1、“英美文學(xué)批評”研究生閱讀書單代顯梅1. allan poe: 1）“the poetic principle”, 1864; 2) “the philosophy of composition”, 1850.2. whitman: “democratic vistas” (1867-1868, 1871)3. james gibbons huneker:“一個印象主義者的漫游”,1910.4. joel elias spingarn:1) creative criticism and other essays, 1917; 2) history of literary criticism i

2、n the renaissance, 1899.5. t.s. eliot: the sacred wood: essays on poetry and criticism, 1920; 2) the use of poetry and the use of criticism: studies in the relation of criticism to poetry in england, 19336. henry. l. mencken: prejudices, 1919-1927 (6卷，讀第一卷)：主張批評要么是藝術(shù)，要么什么都不是。7. charles j. glicksberg

3、, american literary criticism, 1900-1950.8. van. wyck. brooks: the ordeal of mark twain9. rene wellek: shelburne essays 1904-1921;2) concepts of criticism, 1963; 3) a history of modern criticism, 1750-1950 (6-8 vls), 1955-199210. francis o. matthiessen: american renaissance: art and expression in th

4、e age of emerson and whitman, 1941.11. northrop. frye: fearful symmetry: a study of william blake, 1947; 2) anatomy of criticism: four essays, 1957.12. joseph wood krutch: edgar allan poe: a study in genius, 192613. lewis mumford: herman melville, 192914. edmond wilson: 1) the wound and the bow, 194

5、1; 2) axels castle: a study of the imaginative literature of 1870-1930, 1931;3) the triple thinkers, 1938; 4) to the finland station, 1940對印象主義最重要的評價(jià)，對威爾遜世界觀和文學(xué)觀最好的總結(jié)。15. terry eagleton:1) literary theory: an introduction, 1983; 2) the function of criticism: from the “ spectator” to post-structurali

6、sm, 1984.16. vernon parrington: 1) main currents in american thought, 1927-1930; 2） colonial mind, 1927; 3) the romantic revolution in america, 1927; 4) the beginnings of critical realism in america, 193017. j. c. ransom: new criticism, 194118. cleanth brooks (and robert penn warren. eds). 1) unders

7、tanding poetry, 1938: 2) the well wrought urn: studies in the structure of poetry, 1947實(shí)踐批評的力作19. william k. wimsatt, the verbal icon: studies in the meaning of poetry, 1954; 2) hateful contraries: studies in literature and criticism, 1966.20. william k. wimsatt and beardsley: 1) the international f

8、allacy, 1949; 2) the affective fallacy, 194921. m. h. abrams: the mirror and the lamp： romantic theory and the critical tradition, 195322. rene wellek and austin warren: theory of literature, 194923. r.s. crane ed. critics and criticism: ancient and modern, 195224. malcolm cowley: exiles return (193

9、4), 195625. wayne c. booth: the rhetoric of fiction , 196126. murray krieger：1） the tragic vision論十位歐美作家和詩人的專著2) a window to criticism: shakespeares sonnets and modern poetics, 1964;3) the play and place of criticism, 1967, 4)the classic vision, 1971, 5)總結(jié)性專著theory of criticism: a tradition and its

10、system, 197627. w. k. wimsatt and cleanth brooks: literary criticism, a short history, 195728. alfred kazin: on native grounds, 194229. richard chase:1) the american novel and its tradition, 1957 論美國小說中的“美國性”（americanness）：與英國小說相比，美國小說存在著“一種比一般小說所要求的真實(shí)、發(fā)展和連續(xù)性更大的自由度；一種追求奇異的清潔和田園詩的傾向；在小說形式上比較抽象，而另一方面”

11、2) melville: a critical study, 194930. v. b. leitch, american literary criticism: from the thirties to the eighties, 1988.31. leslie fiedler: love and death in the american novel, 1960, 1966年修訂版，作者把自己的著眼點(diǎn)確定在深層心理學(xué)和人類學(xué)為主，社會學(xué)與形式批評為輔的結(jié)合點(diǎn)上。主題原型和性格原型確定以后，從六個方面詳細(xì)考察了不同于其他民族的美國小說傳統(tǒng)。美國小說不同于歐洲的傳統(tǒng)回避“文明”，沉湎于“自然”

