雨課堂學(xué)堂在線學(xué)堂云《Observation and Embodiment in Chinese Landscape Painting(中國畫學(xué)·中國山水畫的觀物與體象)(中國美術(shù)學(xué)院)》單元測試考核答案_第1頁
雨課堂學(xué)堂在線學(xué)堂云《Observation and Embodiment in Chinese Landscape Painting(中國畫學(xué)·中國山水畫的觀物與體象)(中國美術(shù)學(xué)院)》單元測試考核答案_第2頁
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第1題SpringExcursionoftheSuidynastyisfromwhichoneofthefollowingpainters:AWangWeiBZhanZiqianCLiSixunDWangMo第2題?WhichoneofthefollowingYuanpaintersdidn’tfollowthestyleofLiChengandGuoXioftheNorthernSongdynasty:AZhuDerunBTangDiCYaoTingmeiDGaoKegong第3題WhichoneofthefollowingpointsarenotincludedintheLoftyAmbitionofForestsandStreams:AThearchaicstyleismostvaluedinpainting.BThreeDistanceTheorem:highdistance,deepdistance,andleveldistance.CThemountainsinspringarelightandseductiveasifsmiling;themountainsinsummerhaveablue-greencolorwhichseemstobespreadoverthem;themountainsinautumnarebrightandtidyasiffreshlypainted;themountainsinwinteraresadandtranquilasifsleeping.DMountainshavewaterastheirveins,grassandtreesastheirhair,andmistandcloudsastheirspirit.第4題LandscapepaintinggraduallyseparatedfromwhatkindoffigurepaintingandbecameaseparategenreduringtheWei,Jin,andSouthernandNorthernDynasties?A

“Observeitsmomentumfromafar,andcomprehenditsqualityincloseproximity.”B

“Sagesofremotepastdiscoveredthephilosophicalwisdominherentinnaturethroughimaginationandcontemplation.”C

“Figureslargerthanmountains,waterscapeshowingnoexpanse.”D

“Heavenandearthexistinharmonywithmeandallthingsintheuniverseareinseparablefromme.”第5題WhoinfluencedtheformationofMiFu’slandscapepaintingstyle?AWangQiaBWangWeiCLiSixunDDongYuan正確答案:ABD第6題ThereweretwomaindifferentstylesoflandscapepaintingintheTangdynasty,onerepresentedbyLiSixunandLiZhaodao,andtheotherbyWuDaozi.

第7題WangWei,apoetandapainter,istheoriginatorofliteratipainting.

