2/2資料說(shuō)明：學(xué)好課文=會(huì)閱讀+會(huì)語(yǔ)法+會(huì)單詞黃色為涉及閱讀策略的點(diǎn)，紅色為生詞，藍(lán)色為練習(xí)冊(cè)出現(xiàn)的重點(diǎn)，紫色為語(yǔ)法點(diǎn)第一版為填空版本；第二版為原文重點(diǎn)標(biāo)注版。Unit6Lesson1課文挖空練習(xí)_______abookand_______afilmaretwoverydifferentexperiences,_____it’snormaltohavehighexpectations1whenafilmofafavouritebookismade.TherearemanytimesI_______pessimistic2or_____disappointedbyafilmofabookIlove._____highlyregardedbooksdonotalwaysmakegoodfilms,itissafetosaythatgreatfilmsmaybemadefromnot_____goodbooks.(TheGodfather

immediatelyspringstomind.)5Thesourcematerialforafilmmaybetakenfromclassicnovels,shortstories,comicbooksandstageplays,aswellasnon-fictionsuchasbiographiesandautobiographies,_____those____byghostwriters.Allcanworkwell,_____whydomanyadaptationsandindeedremakesfailwithbothcinemaaudiences____critics_____Andwhydosomeadaptationsgetlowerratingsthanothers_____Akeyquestionisobviouslyhowclosetotheoriginalthefilmis._____atypicalfilmisonlyaroundtwohourslong,itbecomesaquestionforscreenwriterstodecide____isappropriateforthescreenandwhattoleaveout3.Screenwriterstakecreativelibertyandsometimestheremaybechangestotheplot,additions,and_____differentendingstopleaseproducers,directorsandtestaudiences.I,likemanypeople,haveoftenleftthecinemafeeling“thefilmisnotlikethebook”._____problemareaisthecast.Findingactorsacceptabletofilmaudiencescanmeanthedifferencebetweensuccessandfailure.Readersofthebookusetheirimaginationstovisualisecharactersandhaveverydefiniteideasabout____charactersshouldlookandsound._____iswhereIthinkmanyfilmadaptationsfalldown.Somebooksare_____toodifficultto4beadaptedfortechnicalreasons,_____filmslike

The

LifeofPi

arechanging_____idea.CGI(ComputerGenerated5Image)technologyhashadahugeimpactonthefilmindustry._____allowedthepreviouslyunfilmabletobecomeareality.Onemaythinkthat_______thebookwriter_______isinthebestpositiontodofilmadaptations._____,sometimesauthorsareveryinvolvedintheprocessandmay_____bethescreenwriter._____canactuallybeadisadvantagebecausetheymaybe_______close_______4thematerialandfinditdifficulttoadapttoanewform.Atothertimestheyarenot,andthereareinstanceswherewritershavebeenveryunsatisfiedwiththefilmversionsoftheirwork;StephenKingisanexampleofthis._____moreextremewasnovelistJ.D.Salinger,whomadesurenofilmversionsofhispopularnovel

ACatcherintheRye

couldeverbemade.Inthissituation,itisclear_______viewerswillnotbedisappointed_____For_____,anyway,itis_____a_____ideatowatchafilmofabookyoulove.Despite_____challenges,therehavebeensomehighlysuccessfulfilmsmadefrompopularbooks._____me,

Jaws,

HarryPotter

and

TheLordoftheRings

allfitthiscategory.AndpossiblythebestproofofasuccessfuladaptationistheJamesBondseries,themajorityof_______hasbeenadaptedfromthe

