1/1考前押題02語篇語法填空題(期末專項(xiàng)訓(xùn)練)話題1科學(xué)與研究話題4文化與節(jié)日話題2歷史與文化話題5社會與經(jīng)濟(jì)話題3人物與故事話題6科技與創(chuàng)新話題1科學(xué)與研究Passage1ThePotalaPalace,asymbolofTibetanarchitectureandcultureinLhasa,thecapitalofXizang,haslaunchedanimportantdigitalpreservationproject.SinceearlyMarch,nearly1,000thangkapaintings1(evaluate)andscannedinhighdefinitionbytheCulturalRelicsResearchOfficeunderthePotalaPalaceManagementOffice.Thangkais2uniqueformofpaintinginTibetanculture.Itis3(typical)areligiousscrollmountedonsilkandhungforworship,4coverssubjectsfromhistorytomedicine,andsociallife.ThePotalaPalace5(house)over6,000suchartworksfromvariousperiodsandregions,includingcentralplains,Xizang,andSouthAsia.ThesepiecesnotonlyillustrateBuddhist6(story)butalsohighlightTibetanculturalelementsandcraftsmanship.Alongsidethangkas,ancienttextsandsculptureswithinthepalacearebeingorganizedandstudied,7(result)inpublicationssuchas“CatalogofAncientTextsintheFirstScriptureHallofthePotalaPalace”and“CollectedResearchPapersonAncientTextsinthePotalaPalace”.Theongoingdigitaleffortscombinetraditionalmethodswithmoderntechnology8(ensure)thatthepalace’sheritagecontinuestoinspirethepublic.ThePotalaPalaceserves9abridgebetweenthepastandthepresent.Throughdigitalpreservation,thispalacestrengthensitsroleinprotectingandpromotingChinesecultural10(diverse).Passage2WouldyouliketotravelthroughtimeliketheDoctorfromDoctorWho?Well,accordingtoscientistsfromtheUniversityofBritishColumbiainCanadaandtheUniversityofMarylandintheUS,itisamathematicalpossibility.InareporttitledTardis—anodtoDoctorWho’spoliceboxspacecraft,theydescribeaway11timetravelcouldhappenusingamachinemadeofextraordinarymaterials.Tounderstand12thesescientistshaveproposed,wefirstneedtogobackmorethan100years.AlbertEinstein’stheoryofgeneralrelativitywaspublishedin1915andexplainshowthepathoflight13(affect)bymassiveobjects,suchasplanetsandstars,thathaveahugeamountofgravity.Einsteinbelievedthatthesehugeobjectsbendspaceandtime,allowinglighttocurvearoundthem.Thinkofitlikethis:imagineyou’restandinginthemiddleofatrampoline(蹦床)—itwilldipdownwards.Ifyouputatennisballneartheedge,itwouldrolltowardsyou14itgetstoyourfeet.Youare15aplanet:thedipinthetrampolineislikethecurveinspace-time;andthetennisballislighttravellingaroundtheplanet.OneofthemostinterestingpartsofEinstein’stheorywastheideathattime16change,dependingonhowfastapersonistravelling.Hebelievedthatifsomeoneweretravellingatthespeedoflightinspacethentimewouldpass17(slowly)forthem,comparedwithsomeonestandingstillonEarth.Althoughthissoundsimpossible,scientists18(experiment)withaccurateclocksandfoundthatitistrue.ThescientistsbasedtheirreportonEinstein’stheoryofbendingspace-time.Theyfoundthatifatimemachinecouldtravelfasterthanthespeedoflightand“bendtimeintoacircle”,usingsomethingcalledexoticmatter,thentheycouldtheoreticallytravelbackintime.19thescienceiscorrect,theresearcherssaidthatitisunlikelyanyonewouldeverachieveit.BenTippett,oneoftheresearchers,said,“20itismathematicallyfeasible(可行的),itisnotyetpossibletobuildaspace-timemachinebecauseweneedmaterials—whichwecallexoticmatter—tobendspace-timeintheseimpossibleways,buttheyhaveyettobediscovered.”