipein2023.ThisisherfirstParalympics.4.Germany,longjumpAthlete:MarkusRehmRehmhasbeenunrivaledinthemen'slongjumpclasssincefirstwinningtheworldtitlein2011andisafour-timeParalympicGamesgoldmedallist.Lastyear,hejumped8.72metrestosecurehis14thworldrecord.Nicknamed“theblade(刀片)jumper”,hisrightlegwascutbelowthekneeafterawakeboardingaccidentwhenhewas14,andhe uses acarbon-fibrebladedprosthetic(義肢的)component.40.WhatdoJessicaLong,ShaeGraham,andHe?diGaugainhaveincommon?A.Theyareallpioneersintheirrespectivesportsfields.B.TheyallwonParalympicmedalsbeforetheircurrentGames.C.Theyallparticipateinindividualsportsratherthanteamsports.D.Theyareallover30yearsoldwhenattendingthecurrentParalympics.41.WhatcanweinferregardingMarkusRehm'simpactonParalympiclongjump?A.Heislikelynearingtheendofhisathleticcareer.B.Heisprimarilyknownforcoachingotherathletes.C.Hehassetastandardfewotherathletescanmatch.D.Hisrecordsarefrequentlychallengedbynewjumpers.42.WhatoverallimpressionofParalympicsportdoesthearticleconvey?A.ItisattractingasmuchpublicattentionastheOlympics.B.Itfocusesmostlyonseniorathleteswithlongcareers.C.Itgainspopularityinlimitedcountriesandsports.D.Itcelebratesdiverseandinspiringathletes.(C)ThelinefromOthello——“Howpooraretheythathavenotpatience!”——mayhavebeeninthemindoftheRoyalShakespeareCompanywhenitwasconsideringhowbesttoretaintheattentionoftime-pooraudiencesthisseason.Yetitchoseadifferentroute——anintentionaldeparturefromtradition:oneplayistobestreamlinedintoan80-minuteproduction,forthosewhodon'thavethetimetositthroughthefulltwo-orthree-hourversion.TamaraHarveyandDanielEvans,co-artisticdirectorsannouncingtheirfirstseasonofRSCprogramming,saidthisshortenedshow——AsYouLikeIt,tobeperformedintheoutdoorHollowayGardenTheatre——wouldbeidealfortouristsvisitingStratford-upon-Avon,thebirthplaceofWilliamShakespeare.Butisitreallyadeparture?Evenasaloveroftheplaysinalltheirmessyfullness,Ibelievetherecanbearefreshingfocustoashortshow.SomeshortenedShakespeares——suchasSimonGodwin'sRomeoandJuliet——areeverybitasrichasthe原inals,ifdonewell.Beyondartisticinterpretation,thenewformatofferssomethingpractical:accessibility.TheRSC'sshortenedproductionreflectsabroadervisionofmakingtheatremoreconvenientandvaried.Ticketsarecheaper,startingat￡10,andAsYouLikeItbeginsat5p.m.sovisitorscancatchaneveningtrainoutofStratford.IhavefoolishlyattemptedtoreturntoLondonafterafirstnightattheRSC,onlytofindthelasttrainlonggone.Shakespearehimselfwouldhaveapproved——everthebusinessman,everthepragmaticist(實(shí)用主義者),andeveralerttohisaudiences'needs.Theprogressive——andwelcome——movehereisthatHarveyandEvansconsiderthewholeexperienceoftheatregoing,notjusttheplayinisolation.Anightatthetheatrecanbestressful:therushedearlydinner,theendlessqueueforthetoilet,thesqueezeintoseatsbuiltforsmall-bonedVictorians,andtheinevitableheadblockingyourview.Toshortenashowisnottolessenitsartistrybuttomakeitmorehumane,toharmonizeartwiththerhythmsofmodernlife.Ofcourse,theplay'sthething,anditiswhywegotothetheatre.Butit'snottheonlyreason.Somewanttoenjoythefullthree-hourproductionwithnotawordremoved;otherswanttohavedinnerandchatafterwards,orcatchthebushomewithouthavingtomakeamadrunforit.Withinthislandscape,abite-sizeShakespearehasitsrightfulplace.43.WhatisthemainpurposeofshorteningAsYouLikeIttoan80-minuteversion?A.Tomakethestoryeasierforyoungeraudiencestounderstand.B.Toprovideaconvenientoptionforvisitorswithlimitedtime.C.Toexperimentwithnewstagetechnologyandvisualeffects.D.Toreplacetheoriginaltwo-orthree-hourplaytemporarily.44.WhydoesthewritermentionmissingthelasttraintoLondon?A.TocriticizethepoorpublictransportinStafford.B.Toshowthateveningplaysaretoolongfortravelers.C.Tohighlighttheneedforbetterplanningbytheatrevisitors.D.Toillustratehowthenewschedulesolvesarealinconvenience.45.Whatisthemainideaofthe4thparagraph?A.TheRSCislosingartisticvaluebyshorteningplays.B.ThedirectorsresolvetosimplifyShakespeare'slanguage.C.Theaudiencepreferswatchingplaysonlineratherthanintheatres.D.Thetheatreexperienceshouldconsideraudiencecomfortandmodernlifestyles.46.Whatisthecentralmessageofthearticle?A.ShorterShakespeareplaysweakenartistictraditions.B.TheRSC'sshortenedproductionsbalanceartandpracticality.C.Traditionalplaysareadaptedintootherartformsforpromotion.D.ModernaudiencesnolongerappreciateShakespeare'slongplays.SectionCDirections:Readthepassagecarefully.Fillineachblankwithapropersentencegiveninthebox.Eachsentencecanbeusedonlyonce.Notethattherearetwomoresentencesthanyouneed.A.ButasMrHolland'sfundrandry,themuseumhadtolayoffstaffandcutopeninghours.B.Yetcollectingisabasichumaninstinct,andthewilltosharecollectionsisstrong.C.Haveyouheardaboutthemuseumofclocksthatmayhavetobeclosedunlessthefoundercanfindsomeonetokeepitrunningwhenheretires?D.Doubtsaboutthesizeandpurposeofsuchvastinstitutionsarenothingnew.E.Butifproofoflivingvaluewereneeded,oneoftheirmembersprovidedittwoyearsago.F.Thisisastorythatwillringbellswithmanysmallmuseums.TheJoyofSmallMuseumsOfthe2,500museumsestimatedtoexistaroundtheUK,thegreatnationalinstitutionstakealltheair,withtheirpopularshowsandrowsoverfunding,returnofseizedtreasuresand——inthecaseoftheBritishMuseum——reportedthefts.47Fromtheirearliestdays,criticshavechallengedtheirtendencytocollectanddisplaytheremainsofempires.ThewriterG.K.ChestertononceremarkedthattheMuseumisnotmeanteitherforthewanderertoseebyaccidentbutratherforthemereslaveofaroutineofself-educationtostuffhimselfwitheverysortofintellectualfoodinoneindigestiblemeal.Buttherearehundredsofsmallermuseums,oftenfoundedbyenthusiasts,thatmakeanincalculablecontributiontoculturallife.Forthosefundedthroughlocalauthorities,thepastdecadeandahalfhasbeenharsh,withspendingonEngland'smuseumsandgalleriesfallingbymorethanathird.48TheMusicalMuseumisacaseinpoint.ItwasfoundedinanabandonedchurchbyFrankHollandtohousehisgrowingcollectionofinstruments,andhesoldhishometosupportit.Ithassincemovedtoanewbuilding,fromwhereitstreamsconcertsontheMightyWurlitzer.49Volunteersrolleduptheirsleevesandrespondedbylaunchinga60th-anniversaryappeal,whichisonthepointofreachingitstarget.50Theyembodymanydifferententhusiasm,frompens(Birmingham)todogcollars(Kent).Suchinstitutionsarelaboursoflove.Theyarealsostatementsofwhatindividualsorcommunitieswanttosaveof,andfor,themselves——andtheworktheywillputintopreservingit.Theyarethestoriesofwhatwehavebeenandwhoweare.III.SummaryWritingDirections:Readthefollowingpassage.Summarizethemainideaandthemainpoint(s)ofthepassageinnomorethan60words.Useyourownwordsasfaraspossible.51.CataniaTurnstheTablesonBlueCrabsInasuburbofCataniaonSicily'seastcoast,smokerisesfromstreetstallsgrillinghorsemeat,whileyoungstersgatheraroundcounterssellingseltzlimeoneesale—asodadrinkwithlemonandseasalt.Amidthislivelyscene,afamilyofex-fishers,theSalamones,haveopenedLaFish,aseafoodrestaurantthatdarestochallengelocaldiettraditions.AlongsideSicily'sclassicslikeswordfish(劍魚)andtuna,tonight'stastingmenufeaturesasurprisingnewcomertotheisland'stables——theAtlanticbluecrab.Theseblue-clawed,olive-shelledcrabs,originallyfromthewesternAtlanticOcean,havebecomeanecologicalthreatintheMediterranean.Withoutnaturalenemies,theyfeedonyoungclams,destroyingshellfishharvestsanddestroyingItaly'sreputationasoneoftheworld'stopclamproducers.Theirrapidspreadhasbeenlinkedtorisingseatemperatures,whichhavemadeSicilianwatersincreasinglywelcomingtonon-nativespecies.Whatbeganasanenvironmentalconcernisgraduallyturningintoatestofhumanadaptability.PeopleinSicilyarerespondingincreativeways.OneformofresponsecomesfromchefMarioContadino,whocelebratesthecrab'ssweetanddelicateflavor.Heservesitonstickysushiricewithonions,bellpeppers,garlic,tomatoes,celeries,andedible(可食用的)flowerstoappealtohesitantlocals.“Cataniapeoplecanbeclosed-minded,”headmits,“b