Frescoes in the Sistine Chapel by MICHELANGELO,part 1,米開(kāi)朗基羅繪制的西斯廷教堂壁畫(huà),米開(kāi)朗基羅繪制的西斯廷教堂壁畫(huà),Exterior of the Sistine Chapel 1475-83 - Cappella Sistina, Vatican,梵蒂岡 西斯廷教堂外觀,Interior of the Sistine Chapel 1475-83, 1508-12, 1535-41 Frescoes Cappella Sistina, Vatican,西斯廷教堂內(nèi)部,半圓窗和教皇,墻壁裝飾細(xì)部,先知和女巫,在教堂的側(cè)墻上，五個(gè)先知和五個(gè)女巫間隔設(shè)置，這樣，每個(gè)先知和女巫在相對(duì)的側(cè)墻上形成配對(duì)：德?tīng)栰撑缀图s珥（喬爾）先知；厄立特利亞女巫和以賽亞先知；庫(kù)馬伊女巫和以西結(jié)先知；波斯人女巫和丹尼爾先知；利比亞女巫和耶利米先知。這種相對(duì)應(yīng)的安排暗喻拯救世界預(yù)言的普遍性主題，以及在猶太教世界和異教徒世界的心靈上的完美和諧的理念。 另外兩個(gè)先知撒迦利亞和約拿，被繪制在西斯廷教堂的主軸線上。這樣布局同樣有特定意義，因?yàn)槿鲥壤麃喯戎挥诮烫么箝T(mén)上方，教皇要在棕枝全日莊嚴(yán)地通過(guò)大門(mén)召回基督進(jìn)入耶路撒冷開(kāi)始圣周日的重大慶典；而約拿先知位于上后方，一般認(rèn)為是基督升天的前導(dǎo)。,Zechariah, 1509, Fresco, 360 x 390 cm, Cappella Sistina, Vatican,先知 撒迦利亞,Jonah, 1511, Fresco, 400 x 380 cm, Cappella Sistina, Vatican,先知 約 拿,The Delphic Sibyl, 1509, Fresco, 350 x 380 cm, Cappella Sistina, Vatican,女巫 德?tīng)栰?Joel, 1509, Fresco, 355 x 380 cm, Cappella Sistina, Vatican,先知 約 珥,Putti, 1511, Fresco, Cappella Sistina, Vatican,丘比特 梵蒂岡西斯廷教堂壁畫(huà),Isaiah, 1509, Fresco, 365 x 380 cm, Cappella Sistina, Vatican,先知 以賽亞,The Erythraean Sibyl, 1509, Fresco, 360 x 380 cm, Cappella Sistina, Vatican,女巫 厄立特里亞,The Cumaean Sibyl, 1510, Fresco, 375 x 380 cm, Cappella Sistina, Vatican,女巫 庫(kù)馬伊,Ezekiel, 1510, Fresco, 355 x 380 cm, Cappella Sistina, Vatican,先知 以 西 結(jié),Daniel, 1511, Fresco, 395 x 380 cm, Cappella Sistina, Vatican,先知 丹尼爾,The Persian Sibyl, 1511, Fresco, 400 x 380 cm, Cappella Sistina, Vatican,女巫 波斯人,The Libyan Sibyl, 1511, Fresco, 395 x 380 cm, Cappella Sistina, Vatican,女巫 利比亞,Putti, 1511, Fresco, Cappella Sistina, Vatican,丘 比 特,Frescoes in the triangular spandrels (Ancestors of Christ) Occupying the triangular fields between the thrones of the prophets and sibyls, above the lunettes, the eight spandrels of the side walls contain family groups with figures seated or reclining on the bare ground, in poses that seem to draw on the theme of the flight into Egypt. Together with the groups or single figures in the lunettes on either side of the tablets, they represent the generations of Christs ancestors. Due to the lack of typological elements or precise attributions and, in most cases, of iconographic precedents, it is difficult; if not impossible, to identify the figures represented.,三角拱肩的壁畫(huà)（基督的祖先）,位于半圓窗上面，在先知和女巫之間側(cè)墻上的八個(gè)三角拱肩內(nèi)繪制的是家族群體，有的坐著，有的斜倚在地上。從圖像的姿態(tài)來(lái)看，似乎是表現(xiàn)“逃往埃及”的主題。將這些群體圖像和單個(gè)圖像結(jié)合起來(lái)看，圖像是展示基督的世代祖先。由于沒(méi)有這類圖像的資料，所以很難具體確定這些人物。,Ancestors of Christ: figures, Fresco, 245 x 340 cm, Cappella Sistina, Vatican,基督的祖先,Ancestors of Christ: figures, 1510, Fresco, 245 x 340 cm, Cappella Sistina, Vatican,基督的祖先,最后審判 這幅壁畫(huà)是教皇克雷芒七世（15231534）去世前不久委請(qǐng)米開(kāi)朗基羅制作的.他的繼承者保羅三世法納斯（15341549）要求米開(kāi)朗基羅迅速完成這項(xiàng)世紀(jì)最大的單幅壁畫(huà)工程。,Last Judgment 1537-41 Fresco, 1370 x 1220 cm Cappella Sistina, Vatican,最后審判 1537-1541年制作，1370x1220厘米。 梵蒂岡西斯廷教堂,Last Judgment (detail) 1537-41, Fresco, Cappella Sistina, Vatican,最后審判 （細(xì)部）,Last Judgment (detail) 1537-41, Fresco, Cappella Sistina, Vatican,最后審判 （細(xì)部）,Last, Fresco, Cappella Sistina, Vatican,Judgment (detail) 1537-41,Last Judgment (detail) 1537-41, Fresco, Cappella Sistina, Vatican,最后審判