話題2歷史與文化Passage1TeahasalonghistoryinChina,datingbackthousandsofyears.ItissaidthatShennong,oneofthelegendary1(figure)inancientChina,discoveredteawhenleavesfromawildtreefellintohisboilingwater.2time,teabecameanimportantpartofChineseculture,notonlyasabeveragebutalsoasasymbolofhospitalityandfriendship.DuringtheTangDynasty,tea3(drink)becamewidespreadamongtheupperclasses,andtheartofteamakingandbrewingbegantotakeshape.ThefamousteamasterLuYuwrote“TheClassicofTea,”which4(lay)thefoundationforthedevelopmentofChineseteaculture.IntheSongDynasty,theteaceremonyreachedanew5(high)ofrefinement,withelaborateteacompetitionsand6focusontheaestheticexperienceofteadrinking.Inmodernlife,theChineseteaceremonystillholdsgreatsignificance.Itprovidesawayforpeople7(slow)downandconnectwithnatureandtraditioninafast-pacedworld.Theteaceremonycanbeaformofmeditationandself-reflection,8helpspeopletocalmtheirmindsandfindinnerpeace.Moreover,theteaceremony9(become)popularinmanypartsoftheworld,aspeopleare10(increasing)interestedinChinesecultureandalternativewaysofliving.Passage2Zhangye,ahistoricSilkRoadhub(樞紐)inGansuProvince,hasinitiatedthe“TwoLinesMapping”projecttosafeguarditsculturalheritage.Zhangyeis1(strategic)locatedattheHexiCorridor’scrossroads,2theQinghai-TibetandMongolianPlateau’smeet.Thecity—oncecelebratedas“GoldenZhangye”—3(preserve)1,270immovablerelics,including20national-levelsites.ItsGreatWallsectionsextend813.7kmacrosstwodynasties,includingthe4(province)second-longestHan-erasectionandlongestMing-erastretch.Theprojectestablishestwoprotectionzones:acoreboundaryprotectingrelicsandtheirimmediateenvironment,and5outercontrolzonerestrictingdamagingconstruction.Byemployingdigitalmappingandgeographical6(technology),Zhangyeintegratespreciseheritagelocations7urbanplanningsystems,whichensurestheoriginalstateofrelicswhilemanagingmoderndevelopment.WangXu,aculturalprotectionofficial,explainsthismethodcombinestechnologywithtradition8(solve)modernchallenges.Bysettingclearrulesforlandusearoundculturalsites,Zhangyedemonstrates9Chinesecitiescangroweconomicallywhilepreservingtheirhistoricalroots.Theprojectnotonlyprotectsphysicalrelicsbutalsomaintainsthestoriesandculturalspiritlinkedtotheseancientwalls,10(ensure)futuregenerationsunderstandtheirvalue.話題3人物與故事Passage1Recently,avideohasgoneviralonline.OnthebusystreetsofSydney,Australia,ayoungChinesewoman,DongMin,dressedinbeautifulhanfu,thetraditionalclothingofChina,elegantly1(hold)adizi,thebamboofluteofChina,invitingpassers-bywithtraditionalChinesemusic.Bornin1990,DonggraduatedfromMinzuUniversityofChinawith2degreeinthemajorofChinesebamboofluteandlaterstudiedattheUniversityofNewSouthWalesinAustralia,3sheformedaChinesemusicbandwithlike-mindedfriends.4(subsequent),shefoundedtheSydneyMeyaConservatoryofChineseMusic,5(devote)toteachingChinesetraditionalinstrumentstomorepeople.Itattractsstudentsaged4to80,reflectingthetimelessappealofChinesemusicacross6(generation).HavingnoticedalackofawarenessofChinesetraditionalmusicinAustralia,she7(inspire)bylocalperformersusingwesterninstrumentslikepianosandviolins8(launch)streetperformanceswithhermembers,showingtraditionalChineseinstrumentsinSydney’sChinatownin2016.