千里之行，始于第2頁(yè)/共2頁(yè)精品文檔推薦細(xì)數(shù)托福閱讀6大熱門(mén)出題點(diǎn)細(xì)數(shù)托福閱讀6大熱門(mén)出題點(diǎn),這些高頻考點(diǎn)閱讀中要重點(diǎn)關(guān)注，下面我就和大家共享細(xì)數(shù)托福閱讀6大熱門(mén)出題點(diǎn),盼望能夠關(guān)心到大家，快來(lái)學(xué)習(xí)一下吧。

細(xì)數(shù)托福閱讀6大熱門(mén)出題點(diǎn)

1.主題段和主題句關(guān)鍵詞

托福閱讀文章中的主題段和主題句是每一個(gè)段落的主題，也是文章的要點(diǎn)，都是參加搭建文章結(jié)構(gòu)的，因此記錄它們中的幾個(gè)關(guān)鍵詞對(duì)于把握全文的結(jié)構(gòu)特別重要。同時(shí)，文章中有許多的重要信息，而且閱讀文章后面的題目大都是依據(jù)主題而出，考生在解答題目的時(shí)候，可以快速依據(jù)主題句找到對(duì)應(yīng)的段落。

2.時(shí)間線索和數(shù)字?jǐn)?shù)據(jù)

一般來(lái)說(shuō)，消失時(shí)間概念的文章或段落通常和時(shí)間挨次有關(guān)，會(huì)用不同的時(shí)間點(diǎn)串出一條時(shí)間線索。而個(gè)別數(shù)字的消失則意味著這個(gè)數(shù)字所闡述概念的重要性是不容忽視的。因此，除非文章中消失了數(shù)據(jù)積累的現(xiàn)象，否則考生都需要把數(shù)字記錄下來(lái)。

3.人名地名以及專出名詞

人名、地名以及專出名詞消失的時(shí)候，一般都會(huì)消失大寫(xiě)字母或引號(hào)等標(biāo)記，特別有利于信息索引和定位。當(dāng)提到這幾個(gè)詳細(xì)的概念時(shí)，文章通常是在用這些概念說(shuō)明某個(gè)理論或者觀點(diǎn)，因此記錄下這些概念對(duì)于理解相關(guān)理論和觀點(diǎn)可以起到肯定的幫助作用。

4.舉例內(nèi)容的主體部分

有的時(shí)候，為了說(shuō)明某些理論和觀點(diǎn)，文章中會(huì)消失大段的舉例文字。實(shí)際上，托福閱讀考試中考查這些例子詳細(xì)內(nèi)容的時(shí)候特別少，而更多的是考查使用這些例子的緣由或它們所證明的觀點(diǎn)。因此，考生在快速記錄的筆記中只需要記錄下例子是什么就可以了，至于例子中所闡述的詳細(xì)信息，可以適當(dāng)忽視。

5.新概念和核心概念

所謂“新概念”是指當(dāng)考生讀到文章某個(gè)位置時(shí)，之前沒(méi)有消失過(guò)的概念。這種新概念的消失，說(shuō)明之前消失的概念已經(jīng)不能夠說(shuō)明問(wèn)題。所以，新概念的消失必定也意味著一個(gè)重要信息的消失。而“核心概念”是指在連續(xù)的幾個(gè)段落中集中闡述的主題概念，對(duì)于這種概念來(lái)說(shuō)，無(wú)論是作為觀點(diǎn)還是舉例大家都應(yīng)當(dāng)留意，由于它明顯是作為重點(diǎn)在文章中被強(qiáng)調(diào)的。

6.重要的規(guī)律關(guān)系鏈

許多考生在托福閱讀文章的時(shí)候只留意到了文章所闡述的重要內(nèi)容，但是忽視了信息之間的規(guī)律關(guān)系，因而對(duì)信息關(guān)聯(lián)理解不精確，這也是一種嚴(yán)峻的錯(cuò)誤。因此，在閱讀過(guò)程中記錄下信息之間所產(chǎn)生的規(guī)律關(guān)系可以避開(kāi)考生丟失信息之間的關(guān)聯(lián)信息。記錄規(guī)律關(guān)系也可以關(guān)心考生更加清楚地理清段落之間的關(guān)系。

托福閱讀真題原題+題目

TheArtsandCraftsMovementintheUnitedStateswasresponsibleforsweepingchangesinattitudestowardthedecorativearts,thenconsideredtheminororhouseholdarts.ItsfocusondecorativeartshelpedtoinduceUnitedStatesmuseumsandprivatecollectorstobegincollectingfurniture,glass,ceramics,metalwork,andtextilesinthelatenineteenthandearlytwentiethcenturies.Thefactthatartisans,whowerelookedonasmechanicsorskilledworkersintheeighteenthcentury,arefrequentlyconsideredartiststodayisdirectlyattributabletotheArtsandCraftsMovementofthenineteenthcentury.Theimportancenowplacedonattractiveandharmonioushomedecorationcanalsobetracedtothisperiod,whenVictorianinteriorarrangementswererevisedtoadmitgreaterlightandmorefreelyflowingspaces.