007

novelsoflanFleming.Perhapsunusually,audiencesseemtoacceptthattheactorswhohaveplayedJamesBondhavechangedsooften,althougheveryoneseemstohavetheirfavourite.IknowI_____.Lesson1FromPagetoScreen第一課從紙書(shū)到屏幕_______abookand_______afilmaretwoverydifferentexperiences,_____it’snormaltohavehighexpectations1whenafilmofafavouritebookismade.TherearemanytimesI_______pessimistic2orevendisappointedbyafilmofabookIlove._____highlyregardedbooksdonotalwaysmakegoodfilms,itissafetosaythatgreatfilmsmaybemadefromnot_____goodbooks.(TheGodfather

immediatelyspringstomind.)讀書(shū)和看電影是兩種截然不同的體驗(yàn)。如果人們最喜歡的書(shū)籍被翻拍成電影，他們對(duì)電影的期待值自然更高，這種現(xiàn)象很正常。不止一次，我喜歡的書(shū)籍拍成電影，我都不看好，甚至很失望。盡管高質(zhì)量的書(shū)并不總是能拍出好看的電影，優(yōu)秀的電影也可能來(lái)自不是那么好的書(shū)，說(shuō)的倒是沒(méi)錯(cuò)。(這讓我馬上想到《教父》。)Thesourcematerialforafilmmaybetakenfromclassicnovels,shortstories,comicbooksandstageplays,aswellasnon-fictionsuchasbiographiesandautobiographies,_____thosewrittenbyghostwriters.Allcanworkwell,_____whydomanyadaptationsandindeedremakesfailwithbothcinemaaudiencesandcritics_____Andwhydosomeadaptationsgetlowerratingsthanothers_____一部電影可以取材自經(jīng)典小說(shuō)、短篇小說(shuō)、漫畫(huà)書(shū)、舞臺(tái)劇，也可以取自傳記、自傳等非小說(shuō)作品，甚至是代筆人寫(xiě)的作品。這些素材都可以拍出很棒的作品，但為什么許多改編、翻拍的電影沒(méi)能受到電影觀眾與評(píng)論家的好評(píng)呢？為什么有些改編作品的評(píng)分比其他作品低呢？Akeyquestionisobviouslyhowclosetotheoriginalthefilmis._____atypicalfilmisonlyaroundtwohourslong,itbecomesaquestionforscreenwriterstodecidewhatisappropriateforthescreenandwhattoleaveout3.Screenwriterstakecreativelibertyandsometimestheremaybechangestotheplot,additions,and_____differentendingstopleaseproducers,directorsandtestaudiences.I,likemanypeople,haveoftenleftthecinemafeeling“thefilmisnotlikethebook”.顯而易見(jiàn)，一個(gè)關(guān)鍵的問(wèn)題在于這部電影與原作接近程度如何。電影通常只有兩小時(shí)左右，在有限的時(shí)間里，編劇要決定書(shū)中哪部分適合銀幕，哪部分不適合。對(duì)此編劇有一定的創(chuàng)作自由度，有時(shí)為了迎合制片人、導(dǎo)演、觀眾，會(huì)改動(dòng)部分情節(jié)，甚至演繹不同結(jié)局。和很多人一樣，我也經(jīng)常在看完電影后感嘆“這部電影和原作不一樣”。_____problemareaisthecast.Findingactorsacceptabletofilmaudiencescanmeanthedifferencebetweensuccessandfailure.Readersofthebookusetheirimaginationstovisualisecharactersandhaveverydefiniteideasabouthowcharactersshouldlookandsound._____iswhereIthinkmanyfilmadaptationsfalldown.另一個(gè)問(wèn)題是演員陣容。找到電影觀眾所接受的演員，有時(shí)決定著電影的成敗。讀者會(huì)通過(guò)自己的想象，將書(shū)中的人物形象化，角色的外貌、聲音他們都有明確的想法。我認(rèn)為選擇的演員不符合他們的想象，成為很多電影改編失敗的原因。Somebooksare_____toodifficultto4beadaptedfortechnicalreasons,_____filmslike