“StreetperformancesofferadirectandvisualwayforpeopletoexperienceChinesemusic,whichmakesit9(access)toeveryone,”shesaid.AsDong’sperformancesgrowinpopularity,videosofhershowsspreadacrosssocialmedia,drawinginalargeraudience.Donghaswitnessedachangeinforeignaudiences,fromunfamiliarity10activeengagement,demonstratingthegrowingpresenceoftraditionalChinesemusicinAustralia,bothinformalsettingsandonthestreets.Passage2TheEmeiKungFuGirls,afemaleKungFugroupconsistingofnineGen-ZmemberswhoarepassionateabouttraditionalChinesemartialarts,hasgoneviralonChina’ssocialmedia.LingYun,thecorememberofthegroup,1isalsoaninheritorofEmeimartialarts,andothermembersareskilledinEmeiKungFutechniques.Short2(video)ofthemperformingEmeimartialartshaveeffectivelypromotedtheintangibleculturalheritage.Intheirfirstpromotionalvideo,theyweargreenuniformsandperformvariousEmeiKungFutechniquesagainstthebackdropofMountEmeiinsouthwestChina’sSichuanProvince,3(demonstrate)theuniquecharmofEmeimartialarts,which4(date)backtotheSpringandAutumnPeriod.Ling,whobegantolearnmartialartsattheageof4,realizedthatpreservingandspreadingEmeimartialartsculturecouldn’trely5(mere)onpractitioners’training,andEmeiKungFushouldbepromotedinawaythatappealstomodernaesthetics6(reach)bothdomesticandinternationalaudiences.Therefore,formingagroupofversatiletalentswhocouldmakeEmeimartialartsculturethriveinmodernsocietybecame7priority.Asaresult,theEmeiKungFuGirlsgroupwasofficiallylaunchedatthe8(four)EmeiMartialArtsInheritanceConferenceonApril29,2024.Thegrouphascrackedthecodeofsocialmediasuccessbycarvingoutitsdistinctivestyle.Theircostumesstrikeaperfectbalancebetweenpracticalityandgraceandcombinetraditionalelements9modernaesthetics,featuringink-greenandredcolorschemes,cloudpatterns,and10(innovate)cuttingtechniques.話題4文化與節(jié)日Passage1OnDecember4,2024,theUNESCOincludedtheSpringFestival-socialpracticesoftheChinesepeoplein1(celebrate)ofthetraditionalnewyearontheRepresentativeListoftheIntangibleCulturalHeritage(非物質(zhì)文化遺產(chǎn))ofHumanity.Thedecisionwasmadeduringthe19thsessionoftheIntergovernmentalCommitteefortheSafeguardingoftheIntangibleCulturalHeritage,takingplaceinParaguayfromDecember2to7.Withthisaddition,Chinanowhas44culturalelementsorpracticesrecognizedbyUNESCO2IntangibleCulturalHeritageofHumanity.AccordingtoUNESCO’sdocumentation,thetraditionalknowledgeandcustoms3(relate)totheSpringFestivalarepasseddowninformallywithinfamiliesandcommunitiesaswellasformallythroughtheeducationsystem.Craftsmanshipandartisticskillsconnectedwiththefestivalarespread,4(promote)familyvalues,socialcohesion(凝聚力),andpeace,whileprovidingasenseofculturalidentity.Thecommitteealsoemphasizedthatthefestivalrepresentstheharmonybetweenhumansandnatureand5(contribute)tocontinuousdevelopmentinareassuchasfoodsecurityandeducation.Italsoplaysakeyroleinraisingenvironmental6(aware).China’sviceministerofCultureandTourism,RaoQuan,7ledtheChinesedelegation(代表團(tuán))attheUNESCOsession,expressedgratefulnessfortherecognition.He8(stress)thattheSpringFestivalisChina’smostimportanttraditionalholiday,symbolizingtheChinesepeople’shopesforabetterlife,strongtiestofamilyandcountry,andthevaluesofharmonybetweenhumansandnature.Raofurther9(proud)explainedthatthefestival,passeddownthroughgenerations,hasprovidedlastingspiritualstrengthtotheChinesepeople.Ithasplayedasignificantroleinstrengtheningfamilyandsocialharmony,drivingeconomicdevelopment,protectingtheenvironment,andencouragingglobalculturalexchange.Headded,“TheinclusionoftheSpringFestivalontheUNESCOlistwillhelppromoteuniversalvaluesofpeaceandharmony10highlighttheimportantroleofintangibleculturalheritageinthefuturedevelopment.”Passage2TheUNESCOonWednesdayinscribedSpringFestival,socialpracticesoftheChinesepeopleincelebrationofthetraditionalnewyear,ontheRepresentativeListoftheIntangibleCulturalHeritageofHumanity.Thedecision1(make)duringthe19thsessionoftheIntergovernmentalCommitteefortheSafeguardingoftheIntangibleCulturalHeritage,takingplaceinParaguayfromDec.2to7.Thecommitteerecognizedthefestivalforitswidearrayofrituals(儀式)2uniqueculturalelementsthatengageallofChinesesociety.UNESCOhighlightedthattheSpringFestival,3(mark)thestartofthetraditionalChineseLunarNewYear,involvesvarioussocialpractices,including4(prayer)forgoodfortuneandfamilyreunions.Italso5(feature)activitiesplannedbyeldersandfestivepubliceventsorganizedbycommunities.AccordingtoUNESCO’sdocumentation,theknowledgeandcustoms6(associate)withtheSpringFestivalarepassed7informallywithinfamiliesandcommunities,aswellasformallythroughtheeducationsystem.China’sviceministerofCultureandTourism,RaoQuan,8ledtheChinesedelegationattheUNESCOsession,expressedgratitudeforthe9(recognize).HestressedthattheSpringFestivalisChina’smostimportanttraditionalholiday,symbolizingtheChinesepeople’shopesfor10betterlife,strongtiestofamilyandcountry,andthevaluesofharmonybetweenhumansandnature.話題5社會與經(jīng)濟(jì)Passage1Forsomanyyears,ourworldhasoperatedinasetcycle:work,earnmoney,spendit,andrepeat.Intheprocess,1accumulationofunnecessaryitemswillquicklylosetheirappealandendupgatheringdust.However,apowerfulshifttowardssustainabilityisnowunderway.Thesharingeconomy,allaboutbondingpeopleandresources,2(become)verypopularinEuropeduringthepastdecades.InGermany,3(drive)bythecountry’sstrongenvironmentalconsciousnessandcommitmenttosustainability,thesharingeconomyhasbeenembraced,givingrisetonumerousplatformsandservices.Forexample,somepopularcar-platformslikeDrivyshowcasethe4(market)potentialforcollaborativeandwaste-reducinginnovations.Andthisisnotjustlimitedtobusinesses;itplacesgreateremphasis5ordinaryindividualsandcommunities.Peopleareincreasinglyusingthriftstores,donationstationsanddigitalplatforms6(exchange)theirunwanteditemsforfree.OnesuchplatformisGoHardcover,whichrevolutionizesbooksharingbyallowingreaderstoeasilylendandborrowbooks,thus7(form)asustainablesharingcyclethatreduceswasteandcarbonemissions.Userscancreatevirtual8(bookshelf)tosharetheircollectionsandexploreotherbooksfromfellowreaders,9makesliteraturemoreaccessibleandfostersagrowingnumberofbooklovers.Thesharingeconomyiscreatingamoresustainable,resource-efficientandconnectedfuture,wheremoreindividualparticipationwillpavethewayfora10(bright)future.Passage2FamedcontemporaryartistCaiGuoqianghaspartneredwithMGMtolaunchtheglobaldebut(首次亮相)ofhisAImodel,cAITM,withtheexhibition“cAITM:SoulScan”.HostedinMacau’shistoricBarradistrict,thedisplaypresentsaround20originalworks1(specific)tailoredtothecity,inlinewithMGM’sefforts2(promote)culturaltourismintheregion.3(locate)neartheA-MaTemple,theexhibitiondrawsinspirationfromMacau’slong-standingMazutraditionsandthehistoricalspreadofMazuculturefromCai’shometowninQuanzhou,Fujian.Itfeaturesarangeofstimulating4(experience),includingself-introductionsgeneratedbycAITM,gunpowderpaintingsby“gunpowderartistcAITM”and5interactivedeviceby“fireworksmastercAITM”allowingvisitorstoco-createvirtualfireworks.Astandoutis“cAITMDivination(預(yù)言)Room”,6aroboticarmdesignedby“divinercAITM”engagesaudienceswithinteractiveinsights,7(add)anexploratorydimensiontotheexhibition.