IntroductionInliteraryworks,writersusuallyusedifferentcharacterstoexpresstheirviewsonsocietyandhumannature.Dickensisoneofthemostfamouswritersintheworld,andhispositionisoutstanding.HelivedinBritishcapitalistsocietyandcreatedmanyworksbasedonhispoorandhardpersonalexperienceandhisobservationandunderstandingofsociety.Headvocateddistinguishingrightfromwrong,advocatingthespiritoffreedomandfraternity,constantlyattackingtheuglinessandhypocrisyofsociety,andexpressingsympathyandcompassionforthosewhoencounterunequaltreatmentinsociety.AmongtheOliverTwist,Dickensdescribedmanycharacters,bothpositiveandnegative.Dickenspraisedthequalityofbenevolenceandjusticethroughpositivecharacters,andexpressedhiscriticismofthedarknessofsocietyatthattimebynegativecharacters.Thispaperdiscussestheoriginanddevelopmentofcriticalrealism,introducesDickens'life,characterandthethemeandcontentofthebookOliverTwist.Accordingtothecharacteristicsofcriticalrealism,themaincharactersintheorphanofOliverTwistareanalyzedandinterpretedonebyone.1.CharlesDickensandHisOliverTwistDickens,optimisticandromantichumanist,believethatgoodisgoodandevilisbad.Butfromhisinnerperspective,itwasthechildthatspurrendhimtodeveloptheplotinsuchaway.Childrenarethesymbolofloveandkindnessanditisalsoahumanitarianpointofview.DickensusedthecreationofthesimplestwaytocreatetheOliver,apenniless,homelesschildwiththehelpofmanypeoplefromsuffering.1.1AboutCharlesDickensDickenswasbornonFebruary7,1812,inthesuburbsofPortsmouth.Hewasborninthefamilyofasmallnavalofficer.Whenhewasateenager,hehadtogotoschoolintermittentlybecauseofhisfamilylife.Thentheywereforcedtoworkaschildlabourersintheworkshops.After15yearsofage,hehasworkedasanapprenticeinalawfirm,arecordclerkandacourtrecorder.Attheageof20,hebegantoworkasanewspaperinterviewer,coveringtheHouseofCommons.In1837,hecompletedhisfirstnovel,Pickwick'sBiography,whichwasthefirstrealisticnovelcreation.Later,hiscreativeabilitybecamemoreandmoremature.HepublishedOrphansofTwist,AntiqueShop,DombeyandSon,DavidCopperfield,HardTimes,TwoCities,FarAway.GreatExpectations(1861),etc.,diedonJune9,1870atGatesVillanearRochester.Dickenspaysspecialattentiontodescribingthelifeexperiencesofthe"littlepeople"livingatthebottomofBritishsociety,whichdeeplyreflectsthecomplexsocialrealityofEnglandatthattimeandhasmadeoutstandingcontributionstothedevelopmentofBritishcriticalrealismliterature.Hisworkshaveexertedafar-reachinginfluenceonthedevelopmentofEnglishliterature.1.2AboutOliverTwistOliverTwistisoneofCharlesDickens'mostfamousmasterpieces.Itrevealthehorrorsandviolencehiddeninthenarrow,dirtystreetsofLondonandshowsthetruefaceoftheeighteenthcenturyLondoncriminals..Atthesametime,Dickenstriedtoexplainthatkindnesscaneventuallyovercomealldifficultiesandobstacles.OliverTwistnotonlyattractedtheattentionofcriticsandthepublicthestrongemotionbehinditnotonlytouchedthereadersofhistimebutalsodeeplymovedus.Thisnovelreflectssomeobviousthings:goodandevilwillberewarded,thecruelrealityandhumancharacters,thehopeofabetterlife,societyandhumanbeing.Attheendofthenovel,whenOliver'shalfbrotherwantedtokillOliveranddenyhislegalinsurance,OliverhappenedtomeetBrown.Althoughtheyhaven'tmetforalongtime,thejealousgentlemanhelpedOliverwhenhispropertyinaccordancewiththelaw,alotofmoney.Fromthiscoincidence,weseemtofindthatDickensisalonely,helplesschildlookingforwardtohappylife.Thisisinlinewithhiswishesandthelightwilleventuallyreplacethedarkness.Second,thereexistsmanybadpeopleinthisnovel.Theenvironmentalwayschange,badpeoplealwaysexistfromthehospicetotheslums.Theyarethemastersoftheenvironmentandtheenvironmentisahotbedoftheirsins.TheImagessofthevillainsarevaried.OldFaginwasselfishcunning,treacherousandinstigated.HebrutallymurderedNancyforherbetrayal.BothofFaginandSykesstandfortheevil.IntheprocessofOliveTwist,Dickensobviouslypointout:inmyopinion,itisnecessarytowriteaboutsuchagroupofcriminalsaccordingtotheactualexistence.Writetheminalltheirfaultsandalltheirmisfortunes;WriteabouttheminthepovertyoftheirlivesItshowsthattheylurknervouslyontheroadofthedirtiestlife,andatlast,escapefromthefateoftheblack,dreadfulgallows.Astheconsequence,theauthorwritesnotonlytheLondon'scold,damp,uncleannessanddisorderedstreets——theplaceswhereiscalledhellhole.HealsotakeslittleOliverasamedium,narrowtheirviciousandevilspiritsanddeprivedlifethroughthedescriptionofFaginandSike'srepeatedbullyingandbuldgeon.HundredsofthousandssinfulsourslikethemlurkineverycornerofLondon.Bytheirmeans,darknesshasgrownandspreadthroughoutsociety——ahorribleandseriousreality.Intheend,thisworldisfullofvitalityandoptimism.Itisahopeforsocietylifeandhumanbeings.Itisfullofreflectedinthenaturalreflectionofhumannatureintheworks..WecanseethebadenvironmentdidnoteraseOliver'struehumanity.NatureandheredityinjectedthespiritofkindnessandstubbornnessintoOliver'sbreast.Goodisakindofbeauty.Therearegoodandkindpeopleeverywhere.Oliverexperiencedtheordealbuthereceivedthepeopleandthegoodoldlady.Oliverwouldgothewayofhismother.Oliver,whowasonceagainadenofthieves,wasforcedtotakepartinthecurtainthief,andthegoodOliviawasunwillingtoattend.Themomentheenteredtheroom,hereturnedtohissenses.Thegoodandevilofhumannaturearevividlyreflectedintheworks:Oliver'sinnocenceandsimplicityhaveleftus.withagoodimpressionandletusknowthattheessenceofhumannatureispure.Thelightofthesehumanbeingsshowedupinfrontofpeoplesothatthepeopleofthetimecouldnotonlyseetheessenceofsocietybutalsoseethehopeoflife.2.AnIntroductiontoCriticalRealismTheterm"criticalrealism"wasgeneralizedbylatergenerations.InhisbookTheSocialMissionofArt,ProudonofFrance(1809-1865)firstmadetheconclusionthatrealismiscritical,butbecausethismanwasthefounderofanarchismandlaterbecamethespokesmanoftheSecondEmpire,MarxcriticizedhiminthebookPovertyofPhilosophy.Hisreputationwasnotgood,sohisformulationofcriticalrealismfailedtoarousepeople.Yourattention.TheJuneUprisingofParisWorkersin1848washailedbyMarxasthefirstgreatbattlebetweentwoopposingclassesinmodernsociety.InBritain,theCharterMovement,whichbeganinthe1930sandreacheditsclimaxinthe1940s,was"thefirstbroad,trulymass,politicallyformedproletarianrevolutionarymovementintheworld".Thecriticalrealismliteratureofthenineteenthcenturyisabrilliantpageinthehistoryofbourgeoisliteratureandaveryimportantlegacyinthetreasurehouseofworldliteratureandart.Criticalrealismisaliteraturebelongingtothecategoryofbourgeoisie.Itsideologicalweaponishumanitarianismbasedonthetheoryofhumannature.Itssocialandpoliticalpropositionismainlyreformism.Itsphilosophicalbasisofcreativetheoryisbasicallymaterialisticreflectiontheory.Inreflectingsociety,criticalrealistwritersfocusonexposingthedarknessofsocietyandcriticizingtheevilofreality.MostofthemarebelieversintheEnlightenment,buttheharshrealityofcapitalistsocietymakesthemfeelsuffocatedandindignant,sotheycanmercilesslyexposethecorruptsystemandtheprevailingsocialcustomsofegoism.Thesewritersdaretofaceuptothesocialreality,toexploretherootofevil,toexposetheuglysocialphenomena,toprovidepeoplewithImagesmaterialsforunderstandingcapitalistsociety,andtobreakpeople'soptimismaboutcapitalism.However,mostoftheircynicismcomesfromtheirrepressedandexcludedstatus.Their"fundamentalmotiveforcriticizingtheexistingsystemisfromaprofoundandcorrectunderstandingofthesignificanceofvarioussocio-economiccauses,whichisevenlesscommon".Thisinevitablylimitsthedepthoftheircriticism.Atthesametime,althoughtheyarenotsatisfiedwiththecurrentsituation,theyaremoreopposedtotheproletarianrevolution,whichmakesitimpossibleforthemtofindabrightwayoutinthedarkreality.Theyprovidepeoplewithaseriesofnegativeimpressions,butthereisnodefiniteanswer.Duetothepainfulexplorationwithoutconclusion,manycriticalrealistwriters'worksaremixedwithfatalismandpessimisminvaryingd3.3.ResearchBackgroundandSignificance3.1ResearchBackgroundCriticalrealismliteraturewaspopularinEuropeinthe19thcentury,whichdeeplyreflectedsocialcustomsandsocialcontradictions,anddeeplycriticizedaliteraryschoolandtrendofthoughtincapitalistsociety.Dickensistherepresentativeofthe19thcenturyBritishcriticalrealistwriters.HewascrownedthekingoffictioninthehistoryofEnglishliterature.InBritainandAmerica,anenormousnumberofmaturedandprofoundstudieshavebeendevotedtoDickensandhisworks.TheyanalyzeDickensandhisworksfrommanyaspects.Collins(1971)editedabook,whichincludedmorethanonehundredofresearcharticles.Itinvolvesmanycomprehensiveandthematicstudies.SomeofthearticlesmakeaverydetaileddiscussionaboutthedescriptionoftheuniquelandscapeofLondon;someanalysestheinfluenceofsomeimportantwomentohislifeandcreation;italsoincludesmonographsabouttherelationshipofDickens,political,legalandotheraspects.AllofthemrevealtheconnectionsofDickenswithhisworksandsocial,personalliferespectively.Manywell-knowncriticsexpressedtheirownviewsonDickensandhisworks.After1940s,thestudyofDickensabroadbecameprosperous,presentedadiversifiedsituation.ConcerningwiththestudyofDickensandhisOliverTwistabroad,anenormousamountofmaturedandprofoundstudieshasbeendevotedtothem.Reynolds(2012)examinesthetropeoforphanhoodinnovelsofmid-nineteenthcentury,andtheoriginoftheorphaninCharlesDickens’OliverTwist.Olivertakesaspecifickindofmiddle-classformation,symbolizesthedesireofmiddle-classtosurviveandlegitimizeitselfandseparateitselffromthelowerclassinEngland.TherearealsostudiesaboutFagin,theJew.Forinstance,Peters(2005)takesOliverTwistandTheMillontheFlossasthemaintext,employsReneGirard’sstereotypesasthemainmethods,andshowshowthenovelsoperateaspersecutiontextswhichscapegoatFaginandMaggie.Fagin’sJewishpersonality,hisparodyofthebourgeoisdomesticsphere,andhispoachingonOliveroutsidestheconfinesofinner-cityLondoncausehisscapegoat.Fromtheaboveillustrations,thestudiesofhisnovelsaboardareverycomprehensive.Theymainlyconcentrateonthemes,charactersandtherelationshipsbetweenhisnovelsandhislifeexperiences.Dickens’lifeexperienceinfluencesmuchonhisliterarycreation.Dickens’thoughtofbenevolence,anti-Semitism,andhislovingforthepoorreflectedinOliverTwistareallexplored.ConcerningwiththestudyofDickensandhisOliverTwistabroad,anenormousamountofmaturedandprofoundstudieshasbeendevotedtothem.Generallyspeaking,theresearchachievementsmainlyfallintothreegroups.ThefirstgroupistherelationshipbetweenDickens’novelsandhispersonalbackground,especiallythesocialbackgroundandhischildhoodexperience.ManycriticsmaintainthatCharlesDickens’creationofworksisinfluencedbyhisdifferentandarduouslifeexperiences,especiallyhisexperienceasachildlaborerintheblackingfactory,astenographerandajournalist.Thesecondgroupcentersonthemesinhisnovels