12、，絕大多數(shù)小說家重復(fù)私通的主題，小說往往與亂倫、性變態(tài)、暴力等糾纏在一起，充斥著怪誕、恐怖、神秘的黑暗氣氛。32. charles feidelson, jr.: symbolism and american literature, 195333. frank kermode (英國教授，長期在美講學(xué)), 1)romantic image, 1957他認(rèn)為必須從文學(xué)與現(xiàn)實(shí)的關(guān)系上去尋找西方文學(xué)批評的突破口，擺脫審美孤立主義的泥沼; 2) the sense of an ending: studies in the theory of fiction, 1967; 3) the art of t

13、elling: essays on fiction, 1983.34. j. hillis miller:1) charles dickens: the world of his novels, 1959; 2) 上帝的消失：五位十九世紀(jì)作家， 1963；3）現(xiàn)實(shí)詩人：六位二十世紀(jì)作家，1965；4）形式與維多利亞小說，1968；5）托馬斯哈代：距離與欲望，1970。米勒這種追尋作家創(chuàng)作意圖和心態(tài)的“意識批評”一直持續(xù)到70年代初。對作家意識的追尋和思考。米勒認(rèn)為，對于具體的作品而言，文學(xué)文本可能是多元復(fù)雜的共生體的認(rèn)識假設(shè)，竭力捍衛(wèi)解構(gòu)批評的實(shí)用性，miller的貢獻(xiàn)主要在文學(xué)批評實(shí)踐方面。

14、米勒提出結(jié)構(gòu)批評同時包含deconstructive and constructive, negative and positive，米勒的理論主要來自德里達(dá)（延異）和德曼（修辭），認(rèn)為語言從根本上是修辭比喻產(chǎn)生的一種幻覺。6) fiction and repetition: seven english novels, 1982.35. irving howe, decline of the new, 1970.36. e.d. hirsch, 1) validity in interpretation, 1967; 2) the aims of interpretation, 1976.37

15、. norman holland, 1) the dynamics of literary response, 1968; 2) poems in persons: an introduction to the psychoanalysis of literature, 1973.38. wolfgang iser, 1) the act of reading: a theory of aesthetic response, 1978; 2) the implied reader: patterns of communication in prose fiction from bunyan t

16、o beckett, 197439. g.eoffrey hartman, beyond formalism: literary essays1958-1970, 1971哈特曼關(guān)于歐陸批評與英美批評的區(qū)別的論述。他和布魯姆一樣，把“語言”置于“意義”之上，把批評家分為兩類，并對他們各自提出批評。40. martin heidegger, poetry, language, thought, albert hofstadter, trans., 1971.41. fredric jameson: 1) the prison-house of language,1972梳理文學(xué)思潮，弄清結(jié)構(gòu)主義

17、與俄國形式主義的來龍去脈; 2) marxism and form: twentieth century dialectical theories of literature, 1971.42. robert scholes, structuralism in literature, 1974結(jié)構(gòu)主義文學(xué)批評的理論著作，重點(diǎn)在文學(xué)，討論的是敘事文學(xué)的結(jié)構(gòu)主義批評43. jonathan culler, structuralist poetics: structuralism, linguistics, and the study of literature, 1975對文學(xué)批評自身進(jìn)行一番哲學(xué)

18、思考?？ɡ账鶢I構(gòu)的結(jié)構(gòu)主義詩學(xué)，其研究的對象已經(jīng)不是文學(xué)作品的內(nèi)容，而是這內(nèi)容之座椅形成的條件和過程。“試圖說明我們?nèi)绾巫x出文本的意義?！笨死J(rèn)為，結(jié)構(gòu)主義研究的對象是讀者、閱讀行為和閱讀理解的程式。44. paul de man: 1)blindness and insight: essays in the rhetoric of contemporary criticism, 1983;2) allegories of reading: figural language in rousseau, nietzsche, rilke, and proust, 1979; 這本書以歷史研究開始，