“cAITM:SoulScan”reflectsCai’spioneeringinquiry8theintersectionofAIandcontemporaryart.Ontheopeningday,adynamicdialogue9(hold)betweenCaiandMacaubasedprofessors,studentsandartists.Itemphasized10(open)andinclusivityasvitaltoartisticdevelopment.話題6科技與創(chuàng)新Passage1OnJanuary28,3,000drones(無人機(jī))performedastunninglightshowinChongqingduringtheSpringFestivalGala.Theshow,organizedbyDamodaIntelligentControlTechnology,1(feature)patternsoffamouslandmarksandflowersacrossthenightsky.Despitechallengessuchasunpredictableweatherandsignalinterference,theteam,2averageageis27,deliveredaflawlessperformance.Mostoftheteammembersspecializeindronetechnology,whileothersareenthusiastsrecruitedbythecompany.Inrecentyears,droneperformances3(become)amajortrendinentertainment.Comparedtotraditionalfireworks,dronesare4(safe)andlesspolluting.Advancementsintechnologyhavemadelarger-scaleperformancespossible.Damoda’sthird-generationdronesaredesigned5(take)offfromacompactbox,savingspace,whilethefourth-generationmodelschargeautomatically.In2023,thecompanysettwoGuinnessWorldRecordsby6(fly)10,197dronessimultaneously.Competitionisshiftingfromtechnologytocreativity,astheindustrygrows,withagreateremphasis7storytellingandculturalelements.Beyondentertainment,dronesarealsofueling8low-altitudeeconomy,withwidespreaduseinlogistics,agriculture,andemergencyrescue.9isexpectedbyindustryexperts,droneshowsaregoingtobecomeevenmorespectacular,withcontinuoustechnologicalprogress.China’sdroneindustrycontinuestogrowglobally,settingnewstandardsandreinforcingits10(influence)positioninaerialtechnology.Passage2DeepSeek:ReshapingAIinaWest-dominatedworldInthecutthroatworldofartificialintelligence,longdominatedbySiliconValley,DeepSeekhasemergedas1formidable(強(qiáng)大的)newplayer.2itsreleaseinlate2023,thisChineseAIhascausedglobalattention,representingmorethanjustanother3

(technology)innovation.4(develop)byQuantumThinkLabsinShenzhen,DeepSeekwascreatedbyateamofex-GoogleBrainengineersandPekingUniversityexperts.5trulysetsDeepSeekapartisitsremarkableefficiency,deliveringGPT-4-levelperformancewith30percentlesscomputationalpower.Oneofitskeyfeaturesisitsability6(understand)naturallanguagequestions,whichmeansuserscanaskquestionsinthesamewaytheywouldtalktoafriend.DeepSeekalsostandsoutbecauseofitsfocusonuserprivacy,making7asaferchoicecomparedtoothersearchengines.Additionally,itsuser-friendlyinterface(界面)8

(design)sothatanyonecannavigateiteasily.However,thereareconcernsthatUSgovernmentmaypreventAmericanfirms9

(use)DeepSeek,citingdatasecurityconcerns.ThefutureofAI,withDeepSeekatthecenter,remainsuncertain.WillitcauseatechbattlebetweentheUSandChina,orwillitsopen-sourcerootspromoteglobalcooperation?DeepSeek’sstoryisnotjustabouttechnology10aboutthepowerofinnovationandagency.