TheArtsandCraftsMovementreactedagainstmechanizedprocessesthatthreatenedhandcraftsandresultedincheapened,monotonousmerchandise.FoundedinthelatenineteenthcenturybyBritishsocialcriticsJohnRuskinandWilliamMorris,themovementreveredcraftasaformofart.Inarapidlyindustrializingsociety,mostVictoriansagreedthatartwasanessentialmoralingredientinthehomeenvironment,andinmanymiddle-andworking-classhomescraftwastheonlyformofart,Ruskinandhisfollowerscriticizednotonlythedegradationofartisansreducedtomachineoperators,butalsotheimpendinglossofdailycontactwithhandcraftedobjects,fashionedwithpride,integrity,andattentiontobeauty.

IntheUnitedStatesaswellasinGreatBritain,reformersextolledthevirtuesofhandcraftedobjects:simple,straightforwarddesign;solidmaterialsofgoodquality;andsound,enduringconstructiontechniques.Thesecriteriawereinterpretedinavarietyofstyles,rangingfromrationalandgeometrictoromanticornaturalistic.Whetherabstract,stylized,orrealisticallytreated,theconsistentthemeinvirtuallyallArtsandCraftsdesignisnature.

TheArtsandCraftsMovementwasmuchmorethanaparticularstyle;itwasaphilosophyofdomesticlife.Proponentsbelievedthatifsimpledesign,high-qualitymaterials,andhonestconstructionwererealizedinthehomeanditsappointments,thentheoccupantswouldenjoymoralandtherapeuticeffects.Forbothartisanandconsumer,theArtsandCraftsdoctrinewasseenasamagicalforceagainsttheundesirableeffectsofindustrialization.

1.Thepassageprimarilyfocusesonnineteenth-centuryartsandcraftsintermsofwhichofthefollowing?

(A)Theirnaturalisticthemes

(B)Theirimportanceinmuseumcollections

(C)TheirBritishorigin

(D)Theirroleinanindustrializedsociety

2.Accordingtothepassage,beforethenineteenthcentury,artisanswerethoughttobe

(A)defendersofmoralstandards

(B)creatorsofcheapmerchandise

(C)skilledworkers

(D)artists

3.ItcanbeinferredfromthepassagethattheArtsandCraftsMovementwouldhaveconsidered

allofthefollowingtobeartistsEXCEPT

(A)creatorsoftextiledesigns

(B)peoplewhoproducehandmadeglassobjects

(C)operatorsofmachinesthatautomaticallycutlegsforfurniture

(D)metalworkerswhocreateuniquepiecesofjewelry

4.Thewordreveredinline14isclosestinmeaningto

(A)respected

(B)described

(C)avoided

(D)created

5.Accordingtoparagraph2,thehandcraftedobjectsinthehomesofmiddle-andworking-class

familiesusuallywere

(A)madebymembersofthefamily

(B)theleastexpensiveobjectsintheirhomes

(C)regardedasbeingmorallyuplifting

(D)thoughttosymbolizeprogress

6.Thewordextolledinline20isclosestinmeaningto

(A)exposed

(B)praised

(C)believed

(D)accepted

7.TheauthormentionsallofthefollowingasattributesofhandcraftedobjectsEXCEPT

(A)thepridewithwhichtheywerecrafted

(B)thecomplexityoftheirdesign

(C)thelongtimethattheylasted

(D)thequalityoftheirmaterials

8.Thewordconsistentinline24isclosestinmeaningto

(A)conservative

(B)considerable

(C)constant

(D)concrete

9.Accordingtothepassage,whichofthefollowingchangesoccurredatthesametimeasthe

ArtsandCraftsMovement?

(A)Thecreationofbrighterandmoreairyspacesinsidehomes

(B)Therejectionofartthatdepictednatureinarealisticmanner

(C)Adeclineofinterestinartmuseumcollections

(D)Anincrease