.Patten(1969)mainlyexaminesthecapitalismandcompassionexpressedinOliverTwist.Oliverisbornintoaworldwheretreatshimasathing,asastatisticorasa“miserablelittlebeing”.Everyoneheretreatshimasameansofpersonalbenefits,butnotforhisownsake.Thesecondgroupfocusesonthestudyofitscharacters,itchieflyfocusesonorphans,women,andtheJew.Ingham(1982)penetratesheranalysisfromtheperspectiveofthelanguageandlinguisticrepresentationtoanalyzewomencharactersandcharacterizationinDickens’novels.3.2SignificanceThelayoutofDicken’snovelisalwaysdramatic.Thesummaryisasfollows:Oliverwasanorphan.WhenhefledtoLondon,hewasdeceivedintohistheftorganizationbyFagin.FaginabettedOlivertobecomeapickpocket.LaterOliverwastakeninbyBrownlow.BrownlowgaveOliverrealcareandlove.ButFeginwasafraidofrevealinghissecret.HemanagedtocaptureOliverbackhistheftorganization.Later,becauseofchance,O'Neill.LiverwasadoptedbyMrs.Merry,andthenOliver'shalf-brother,Munks,triedhisbesttoturnOliverintoanunfilialson,becausehisfather'swillstipulatedthatifOliverbecameanunfilialman,Munkscouldinherittheproperty,butMunksdidnotsucceed,Oliveracquiredtheproperty,andtheleaderofthetheftorganization,Fagin,wasalsobroughttojustice.Thetheoryofcriticalrealismoriginatedinthenineteenthcentury.Fromtheperspectiveofcriticalrealism,itisofgreatsignificancetounderstandthedifferentconceptsoffamily,moneyandcareer,religionandbeliefofpeopleofdifferentagesandgendersinthenineteenthcentury'smiddleclasssociety.Itisalsoofpracticalsignificancetounderstandtheconnotationoftheworksindepthandtotoday'ssociety.Dickens'purposeinreflectingsocialrealityistoexposeandcriticizethedarknessofrealsociety.Wecan'teasilyguesswhattheauthorhasendowedeachcharacterwith.Thecharactersandplotsarecomplexsometimes,makingreadersfullofpuzzlement.Thebehaviorinthisnovelshowsusthecriticalrealism,butwecanalwaysseeahappyending.Hencethepapercanhelpreadersunderstandthenovelbetter.4.TheAnalysisofPersonalImagesinOliverTwist4.1TheAnalysisofOliverTwistOliveristhetypicalrepresentationofkindnesswhichwillberewarded.Inthestory,OliveTwisthadahardlife.Sometimes,becausehisidentitywastochangecarelesspeople,helivedalone.Heisasensitiveandgentleboy,butheisbraveandstrong.Hisrealidentityistheillegitimatesonofawealthybusinessman.Hewasbulliedwhenhewasachildlivinginapoorhouse,buthealwaysmaintainedapureandkindheart.WhenhearrivedinLondon,hewasbroughttoFagin'shouse.AlthoughFagintriedhardtomakeOlivergointodarkness,Oliveralwayshadaheartofsilt.Oliverwasborninmiseryandgrewupinadarkandguiltyworld,buthealwaysmaintainedapureworldandakindheartinhisheart.Allkindsofhardshipscouldnotmakehimdegenerateorthoroughlydegenerate,andhishairshowedhisbrilliantandbrilliantqualityofmudwithoutdyeing.Thestoryoftheworlddepictsthelifeofcrimeorinourworld,fullofcriminalsandguilt.4.2TheAnalysisofAgnesFlemingSheisOliver'smotherwhodiedafterOliverwasborn.Sheisapurebutpoorwoman.Thedescriptionofherisshort:"thepalefaceofayoungwomanwasraisedfeeblyfromthepillow;.andafaintvoiceinperfectlyarticulatedthewords:letmeseethechild,anddie."Sheimprintedhercold,whitelipspassionatelyonitsforehead;passedherhandsoverherface;gazedwidelyround;shuddered;feelback——anddied."Fromthiswecanseesheistoughandtensileindifficultconditionsandsheisfulloflovetoherlittleson.Alsoshemustbeakindladythroughherwordsandaction.AlthoughshepassedawayaftergivingbirthtoOliver,shewasveryhappyandsatisfiedtohaveababysmoothly.Thisreflectstheimportancethatsocietyattachedtofamilyatthattime.IntheeyesofWesterners,familyreunionwasaveryimportantthing.4.3TheAnalysisofNancyNancy'scharacteriscontradictory.Shewantedtogetridofthedaybutlackedofcourage.Shewantedtobeelegantlikerosebutlackedof.confidence.Shewantedtorefusetostealbutwastooafraidtodisobey.Ontheonehand,shewasamemberoftheFegin'snest,andshewasathief.Ontheotherhand,sheheldthegoodnaturetohelpOliveroutoftheden.ThebadpartsofNancy'scharactersaremainlyreflectedintwoaspects.OneistohelpFeigin’sgrouptogetOliverintothedenagain,theotheristhekindness,orwecansaycowardiceandrecreationmadeherdarenotleaveSikexasamistress.WhilethegoodpartsofNancy'scharacterisconcentratedinthecompassionandthehelpofOliverwhenhefirstcametothedenofthieves,hewasridiculedandNancyhelpedhimtounpackandteachhimpoker.ItwasNancywhosmuggledthelaudanumthewineandletSikesfallasleepwhenshehappenedtoknowOliver'slotisgood.Nancyiskindandhonestwhenshewasborn.Butshebecameselfishinthecruelreality.Nancysymbolizesaclassofpeoplewhofeelguiltyandregretfulfordoingsomethingharmfultoothersinrealsocietyandtrytheirbesttocorrecttheirmistakes.ThroughthedescriptionofNancy'spersonalbehavior,itshowsthattherewerestillsomepeoplewhohadexperiencedhardshipbutwhoseconsciencehadnotdisappeared.4.4TheAnalysisofRoseMerryRoseMerryisthemodelofgoodpeople.shehadbeenalongbeforemeetingMrs.Merry.Shewaskind,caringeachotherandcaringforothersasMrs.Merry.Oliverwaswoundedbythehousekeeperatthedoor,Rosechoosetotakecareofhimwithouthesitation.Sheisakind,nobleandelegantgirlfrombirth,givingthepurestandmostmiablegenerositytoothersnomatterwhathappened.Evenwhenshewasillseriously,shestillkeepslovingotherpeople.Dickensusethisimagetoemphasizethatgoodisgood.Goodpeopleareveryhonestindealingwithpeopleandthings.Theyonlydothingsinaccordancewiththeirstatus.GoodpeoplebelieveinGodpiously.Theypraypiouslyeveryday.Whenunfortunatethingshappen,theywillconfidetoGod.Althoughtheyalsocry,goodpeoplebelievethatGodwillhelpthemovercometheirdifficultiesbypraying.Whenhappythingshappen,goodpeoplealsopraytoGod.TheythinkthatwhatmakesGodhappyisGod'splan.TheythinkthatGodishelpingthemtoblessthem.Goodpeopleareverygratefulforthat.4.5TheAnalysisofBumbleMr.Bumbleisanotherdifferentpersonwhoisguiltyinthesocietybutherepresentsdifferentlevels.Althoughheshouldhavemadetheorphansausefulcitizen,heabusedtheirclassification.BillSikesisacruelcriminalwholeadsapoorlife.Hiscrimeisalwaysrespected.TherewerealsootherthievesorcriminalsfromMrs.MannandMr.Bamboo,despitetheirrespectfulstories.Thesethieves,criminals,peoplefromdifferentwalksoflifehavecommonground.Theyhavetheirownadjectivecriminal.Criminalsareorphanedatthefoggy,especiallyinthecaseofBillSikes,Mrs.MannandMr.Bumble,whorepresentedthecriminalworldintheeighteenthcentury.CharlesDickenscreatedtheirpurpose.Itisaboutmakingpeoplerealizethefactoftheirlives.Thesecriminalsaredifferentfromeachotherbasedonthepurposeofthecrimes.Mrs.Mann'sinternalaffairsforthepoor,soshesubmitted.Atthesametimehergoalistoberich.Dickensusedhumorandexaggerationtoportrayahypocriteandvividlyshowhisstupidity.Thehypocriteswhousethisimagetosatirizetherealsocietyusuallyattributethemselvestogoodpeople,buttheyonlyconsidertheirowninterestsandgainsandlossesintheirhearts,nevershowtheirtrueideas,buttheiractionsshowalltheirselfishideas.TheCriticalRealismandtheCharacterImagesBasedonthecriticalrealism,wecantellthatallthecharacterimagescanbedividedintothreeaspects:thegood,theevilandpeoplewhodidbadthingsbutneverlosttheirconscience,whichaimstoemphasizethatgoodisgoodandevilisbadaswellascriticizesthedarknessofthesociety.Therearealsoalargesumofstudiesaboutthem.ThestudyofDickensandhisnovelsbeganintheearly20thcenturyinChina,thefamoustranslatorLinShutranslatedfivenovelsoneafteranother,anditwashethatintroducedDickensintoChinainthelatterpartof20thcentury,theintroductionandapplicationofnewforeigntheoryandcriticismplayedagreatroleinpromotingthestudyofDickensandtheemergenceofcolorfulsituationinresearchfield.ThestudyofDickensandOliverTwist’sthemesmainlyconcentrateonthreeaspects:humanism,benevolenceandanti-Semitism.Wang(2013)showsustheconceptofcriticalrealismofCharlesDickensandhowitisexpressedinOliverTwist.Hepursuesfreedomandequality,advocatesrespectforhumanvalues,butstronglyopposestoutilitarianism,andcriticizesitharshly.Thecriticalrealismisreflectedbythecharacteristicsofthefigures,andtheconsequencesofthem,italsoemphasizesthesignificanceandeffectofhumanismtomodernsociety.Guo(2004)analyzesDickens’benevolencethought,thereasonanddefectofhisbenevolence.Thebenevolencethoughtisnotonlyreflectedinthecriticismofreallife,thesympathytotheweakpeople,thesupporttorighteousbehavior,butalsoreflectedbyhistoleranttothewickedpeople.Becauseoftheinfluenceofthetimesandhisclassposition,Dickens’benevolencethoughthasobviouslimitations.However,hisendeavortoadvocatebenevolencethoughtthroughliterarycreationhasgreatsignificance.Guo(2004)alsopointsoutthattheformationofDickens’benevolencethoughtiscloselyrelatedtohislifeexperience,anditistheguidingideologyofDickens.ThegreatestEnglishcriticalrealismnovelwriterCharlesDickenscriticizestheBritishsocietyinhisageandexposeswhatisbehindthemagnificentso-calledVictorianFlourishingAge.ConcerningtheresearchofthemesreflectedinDickens’novels,Zhao(2011)pointsoutthatthecritiqueofcapitalistsociety,thepromotionofmorality,andtheexplorationofhumannatureconstructedthethreebasicaspectsofDickens’novels,andthethreeaspectscorrelatedwitheachother.Zhao(2011)pointsoutthatthecharacterNancyinOliverTwistissocomplexafigurethatitisdifficulttoputasimplelabelonher.Thecruelcapitalismwhereshelivesisthereasonwhyshehassuchacomplexpersonalityandinnerconflicts.Undersuchacomplexanddarksocialbackgroundoftheday,hertragicendingisinevitable.ThisarticleanalysesNancy’stragiclifeexperience,kind-heartedness,braveness,aswellasherviewsonlove.Inhisarticle,Zhai(2014)statesthatthecharacterNancyinDickens’OliverTwistisfullofcontradictions,anditcausestheupsanddownsduringherlife.HisarticleanalyzesNancy’stragicfate,exploresitscauses,drawtheconclusionthatNancy’scharacteristheproductofthatera,theproductofcapitalistsystemandthedarksocialreality.Liu(2016)analyzesthattheJewishwomenNancyandChristianwomenRosearedifferentintermsofappearance,personality,anddestinyandsoon.Dickensshapesthetwooppositefemaleimages,andalsoreflectshisracialprejudicetowardswomen.ConcerningabouttheanalyzingoftheprotagonistOliver,manyarticlesareavailable.Thusthestudyoftherelationshipbetweenthemisobviouslymeaningful.ConclusionNovelistsoftenborrowworkstoexpresstheirviewsonsocietyandhumannature.AmongtheOliverTwist,Dickenscriticizedthesocialdarknessatthattimebyusingnegativecharactersandpraisedthequalitiesofkindnessandjusticebyusingpositivecharacters.WhenCharlesDickensportrayedthecharacters,hewasabletodepictthecharactersandpersonalityintothreeparts.Thereweremanycharactersinthisnovel.Dickenscouldmakeeverycharactervividlypresenttothereader,andletthereaderunderstandthestorybehindthecharactersandthecharacterofthecharactersthemselves.InOliverTwist,Dickenscreatedmanycharacters,includingthoroughgoodpeople,thoroughbadpeople,hypocritesandpeoplewhodidbadthingsbutneve