考前押題02語篇語法填空題(期末專項(xiàng)訓(xùn)練)話題1科學(xué)與研究話題4文化與節(jié)日話題2歷史與文化話題5社會與經(jīng)濟(jì)話題3人物與故事話題6科技與創(chuàng)新話題1科學(xué)與研究Passage1ThePotalaPalace,asymbolofTibetanarchitectureandcultureinLhasa,thecapitalofXizang,haslaunchedanimportantdigitalpreservationproject.SinceearlyMarch,nearly1,000thangkapaintings1(evaluate)andscannedinhighdefinitionbytheCulturalRelicsResearchOfficeunderthePotalaPalaceManagementOffice.Thangkais2uniqueformofpaintinginTibetanculture.Itis3(typical)areligiousscrollmountedonsilkandhungforworship,4coverssubjectsfromhistorytomedicine,andsociallife.ThePotalaPalace5(house)over6,000suchartworksfromvariousperiodsandregions,includingcentralplains,Xizang,andSouthAsia.ThesepiecesnotonlyillustrateBuddhist6(story)butalsohighlightTibetanculturalelementsandcraftsmanship.Alongsidethangkas,ancienttextsandsculptureswithinthepalacearebeingorganizedandstudied,7(result)inpublicationssuchas“CatalogofAncientTextsintheFirstScriptureHallofthePotalaPalace”and“CollectedResearchPapersonAncientTextsinthePotalaPalace”.Theongoingdigitaleffortscombinetraditionalmethodswithmoderntechnology8(ensure)thatthepalace’sheritagecontinuestoinspirethepublic.ThePotalaPalaceserves9abridgebetweenthepastandthepresent.Throughdigitalpreservation,thispalacestrengthensitsroleinprotectingandpromotingChinesecultural10(diverse).【答案】1．havebeenevaluated2．a(chǎn)3．typically4．which5．houses6．stories7．resulting8．toensure9．a(chǎn)s10．diversity【導(dǎo)語】本文是一篇新聞報(bào)道。文章報(bào)道了布達(dá)拉宮啟動了一項(xiàng)數(shù)字化保護(hù)項(xiàng)目，對唐卡、古代文獻(xiàn)和雕塑進(jìn)行整理、研究和高清掃描，旨在通過傳統(tǒng)方法與現(xiàn)代技術(shù)的結(jié)合，保護(hù)和弘揚(yáng)西藏文化及中國文化的多樣性。1．考查動詞時態(tài)、語態(tài)和主謂一致。句意：自3月初以來，布達(dá)拉宮管理處下屬的文物研究辦公室已對近1000幅唐卡進(jìn)行了評估和高清掃描。空處作句子的謂語，結(jié)合“SinceearlyMarch”可知，時態(tài)應(yīng)用現(xiàn)在完成時，表示動作發(fā)生在過去并延續(xù)到現(xiàn)在，evaluate“評估”和主語thangkapaintings之間是被動關(guān)系，應(yīng)用被動語態(tài)，且主語是復(fù)數(shù)，助動詞應(yīng)用have。故填havebeenevaluated。2．考查冠詞。句意：唐卡是西藏文化中一種獨(dú)特的繪畫形式?？仗幈硎痉褐?，意為“一種獨(dú)特的繪畫形式”，應(yīng)用不定冠詞，且unique的發(fā)音以輔音音素開頭，應(yīng)用a。故填a。3．考查副詞。句意：它通常是一幅裝裱在絲綢上的宗教卷軸，用于懸掛供奉，內(nèi)容涵蓋從歷史到醫(yī)學(xué)以及社會生活的主題?？仗幾鳡钫Z，副詞typically符合題意，意為“通?！?。故填typically。4．考查定語從句。句意：它通常是一幅裝裱在絲綢上的宗教卷軸，用于懸掛供奉，內(nèi)容涵蓋從歷史到醫(yī)學(xué)以及社會生活的主題?？仗幰龑?dǎo)非限制性定語從句，對先行詞areligiousscroll作補(bǔ)充說明，先行詞指物，在從句中作主語，應(yīng)用關(guān)系代詞which作引導(dǎo)詞。故填which。5．考查動詞時態(tài)和主謂一致。句意：布達(dá)拉宮收藏了來自不同時期和地區(qū)的6000多件此類藝術(shù)品，包括中原、西藏和南亞?？