The

LifeofPi

arechanging_____idea.CGI(ComputerGenerated5Image)technologyhashadahugeimpactonthefilmindustry._____allowedthepreviouslyunfilmabletobecomeareality.一些書(shū)由于技術(shù)原因很難拍成電影，雖然《少年派的奇幻漂流》等電影的出現(xiàn)正在改變這一問(wèn)題。電腦生成動(dòng)畫(huà)技術(shù)對(duì)電影產(chǎn)業(yè)有重大影響，讓以前無(wú)法拍攝的內(nèi)容成為現(xiàn)實(shí)。Onemaythinkthat_______thebookwriter_______isinthebestpositiontodofilmadaptations._____,sometimesauthorsareveryinvolvedintheprocessandmay_____bethescreenwriter._____canactuallybeadisadvantagebecausetheymaybe_______close_______4thematerialandfinditdifficulttoadapttoanewform.Atothertimestheyarenot,andthereareinstanceswherewritershavebeenveryunsatisfiedwiththefilmversionsoftheirwork;StephenKingisanexampleofthis._____moreextremewasnovelistJ.D.Salinger,whomadesurenofilmversionsofhispopularnovel

ACatcherintheRye

couldeverbemade.Inthissituation,itisclear_______viewerswillnotbedisappointed_____For_____,anyway,itis_____a_____ideatowatchafilmofabookyoulove.人們可能會(huì)認(rèn)為，最適合改編電影的人應(yīng)該是書(shū)籍作者本人。事實(shí)上，作者有時(shí)的確會(huì)參與改編，甚至可能擔(dān)任電影編劇。但這其實(shí)有局限性，因?yàn)樽髡弑救丝赡苓^(guò)于忠于書(shū)中內(nèi)容，很難將其改編成一種新的形式。有時(shí)作者本人并不是電影編劇，于是出現(xiàn)了作者對(duì)自己作品所拍攝的電影版本非常不滿(mǎn)意的情況。史蒂芬?金就是這樣。小說(shuō)家杰羅姆?大衛(wèi)?塞林格更為極端，他永遠(yuǎn)不準(zhǔn)自己廣受歡迎的小說(shuō)《麥田里的守望者》被拍成電影版本。如果是這樣，讀者就永遠(yuǎn)不會(huì)失望！不管怎樣，我認(rèn)為去看自己鐘愛(ài)的書(shū)籍翻拍成的電影不會(huì)是個(gè)好主意。Despite_____challenges,therehavebeensomehighlysuccessfulfilmsmadefrompopularbooks._____me,

Jaws,

HarryPotter

and

TheLordoftheRings

allfitthiscategory.AndpossiblythebestproofofasuccessfuladaptationistheJamesBondseries,themajorityof_______hasbeenadaptedfromthe

007

novelsoflanFleming.Perhapsunusually,audiencesseemtoacceptthattheactorswhohaveplayedJamesBondhavechangedsooften,althougheveryoneseemstohavetheirfavourite.IknowI_____.盡管挑戰(zhàn)重重，還是有一些改編自暢銷(xiāo)書(shū)的電影取得了極大成功，例如《大白鯊》《哈利波特》和《指環(huán)王》都是成功的案例。可能最好的例子是詹姆斯?邦德系列，該系列的大部分作品都改編自伊恩?弗萊明的《007》系列小說(shuō)。系列影片中詹姆斯?邦德的扮演者經(jīng)常換人，但觀眾們似乎也能接受，這讓人難以相信。但我相信每位觀眾和我一樣，都有自己最喜歡的那個(gè)扮演者。Lesson1FromPagetoScreen第一課從紙書(shū)到屏幕Readingabookandwatchingafilmaretwoverydifferentexperiences,butit’snormaltohavehighexpectations1whenafilmofafavouritebookismade.TherearemanytimesIhavebeenpessimistic2orevendisappointedbyafilmofabookIlove.Althoughhighlyregardedbooksdonotalwaysmakegoodfilms,itissafetosaythatgreatfilmsmaybemadefromnotparticularlygoodbooks.(TheGodfather

