1、變臉是川劇表演的絕活之一，是運用在川劇藝術(shù)中塑造人物的一種浪漫主義手法。臉譜被用來揭示劇中人物的內(nèi)心思想感情的變化，即把不可見、不可感的抽象的情緒和心理狀態(tài)變成可見、可感的具體形象。變臉的手法大體上分為三種：“抹臉”、“吹臉”、“扯臉”。此外，還有一種“運氣”變臉。川劇變臉早已成為國家二級機密，現(xiàn)被列為國家級非物質(zhì)文化遺產(chǎn)。因其技術(shù)性、神秘性和觀賞性強，獨顯藝術(shù)之魅力！斐聲國內(nèi)，享譽全球。Translation變臉是川劇表演的絕活之一，是運用在川劇藝術(shù)中塑造人物的一種浪漫主義手法。臉譜被用來揭示劇中人物的內(nèi)心思想感情的變化，即把不可見、不可感的抽象的情緒和心理狀態(tài)變成可見、可感的具體形象。Fa

2、ce changing is one of the unique skills in Sichuan opera performance，which is of the romantic style to be used in the opera art to characterize.Facial masks are used to reveal the inner thoughts and feelings of the plays characters, that is, to turn the invisible, intangible, abstract emotion and ps

3、ychological state into visible, sensible and specific image. 變臉的手法大體上分為三種：“抹臉”、“吹臉”、“扯臉”。此外，還有一種“運氣”變臉。川劇變臉早已成為國家二級機密，現(xiàn)被列為國家級非物質(zhì)文化遺產(chǎn)。The skills of face changing are generally differentiated into three types: the wiping mask, the blowing mask, and the pulling mask. Besides, there is another trick of

4、using Qigong movements to change.The face changing in Sichuan opera has already become the national secondary confidential, and now its listed as the state-level intangible cultural heritage.因其技術(shù)性、神秘性和觀賞性強，獨顯藝術(shù)之魅力！斐聲國內(nèi)，享譽全球。Because of its high technicality, mystique and ornamental value, it uniquely demonstrates the charm of art.