仗幾骶渥拥闹^語，此處在描述一般性的事實(shí)，時態(tài)應(yīng)用一般現(xiàn)在時，主語ThePotalaPalace是單數(shù)，house“收藏”應(yīng)用第三人稱單數(shù)形式。故填houses。6．考查名詞的數(shù)。句意：這些作品不僅描繪了佛教故事，還突出了西藏文化元素和工藝?？仗幾鱥llustrate的賓語，結(jié)合主語“Thesepieces”可知，描繪的“佛教故事”有多個，story“故事”應(yīng)用復(fù)數(shù)形式。故填stories。7．考查非謂語動詞。句意：除了唐卡，宮殿內(nèi)的古代文獻(xiàn)和雕塑也在被整理和研究，成果包括《布達(dá)拉宮第一藏書閣文獻(xiàn)目錄》和《布達(dá)拉宮古籍文獻(xiàn)研究論文集》。句子主干成分完整，空處表示隨著謂語行為自然發(fā)生的結(jié)果，作結(jié)果狀語，應(yīng)用result的現(xiàn)在分詞形式。故填resulting。8．考查非謂語動詞。句意：正在進(jìn)行的數(shù)字化工作將傳統(tǒng)方法與現(xiàn)代技術(shù)相結(jié)合，以確保宮殿的遺產(chǎn)繼續(xù)啟迪公眾。句子已有謂語，空處是非謂語動詞，作目的狀語，表示“為了……”，應(yīng)用ensure“確?！钡牟欢ㄊ叫问健９侍顃oensure。9．考查介詞。句意：布達(dá)拉宮是過去與現(xiàn)在之間的橋梁。空后abridgebetweenthepastandthepresent為名詞短語，固定短語serveas符合題意，意為“充當(dāng)，擔(dān)任”。故填as。10．考查名詞。句意：通過數(shù)字化保護(hù)，這座宮殿加強(qiáng)了其在保護(hù)和弘揚(yáng)中國文化多樣性方面的作用?？仗幾鱬rotecting和promoting的賓語，被Chinesecultural修飾，名詞diversity符合題意，意為“多樣性”，是不可數(shù)名詞。故填diversity。Passage2WouldyouliketotravelthroughtimeliketheDoctorfromDoctorWho?Well,accordingtoscientistsfromtheUniversityofBritishColumbiainCanadaandtheUniversityofMarylandintheUS,itisamathematicalpossibility.InareporttitledTardis—anodtoDoctorWho’spoliceboxspacecraft,theydescribeaway11timetravelcouldhappenusingamachinemadeofextraordinarymaterials.Tounderstand12thesescientistshaveproposed,wefirstneedtogobackmorethan100years.AlbertEinstein’stheoryofgeneralrelativitywaspublishedin1915andexplainshowthepathoflight13(affect)bymassiveobjects,suchasplanetsandstars,thathaveahugeamountofgravity.Einsteinbelievedthatthesehugeobjectsbendspaceandtime,allowinglighttocurvearoundthem.Thinkofitlikethis:imagineyou’restandinginthemiddleofatrampoline(蹦床)—itwilldipdownwards.Ifyouputatennisballneartheedge,itwouldrolltowardsyou14itgetstoyourfeet.Youare15aplanet:thedipinthetrampolineislikethecurveinspace-time;andthetennisballislighttravellingaroundtheplanet.OneofthemostinterestingpartsofEinstein’stheorywastheideathattime16change,dependingonhowfastapersonistravelling.Hebelievedthatifsomeoneweretravellingatthespeedoflightinspacethentimewouldpass17(slowly)forthem,comparedwithsomeonestandingstillonEarth.Althoughthissoundsimpossible,scientists18(experiment)withaccurateclocksandfoundthatitistrue.ThescientistsbasedtheirreportonEinstein’stheoryofbendingspace-time.Theyfoundthatifatimemachinecouldtravelfasterthanthespeedoflightand“bendtimeintoacircle”,usingsomethingcalledexoticmatter,thentheycouldtheoreticallytravelbackintime.19thescienceiscorrect,theresearcherssaidthatitisunlikelyanyonewouldeverachieveit.BenTippett,oneoftheresearchers,said,“20itismathematicallyfeasible(可行的),itisnotyetpossibletobuildaspace-timemachinebecauseweneedmaterials—whichwecallexoticmatter—tobendspace-timeintheseimpossibleways,buttheyhaveyettobediscovered.”