第1題ThetexturestrokesusedinTravelersbyStreamsandMountainsare:AUnraveled-ropestrokesB“Split-bean”shapedtexturestrokesCHempfiberstrokesDLotusleaftexturestrokes第2題VisualeffectsofTravelersbyStreamsandMountainsdonotinclude:?AThemountainsaremistyandthewaterisbrimming.BAsdarkastheobscuretwilight.CTheinkisheavyandthick,andthemomentumisimposing.DAswalkingonamountainatnight,deepinthedark.第3題ThepaintingmethodoftheupperpartofthefountainintheTravelersbyStreamsandMountainsis:ASplittingwaterBWatertextureCOutliningwaterDAlloftheabove第4題WhichoneofthefollowingideasarefromZhuangzi:?ATherefore,thosewhoestablishtheimageillustratetheintent,sotheimagecanbeabolished.BToobtaintheimageistoabolishtheword.CWithinittruemeaningresides,Iintendtoclarifybuthaveforgottenmywords.DObtainingtheintentandabolishingtheword.第5題WhichofthefollowingworksbelongtoFanKuan:AWintryGrovesinaSnowyLandscapeBASolitaryTempleamidClearingPeaksCTravelersbyStreamsandMountainsDSittingAlonebyaStream正確答案:ACD第6題TravelersbyStreamsandMountainsdepictsaviewoftheShaanxiarea.第7題TheYuandynastypainterZhaoMengfusaidFanKuan’spaintingswere“truemasterpiecesoftheancientandpresent-day,”and“thebestofallSongpaintings.”?Chaptertest第1題WhichoneofthefollowingplacesisshowninPureandRemoteViewsofStreamsandMountains?AJiangnanareaBNorthChinaCNorthwestareaDSouthwestarea第2題“WhenreadingWangWei’spoems,onecanconjureupapicturesqueimage.WhenviewingWangWei’spaintings,onecanexperienceapoeticsentiment”wasstatedby:?AWangWeiBSuShiCHuangTingjianDMengHaoran第3題InthepoeminscribedbytheQianlongemperor“Xiajiajiafafuyinzhong,”“Fuandyin”means:AappreciatingandchantingBcaressingandlisteningCstrokingandchantingDcaressingandchanting第4題TheformatofPureandRemoteViewsofStreamsandMountainsis:AAlbumleafBFansurfaceCHandscrollDHangingscroll第5題WhichofthefollowingtexturestrokeswereusedinPureandRemoteViewsofStreamsandMountains:ANail-headtexturestrokeBMud-wadingtexturestrokeCHemp-fiberstrokesDAx-cuttexturestroke正確答案:ABD第6題Therenderingmethodisactuallyapartoftheinkmethodaswell.第7題Whilethelandscapepaintingdepictsnature’sformallikeness,italsoalludestotheauthor’sinnerworld.Chaptertest第1題“TheFourMastersoftheYuandynasty”are:AHuangGongwang,QianXuan,WangMeng,NiZanBZhaoMengfu,HuangGongwang,WangMeng,NiZanCZhaoMengfu,QianXuan,HuangGongwang,WuZhenDHuangGongwang,WuZhen,WangMeng,NiZan第2題The“RemainingMountain”ofDwellingintheFuchunMountainsisinthecollectionof:?AShanghaiMuseumBZhejiangProvincialMuseumCTaipeiPalaceMuseumDThePalaceMuseum,Beijing第3題WhichoneofthefollowingviewsisfromZhuangzi:A“Drawinspirationfromallthingsinnature,andinternalizingthespiritofhissaintedsubject.”B“Embracingmyriadthingswithinone’sbosom.”C“Puttheminordetailsasideandextractthekeyelements,andthenoutlinetheforminmind.”D“Purestateofthemind”and“forgettingthedifferenceandoppositionbetweenselfandtheuniverse.”第4題What’sthemediumofDwellingintheFuchunMountains:AInkonsilkBInkandcoloronpaperCInkonpaperDInkandcoloronsilk第5題WhichofthefollowingworkswerepaintedbyHuangGongwang:?ADwellingintheMountainsduringSummerBGreatSummitsofFuchunCClearingafterSuddenSnowDNineMountainPeaksafterSnowfall正確答案:BCD第6題DwellingintheFuchunMountainswaslaterpraisedasthe“paintingoftheOrchidPavilion,”where“OrchidPavilion”referstoWangXizhi’sPrefacetotheOrchidPavilionGathering.?第7題TheQianlongemperorbelievedthatthe“ZimingScroll”wasgenuineandthatthe“TheMasterWuyongScroll”wasaforgery,andthisconclusioniscorrect.?Chaptertest第1題WhichuniquemethodintraditionalChinesepaintingisreferredtoas“knowingbyobservationandrememberingbyheart”?AAlloftheaboveBPaintingthroughtextCPaintingfrommemoryDPaintingon-site第2題WhichpieceofWangMeng’sworkwasinscribedbyDongQichang(Mingdynasty)ontheinscriptiveblock(shitang)that“ApaintingbyWangShuming,bestoftheworld”?ATheDaoistImmortalGeZhichuanMovingHisDwellingBLodgeintheForestofLakeTaiCDwellingintheMountainsduringSummerDSeclusionintheQingbianMountains第3題WangChanglingproposedthatpoetryhadthree“realms”intheRulesofPoetry.Whichofthefollowingdoesnotbelongtothethreerealms?ATherealmofobjectsBTherealmof

imaginationCTherealmofenvironmentDTherealmof

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