Todaywewouldliketointroduce

TraditionalChinesepainting

Westernpainting

11/21/2022015.4.5Groupmember:曾含賈鵬成嚴(yán)正浩朱克潤(rùn)張澤輝&

IntroductionDifferencesEnjoypaintings(:3[▓▓]***12TableofContentsChinesepaintingemphasizes'empty'and'no',performsfor'virtual'，inotherwords,itcentersonheart.強(qiáng)調(diào)“空無(wú)”，表現(xiàn)為虛,換句話說(shuō)就是唯心主義advocatesfreehandbrushwork,pursuitslikeness提倡寫(xiě)意，追求神似

.Traditionalpaintinginvolvesessentially（基本地）thesametechniquesascalligraphy(書(shū)法）andisdonewithabrushdippedinblackorcoloredink;Oilsarenotused.Aswithcalligraphy,themostpopularmaterialsonwhichpaintingsaremadeofarepaperandsilk.Thefinishedworkisthenmountedonscrolls,whichcanbehungorrolledup.Traditionalpaintingalsoisdoneinalbumsandonwallsandothermedia.

傳統(tǒng)繪畫(huà)與書(shū)法基本上是相同的技術(shù)，是用毛筆蘸著黑色或彩色墨水，油不使用。與書(shū)法一樣，最受歡迎的材料就是紙和絲綢。完成的工作是安裝在卷軸上，可以懸掛或卷起來(lái)，傳統(tǒng)繪畫(huà)也是在相冊(cè)和墻壁和其他媒體上完成的。LetusappreciatethebeautyofChinesepainting~(??`ω′?)~~富春山居圖?(??????)??Dynasty:明Painter:仇英Painting:《漢宮春曉圖》Westernpaintingstresses“does”and“has”,performsfor“real”,pursuitsresemble，incontrary,itcentersonentity.講究“確”“有”表現(xiàn)為“實(shí)”追求形似,也就是唯物主義BeginningwiththeBaroqueeraartistsreceivedprivatecommissionsfromamoreeducatedandprosperousmiddleclass.WesternpaintingreacheditszenithinEuropeduringtheRenaissance,inconjunctionwiththerefinementofdrawing,useofperspective,ambitiousarchitecture,tapestry,stainedglass,sculpture,andtheperiodbeforeandaftertheadventoftheprintingpress.AndtherichheritageofWesternpainting(fromtheBaroquetoContemporaryart)continuesintothe21stcentury.從巴洛克時(shí)期開(kāi)始，藝術(shù)家們從有教養(yǎng)的、繁榮的中產(chǎn)階級(jí)中獲得了私人傭金。西方繪畫(huà)在歐洲文藝復(fù)興時(shí)期達(dá)到頂峰，并結(jié)合繪畫(huà)的精細(xì)化，運(yùn)用透視，宏偉的建筑，彩繪，彩繪玻璃，雕塑，以及在印刷術(shù)后出現(xiàn)的時(shí)期。而西方繪畫(huà)（從巴洛克到當(dāng)代藝術(shù)）的豐富的遺產(chǎn)延續(xù)到了第二十一世紀(jì)。painter:VanGoghTwokindsofdifferentformsofvisualartΣ(°△°|||)︴Paintingstyle

TraditionalChinesepaintingstylefocusonartisticconcept,abstract(抽象）（washpainting）.Butwestenpaintingisrealisticpainting（oilpainting）中國(guó)傳統(tǒng)繪畫(huà)風(fēng)格注重意境，摘要（水墨畫(huà)），而西方繪畫(huà)是寫(xiě)實(shí)繪畫(huà)（油畫(huà)）ThemeChinesepaintinggivespriority(優(yōu)先權(quán))tonaturescenery.Butwesternpaintinggivesprioritytoreligion,figureandsoon.

中國(guó)畫(huà)為主的自然風(fēng)光。但是，西方繪畫(huà)以宗教、人物等為主。Composition&Lineaspects

Chinesepainting

westernpaintingcompositionofapicturesimplerichlinesimplecomplicatedDyestuff(染料)Aseveryoneknows,ChinesepaintingusesChineseinkandwesternartistsusewatercolor、greasepainttoaccomplishtheirpainting大家都知道，中國(guó)畫(huà)以水墨為材料而西方畫(huà)家用水彩、油彩來(lái)完成他們的畫(huà)。FormChinesepaintingalwayscombinePaintingwithcalligraphy.Andwesternpaintingisjustpainting.中國(guó)畫(huà)始終結(jié)合繪畫(huà)同書(shū)法。而西方繪畫(huà)則只是繪畫(huà)。ConclusionChinesepaintinguseslinesasthemainpaintingmethodwhilewesternpaintingrepresentstheobjectmainlybytheuseoflightandcoloraccordingtothephysics.WesternpaintingisaThreedimensi