immediatelyspringstomind.)讀書(shū)和看電影是兩種截然不同的體驗(yàn)。如果人們最喜歡的書(shū)籍被翻拍成電影，他們對(duì)電影的期待值自然更高，這種現(xiàn)象很正常。不止一次，我喜歡的書(shū)籍拍成電影，我都不看好，甚至很失望。盡管高質(zhì)量的書(shū)并不總是能拍出好看的電影，優(yōu)秀的電影也可能來(lái)自不是那么好的書(shū)，說(shuō)的倒是沒(méi)錯(cuò)。(這讓我馬上想到《教父》。)Thesourcematerialforafilmmaybetakenfromclassicnovels,shortstories,comicbooksandstageplays,aswellasnon-fictionsuchasbiographiesandautobiographies,eventhosewrittenbyghostwriters.Allcanworkwell,butwhydomanyadaptationsandindeedremakesfailwithbothcinemaaudiencesandcritics?Andwhydosomeadaptationsgetlowerratingsthanothers?一部電影可以取材自經(jīng)典小說(shuō)、短篇小說(shuō)、漫畫(huà)書(shū)、舞臺(tái)劇，也可以取自傳記、自傳等非小說(shuō)作品，甚至是代筆人寫(xiě)的作品。這些素材都可以拍出很棒的作品，但為什么許多改編、翻拍的電影沒(méi)能受到電影觀眾與評(píng)論家的好評(píng)呢？為什么有些改編作品的評(píng)分比其他作品低呢？Akeyquestionisobviouslyhowclosetotheoriginalthefilmis.Sinceatypicalfilmisonlyaroundtwohourslong,itbecomesaquestionforscreenwriterstodecidewhatisappropriateforthescreenandwhattoleaveout3.Screenwriterstakecreativelibertyandsometimestheremaybechangestotheplot,additions,andevendifferentendingstopleaseproducers,directorsandtestaudiences.I,likemanypeople,haveoftenleftthecinemafeeling“thefilmisnotlikethebook”.顯而易見(jiàn)，一個(gè)關(guān)鍵的問(wèn)題在于這部電影與原作接近程度如何。電影通常只有兩小時(shí)左右，在有限的時(shí)間里，編劇要決定書(shū)中哪部分適合銀幕，哪部分不適合。對(duì)此編劇有一定的創(chuàng)作自由度，有時(shí)為了迎合制片人、導(dǎo)演、觀眾，會(huì)改動(dòng)部分情節(jié)，甚至演繹不同結(jié)局。和很多人一樣，我也經(jīng)常在看完電影后感嘆“這部電影和原作不一樣”。Anotherproblemareaisthecast.Findingactorsacceptabletofilmaudiencescanmeanthedifferencebetweensuccessandfailure.Readersofthebookusetheirimaginationstovisualisecharactersandhaveverydefiniteideasabouthowcharactersshouldlookandsound.ThisiswhereIthinkmanyfilmadaptationsfalldown.另一個(gè)問(wèn)題是演員陣容。找到電影觀眾所接受的演員，有時(shí)決定著電影的成敗。讀者會(huì)通過(guò)自己的想象，將書(shū)中的人物形象化，角色的外貌、聲音他們都有明確的想法。我認(rèn)為選擇的演員不符合他們的想象，成為很多電影改編失敗的原因。Somebooksarejusttoodifficultto4beadaptedfortechnicalreasons,althoughfilmslike

The

LifeofPi

arechangingthisidea.CGI(ComputerGenerated5Image)technologyhashadahugeimpactonthefilmindustry.Itallowedthepreviouslyunfilmabletobecomeareality.一些書(shū)由于技術(shù)原因很難拍成電影，雖然《少年派的奇幻漂流》等電影的出現(xiàn)正在改變這一問(wèn)題。電腦生成動(dòng)畫(huà)技術(shù)對(duì)電影產(chǎn)業(yè)有重大影響，讓以前無(wú)法拍攝的內(nèi)容成為現(xiàn)實(shí)。Onemaythinkthatitisthebookwriterwhoisinthebestpositiontodofilmadaptations.Infact,sometimesauthorsareveryinvolvedintheprocessandmayevenbethescreenwriter.Thiscanactuallybeadisadvantagebecausetheymaybetooclosetothematerialandfinditdifficulttoadapttoanewform.Atothertimestheyarenot,andthereareinstanceswherewritershavebeenveryunsatisfiedwiththefilmversionsoftheirwork;StephenKingisanexampleofthis.Evenmoreextreme