CulturaldifferencesbetweenChineseandwesternclothing,1,Tips,Laystressonthewomensdresses“主題以女性裙裝為主”Laystressonthenobleclothing“貴族服飾為主”Thepicturesareonlysimilarinformorappearance.“影視圖片僅僅取其形似為主”Westernclothing:TheRococoPeriod“西方服飾選取18世紀(jì)洛可可時(shí)期為代表”,2,3,4,Differences,1.Structureanddesign2.Color3.Patternandornaments,5,Structureandmodeling,Planedesign（平面設(shè)計(jì)）Lengthways（縱向擴(kuò)張）LooseH-type(寬松的H形）Covering（覆蓋）,Semi-stereoscopic（半立體設(shè)計(jì)）Transverse(橫向擴(kuò)張)Tight-fittingX-type（緊身的X形）Revealing（顯露）,ChinaEurope,6,7,8,Structureandmodeling,Planedesign（平面設(shè)計(jì)）Lengthways（縱向擴(kuò)張）LooseH-type(寬松的H形）Covering（覆蓋）,Semi-stereoscopic（半立體設(shè)計(jì)）Transverse(橫向擴(kuò)張)Tight-fittingX-type（緊身的X形）Revealing（顯露）,ChinaEurope,9,Differences,1.Structureanddesign2.Color3.Patternandornaments,10,China,金木水火土,黃青白紅黑,正色,間色,Fortherich,Forthepoor,11,12,13,14,15,WhiteWhitesymbolizespurityandjustice.PurplePurplemeansnobility(高貴）.Blue（thereligiouscolor)Blueisconsideredasthecolorforthespiritandintelligence.,Europe,耶穌圣母MARY,16,17,18,Differences,1.Structureanddesign2.Color3.Patternandornaments（圖案與配飾）,19,1Cirrus(藤草，庭院花草)2Jewelrylikepearlsanddiamonds(珍珠寶石）3Thehatandgloves（帽子手套)4Thepalacefan(宮廷扇子）,1Dragon,phoenix,peony（龍鳳牡丹等花樣）2Goldvesselandjade（金器美玉）3Headwear(頭飾）4Handkerchief（手絹）,China,Europe,20,21,22,23,Analysis,1Geographicalenvironment2Thehistoricalreason3Theculturalreason,24,IntheMediterraneanregion地中海地區(qū)Marinecivilization海洋文明Peoplewanttoexploretheoceantofindmoreresources.Peoplescharacter:open,activeandthecuriosityoftheoutsideworldConsequently,intermsofclothingstyle,itbecomesopen,revealingandvaried.,TheChinesegeographicalenvironmentisclosedMainlandcivilization內(nèi)陸文明Chinaitselfhasvastterritoryandabundantnaturalresources,Itisnotnecessarytogoout.(地大物博)Peoplescharacter:introvertedpersonality(內(nèi)斂Thegarmentisimplicit（含蓄）anddoesnotappear,thehumanbodyishiddeninclothing.,Geographicalenvironment,中,西,25,Industrialrevolutionandtextileindustry工業(yè)革命和紡織業(yè)發(fā)展Thebourgeoiscultureandart資產(chǎn)階級文化藝術(shù)Mrs.PompidouQueenMarry,Averticaldevelopmentofvariousdynasties垂直延續(xù)的朝代更替Feudalism封建主義Hanclothingandculturesdominantposition漢文化的主導(dǎo)地位,Thehistoricalreason,26,TheChinesebelievedthatpeopleandclothing,manandnature,clothingandnaturalrelationshipisharmonious,withoutconflict.Clothingdoesnotbindorharmthebody.Itpursuesnaturallytocoverhumanbodyintheclothing,nottoshowoffforthepurposeofself-publicity,notwanttoonlyperformindividuality.人與服裝與自然和諧無沖突，服裝不束縛傷害身體，體現(xiàn)中國女性寬容,自然Westernerstakethemselvesasmastersoftheworldandtheruleroftheworld.Theyareself-centered,makeeveryefforttotapintothepowerofpeople,releasehumanpotential,advocatehardcompetitionandmakedesiresexpand.Theystronglyexpressindividualityindressandemphasizethebeautyoftheexaggeratedhumanbody.以自我為中心，強(qiáng)烈表達(dá)個(gè)性的穿著和強(qiáng)調(diào)夸張的人體美,Theculturalreason,27,文化復(fù)興漢服復(fù)興,28,Nowadays,29,儒學(xué)復(fù)興乃至傳統(tǒng)文化復(fù)興，是多方面、多角度、多層次的，而且是長期的過程，服飾禮儀的復(fù)興也只是其中的一部分。華夏復(fù)興，少不了傳統(tǒng)文化的復(fù)興；傳統(tǒng)文化的復(fù)興，不可能沒有承載它的形式。儒學(xué)、論語可以是載體，漢服也可以是載體。穿上漢服，拜孔夫子，誦讀論語選段，這是優(yōu)秀傳統(tǒng)文化的回歸的一種嘗試。漢服作為優(yōu)秀傳統(tǒng)文化也理應(yīng)受到更多的重視，只希望它能在中斷兩百多年以后還能再度被我們大家喚醒，不再讓它深藏于歷史而能活躍于今朝，成為直觀的傳統(tǒng)文化標(biāo)志之一！,Nowadays,itisnecessaryforustoabsorbthewesternadvancedtechnology.Atthesametime,itisveryimportantforustotreasureourowncivilizationoffivethousandyears.Itissignificanttopromoteanddevelopouruniquecostumecul