OntheVisualFormofmondrian'sArt獲獎科研報告Abstract：Mondrian，asoneofthefoundersoftheDutchstyledesignmovement，transcendstheartisticthinkingandaestheticconceptofTheTimesandappliesabstractartexpressiontothefieldofdesignartfreely.Sinceitsemergence，itsartformhasexertedagreatinfluenceontheartfield.FromtheDutch"schoolofstyle"totheBauhausschoolofdesign，fromthepaintingfieldtothearchitecturaldesignfieldtotheclothingandproductdesignfield，thevisualformofmondrian'sartcanbeglimpsed.

Keywords：Mondrian'sart，visualform，purity

First，purenewformalism

Mondrian，asanartist，hisworkshaveakindofabstraction，whichdoesnotexpressworkswithanyconcreteobjects.Mondrianoncepublishedatreatise"plasticartandpureplasticart"inthestylemagazine，inwhichmondrianelaboratedabstractartas"non-representationalartshowsthat'art'alwaysadvancesinitsrealwaythroughitsownexistence.Itshowsthat'art'isneithertherepresentationoftherealityweseewithoureyes，northeexpressionofourdailylife，buttheexpressionoftherealrealityandreallife...They'rehardtodefineinstyle，buttheyfeelreal."Inmondrian'sopinion，abstractartistherealreality，whileconcreteartisjustarepresentationofreality.

Hehopestoexpresstherealrealitythroughabstractart，toexpressanidealizedrealityandtoexpressapureandbalancedidealizedworld.Inmondrian'sopinion，abstractartshouldgetridoftheexternalformofnaturalthings，concentrateontheexpressionofabstractspirit，andpursuetheexpressionofspirit.

Second，thegeometryoftheoverallformalbeauty

Mondrianafteraseriesofexploration，foundthatonlythreeprimarycolorsandalineisenoughtoexpresstherealthings，heinthecontextoftheplasticartsandthepureplasticartssaid："Ifeel"purereality"canexpressthroughpuremodelling，themodellingofpureinnatureshouldnotberestrictedbysubjectivefeelingandappearance..."Therefore，heseparatedtheimageofthingshesawlayerbylayer，andtookstraightlineasthemainmediumofexpressiontoconveytheessentialrealityofthingshewantedtoexpress.

Formalbeautyhasabasicattribute：harmonyandunity，balanceandcoordination.Andshapeswithsimilarcharacteristicscanformanoverallformtogether.Forexample，visualpsychologywillconnecttheshapeelementswithsimilarcharacteristicsintoawhole，thecolorswithsimilarpropertieswillberegardedasawhole，andtheshapeswithsimilarsizeandproportionwilleasilyformanintegralformeffect.Mondrian'scompositionofred，yellow，blueandblackblocks（1921）seeksthebalanceandharmonyofthepicturebyarrangingthethreeprimarycolorsofred，yellowandblueandthethreenon-colorsquaresofblack，whiteandgraywithdifferentsizesandshapes.Althoughthesecolorblockslookdisorderly，scattered，butintheroleofcolor，inthevisualformofaperfectunity.

Third，thebalanceofcoloraestheticfeeling

Mondrianbelievedthatworksofartshouldbefreedfromvariousexternalfactorsandsubjectiveemotionstoexpressapureanduniversalbeauty.Andthiskindofbeautywiththegreatestuniversalityisadynamicequilibrium，notastaticone.Healsoadvocatesseekingequilibriuminanoppositestate.Thepictureinhisworksemphasizestheuseofalargecolorblockasthemainbodyandothersmallercolorblocksaroundtostabilizethepicture.

Healsosimplifiedthecolorsofpaintingtoonlythethreeprimarycolorsofred，yellowandblueandthethreenon-colorsofblack，whiteandgray.Hebelievesthatthethreeprimarycolorsarethepurestandmostessentialcolorsaftersimplifyingandconcentratingthenaturalworld.Therefore，thecolorrelationformedbyithasthegreatestuniversality.Theintensityofhuecontrastdependsonthepositionofcoloronthecolorring，whilemondrian'spaintingsformapictureaccordingtothequalitysenseofthreeprimarycolorsandthreenon-colors，andtheformedcolorpowerisrelativelyintense.Atthesametime，hecreatedastableandclearpicturecolorfeelingthroughthereasonableallocationofareaandposition，inordertoseekspiritualbalance.Thiskindofprimitiveanddirecthuecontrastmakestheworkcompleteanewleapundertheeffectofcolorpsychology.Mondrian'spaintingsarecomposedofthreeprimarycolorsandthreenon-colorblockswithdifferentareas.Theclassicgoldensegmentsegmentationandgoldenrectanglemakeeachcolorblockformrationalharmonyandbalanceintheframe，makingtherhythmchangeofcolorsmorestable.

Summary

Mondrianhasleftus，butitspurerealityanddynamicbalanceofartstillleadthetrendofthetimesinmoderndesign.Withitsartre-extractedfromhistoryandmoderndesignmethodsandtechniques，itcanbettershowthebreadthandcharmofpureartunderthebackgroundofdeepeningintegrationofChineseandforeigncultures.Alltheserequireustostudyandstudymoredeeplyinordertogetadeeperunderstandingandmakefurthercreation.

References

[1]Mondrian[M].RenminuniversitypressofChina，anyu，2004

[2]beautyofdesign[M].Shandongpictoria