19、以討論語言的“修辭性”結(jié)束3) the rhetoric of romanticism, 1984; 4) the resistance to theory, 1986; 5) critical writings1953-1978, 1989后三本書是死后出版，沒有發(fā)生很大影響。德曼不空談理論，他的理論思考都包容在對于具體作家的闡釋中。德曼理論的思考點(diǎn)在“語言的修辭性”，即語言的“比喻和換喻”（figures and tropes），他認(rèn)為語言在表意的同時又有自我否定的另一個傾向。他的本意在于顛覆語言的指義性。45. harold bloom: 1) a map of misreading,

20、1975;2) poetry and repression, 1976;3) wallace stevens, 1977; 4) agony: toward a theory of revisionism, 1981他的文學(xué)批評，尤其是對浪漫主義詩歌和當(dāng)代詩歌的批評非常實(shí)用，布魯姆的主要概念：“誤讀”(misprision)，“文本性”（textuality）, “互文性”（intertextuality）;5) the anxiety of influence: a theory of poetry, 1973.46. 女權(quán)主義批評：1）mary wollstonecraft,1759-17

21、97: “a vindication of the rights of woman”, 1792為婦女的權(quán)利而辯主張：婦女要自食其力，不依附男人。2）john stuart mill 3 馬克思恩格斯；4）virginia woolf: a room of ones own, 1929; 5) 二十世紀(jì)的論著betty friedan: a) the feminine mystique, 1963; mary ellmann: thinking about women, 1968; kate millett: sexual politics, 1970該書成功地把文學(xué)批評與文學(xué)批評結(jié)合起來，認(rèn)

22、為兩性關(guān)系的問題實(shí)際上也是一個政治問題；elaine showalter：”feminist criticism in the wilderness”, 1981,她側(cè)重關(guān)心的是“讀者”培養(yǎng)造就具有女權(quán)意識、抵制男權(quán)政治的讀者?！霸骱蕖保╩isogyny）, “以男人為中心”（androcentric）;b) the female imagination: a literary and psychological investigation of womens writing, 1975; c) a literature of their own, 1977， 該書認(rèn)為，女性文學(xué)有一個自成一體

23、的傳統(tǒng); d) “ towards a feminist poetics” in women writing and writing about women,1979; 6) ellen moer: literary women, 1976; 7) judith fetterley, the resisting reader: a feminist approach to american fiction, 1978; 8）sandra gilbert, susan gubar: a) the madwoman in the attic: the woman writer and the ni

24、neteenth century literary imagination, 1979;b)兩人合編norton anthology of literature by women, 1985表現(xiàn)唯女性才有的經(jīng)驗(yàn)。9） k.k. ruthven: feminist theory: the intellectual traditions of american feminism, 1985; 10)陶麗莫伊（客居英國牛津大學(xué)講授法國文學(xué)的挪威女學(xué)者）sexual/textual politics: feminist literature theory, 1985莫伊認(rèn)為自己的專著才是第一步以英語寫

25、成的對女權(quán)主義文學(xué)理論的引論。她認(rèn)為一個批評家可以同時表現(xiàn)出幾種批評傾向，富有創(chuàng)建性的思想和作品不可能用單一的方法進(jìn)行讀解。10）gayatri chakravorty spivak, “ finding feminist readings: danteyeats”, social text, 1980;11) susan sontag, against interpretation and other essays, 1966.47. morris dickstein: 1) jameson, marxism and form;2) the political unconscious, 19

26、81這本書是對“辨證文學(xué)觀”所做的最全面最精彩的總結(jié)和理論升華。立意高遠(yuǎn)，視野宏大，新馬克思主義之魁首。3）伊甸園之門48. gerald graff: 1) literature against self：literary ideas in modern society, 1979 ; 2) poetical statement and critical dogma, 1970主張形式與內(nèi)容、文學(xué)的內(nèi)因素和外因素并重，注意不讓文本世界與現(xiàn)實(shí)世界隔離而淪為純文本符號。3) criticism and social change, 1983.對德曼有極其敏銳的透析，對結(jié)構(gòu)主義的批判入木三分。49. f