【答案】11．that12．what13．isaffected14．till/until15．like16．will17．moreslowly18．experimented19．Although/Though/While20．Although/Though/While【導(dǎo)語】本文是一篇說明文，主要講的是根據(jù)加拿大英屬哥倫比亞大學(xué)和美國馬里蘭大學(xué)的科學(xué)家們的研究，穿越時空在數(shù)學(xué)上是可能的。11．考查定語從句。句意：在一份名為Tardis的報(bào)告中，他們描述了一種時間旅行的方式，即使用一種由特殊材料制成的機(jī)器，Tardis是向神秘博士的警亭宇宙飛船致敬?？崭裉幰龑?dǎo)的是定語從句，關(guān)系詞在從句中作狀語，先行詞是way，空格處用關(guān)系代詞that，故填that。12．考查賓語從句。句意：為了理解這些科學(xué)家提出的理論，我們首先需要回到100多年前?？崭裉幰龑?dǎo)的是賓語從句，從句中缺少賓語，句子表示“為了理解這些科學(xué)家提出的理論”，因此空格處用what引導(dǎo)賓語從句，故填what。13．考查時態(tài)，語態(tài)和主謂一致。句意：AlbertEinstein的廣義相對論發(fā)表于1915年，解釋了光的路徑是如何受到行星和恒星等具有巨大引力的大質(zhì)量物體的影響的。光的路徑是被影響，句子用被動語態(tài)，且句子描述客觀事實(shí)，因此空格處是一般現(xiàn)在時的被動語態(tài)，主語“thepathoflight”是單數(shù)，因此空格處是isaffected。故填isaffected。14．考查連詞。句意：如果你把一個網(wǎng)球放在邊緣附近，它會滾向你，直到它到達(dá)你的腳。根據(jù)語境可知，句子表示“如果你把一個網(wǎng)球放在邊緣附近，它會滾向你，直到它到達(dá)你的腳”，空格處意為“直到”，用till/until引導(dǎo)時間狀語從句，故填till/until。15．考查介詞。句意：你就像一顆行星：蹦床的凹陷就像時空的曲線；網(wǎng)球是繞著地球運(yùn)動的光。由“thedipinthetrampolineislikethecurveinspace-time”可知，空格處用like，句子表示“你就像一顆行星”。故填like。16．考查時態(tài)。句意：愛因斯坦理論中最有趣的部分之一是時間會隨著人的速度而變化。由“dependingonhowfastapersonistravelling”可知，句子表示“愛因斯坦理論中最有趣的部分之一是時間會隨著人的速度而變化”，空格后是動詞原形，空格處用助動詞，表示“將會”，構(gòu)成一般將來時，由“istravelling”可知，空格處用will，故填will。17．考查比較級。句意：他認(rèn)為，如果有人在太空中以光速旅行，那么與站在地球上不動的人相比，他們的時間會過得更慢。由“comparedwithsomeonestandingstillonEarth”可知，句子表示“如果有人在太空中以光速旅行，那么與站在地球上不動的人相比，他們的時間會過得更慢”，空格處用比較級moreslowly。故填moreslowly。18．考查時態(tài)。句意：雖然這聽起來不可能，但科學(xué)家們用精確的時鐘做了實(shí)驗(yàn)，發(fā)現(xiàn)這是真的。由“andfound”可知，空格處所在句子時態(tài)是一般過去時，空格處用過去式，故填experimented。19．考查狀語從句。句意：雖然科學(xué)是正確的，但研究人員說不太可能有人能做到。根據(jù)語境可知，句子表示“雖然科學(xué)是正確的，但研究人員說不太可能有人能做到”，空格處意為“雖然，盡管”，用although/though/while，引導(dǎo)讓步狀語從句，位于句首，首字母大寫，故填A(yù)lthough/Though/While。20．考查狀語從句。句意：研究人員之一BenTippett說：“雖然在數(shù)學(xué)上是可行的，但目前還不可能建造一臺時空機(jī)器，因?yàn)槲覀冃枰牧稀覀兎Q之為奇異物質(zhì)——以這些不可能的方式彎曲時空，但它們還沒有被發(fā)現(xiàn)。”由“itismathematicallyfeasible”和“itisnotyetpossibletobuildaspace-timemachine”可知，句子表示“雖然在數(shù)學(xué)上是可行的，但目前還不可能建造一臺時空機(jī)器”，空格處意為“雖然”，是although/though/while，引導(dǎo)讓步狀語從句，位于句首，首字母大寫，故填A(yù)lthough/Though/While。話題2歷史與文化Passage1Teahasalonghist