OntheTranslationoftheProse散文翻譯原則1、文氣貫通,氣韻生動(dòng)英國散文翻譯家HilaireBelloc(希萊爾·貝洛克)為文學(xué)散文翻譯制定了6條原則，認(rèn)為翻譯的本質(zhì)是異地之魂假借本地之軀的復(fù)活(Theessenceoftranslatingistheresurrectionofanalienthinginanativebody),強(qiáng)調(diào)散文的翻譯不能拘泥于原文之字句,要視段落或部分為整體。翻譯要“以意譯意(translateintentionby

intention)”2、傳神寫照———“意,氣,文”三位一體

在散文翻譯中,我們要想譯得曲盡其妙,須得傳神地摹寫作者的氣質(zhì)神韻。每一個(gè)作者有每一個(gè)的個(gè)性特點(diǎn)、氣質(zhì)精神,著手翻譯之前,要先對作者進(jìn)行深入的研究,把握其時(shí)代背景、人生經(jīng)歷、創(chuàng)作風(fēng)格等,這樣的翻譯方能做到傳神達(dá)意,否則,難免貌合神離。PS：文學(xué)翻譯非文字翻譯文學(xué)翻譯，講求整體效果，即“神韻”。有些表面忠實(shí)的譯文，失去了散文的文采、文雅，這樣便失去了自身的價(jià)值，終究是失敗的譯文?！懊馈笔巧⑽姆g的重點(diǎn)。美感層面AlongsidetheLotusPondrunsasmallcinderfootpath.Itispeacefulandsecludedhere,aplacenotfrequentedbypedestrianseveninthedaytime;nowatnight,itlooksmoresolitary,inalush,shadyambienceoftreesallaroundthepond.Onthesidewherethepathis,therearewillows,interlacedwithsomeotherswhosenamesIdonotknow.Thefoliage,which,inamoonlessnight,wouldloomsomewhatfrighteninglydark,looksverynicetonight,althoughthemoonlightisnotmorethanathin,greyishveil.（朱純深譯文）動(dòng)感美：run、frequent、interlace、loom韻味美：peaceful、secluded、solitary、lush、shady

比喻手法：…athin,greyishveil.美感層面Alloverthiswindingstretchofwater,whatmeetstheeyeisasilkenfieldofleaves,reachingratherhighabovethesurface,liketheskirtsofdancinggirlsinalltheirgrace.Hereandthere,layersofleavesaredottedwithwhitelotusblossoms,someindemurebloom,othersinshybud,likescatteringpearls,ortwinklingstars,orbeautiesjustoutofthebath.Abreezestirs,sendingoverbreathsoffragrance,likefaint

singing

drifting

fromadistant

building.Atthismoment,atinythrillshootsthroughtheleavesandflowers,likeastreakoflightning,straightacrosstheforestoflotuses.Theleaves,whichhavebeenstandingshouldertoshoulder,arecaughttremblinginanemerald

heave

ofthepond.Underneath,theexquisitewateriscoveredfromview,andnonecantellitscolour;yettheleavesontopproject

themselvesallthemoreattractively.（朱純深譯文）音韻效果(節(jié)奏美）：

stirs---sending---singing；breeze---breaths---building；

fragrance---faint---from；

drifting---distant；

sending---singing--building；leaves---streak；streak---straight；

leaves---like---lightning---lotuses.heave：雙關(guān)語義emerald：“通感”project：選詞確切詞匯層面今晚卻很好，雖然月光也還是淡淡的。朱純深譯：…althoughthemoonlightisnotmorethanathin，grayishveil．

（veil：將抽象的形容詞具體化，生動(dòng)形象，又不失朦朧的美感。）楊憲益譯：…buttonightitwasquiteclear，thoughthemoonlightwaspale．

（pale：表達(dá)上有失美感。）句法層面月光如流水一般，靜靜地瀉在這一片葉子和花上。薄薄的青霧浮起在荷塘里。葉子和花仿佛在牛乳中洗過一樣；又像籠著輕紗的夢。朱純深譯：Themoonshedsherliquidlightsilentlyovertheleavesandflowers,which,inthefloatingtransparencyofabluishhazefromthepond,lookasiftheyhadjustbeenbathedinmilk,orlikeadreamwrappedinagauzyhood.

（句子的合譯）楊憲益譯：Moonlightcascadedlikewateroverthelotusleavesandflowers,and

alightbluemistfloatingupfromthepoolmadethemseemwashedinmilkorcaughtinagauzydream.

桃花源東晉大詩人陶淵明的名篇《桃花源記》，描繪了一處世外桃源。這世外桃源究竟在何處?眾說紛紜,但是大多數(shù)人，尤其是陶淵明故鄉(xiāng)的人認(rèn)為應(yīng)該是江西星子縣城西五里之遙的玉金山。玉金山座坐落在秀麗的廬山和浩渺的鄱陽湖之間。登上玉金山放眼四望，田疇上大小村莊星羅棋布，屋宇相連，阡陌縱橫，稻浪起伏。這便是詩人詠贊的“平疇交遠(yuǎn)風(fēng)，良苗亦懷新”的畫面。

遠(yuǎn)處碧波萬頃，煙云飛出，有一峰兀立，這是詩人譽(yù)為“旁無依接，獨(dú)秀中皋”的“落星”山。再細(xì)看，山下農(nóng)家，炊煙裊裊，谷場水巷之中，雞鴨成群，頑童嬉戲，田野上人來人往，一派豐衣足食的景象，這不正是《桃花源記》中描寫的景象嗎?Inhisbrilliantessay“AttheHeadofthePeachBlossomStream”,thegreatpoetoftheEasternJinDynastyTaoYuanmingdescribedalandofpeaceawayfromtheturmoiloftheworld.ButwhereonearthwasthisancientShangri-la?Therehavebeenmayguesses.Mostpeople,especiallythosefromTaoYuanming'snativeplace,believethatitshouldbewhatisnowcalledtheYujingHill,abouttwomileswestofStarChildCounty（XingzaixianinChinese）,JiangxiProvince.TheYujingHilliswedgedbetweenthepicturesqueMountLuandthemist-shroudedPoyangLake.Standingatthesummitofthehillandlookingaround,onewillseedownbelowlevelfieldsstuddedwithhamletsandvillages,wherecottagesstandinneatrows,footpathscrisscrossthefarmland,andriceearswaveinthewinds.Thisisjustthepicturedepictedbythepoetinhislines:

Levelfieldsextendwavilytothefarhorizon;Anewlifeisflowinginlustyyoungseedlings.Lookingfartherintothedistance,onewillseevastexpansesofbluewatersandasolitary,abruptpeaktoweringamidstfloatingmists.ThisistheFallenStarHill（Luoxingshan,inChinese）praisedbythepoetas“asolitaryobjectofbeautythatrisesclearoutofthegroundbesidewaters.”Takingacloselook,onewillseechimneysmokecurlingupfromthecottagesatthefootofthehill,childrenfrolickingonthe