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ATTER2SFOR痙inm痙 THESTYLESOFTODAY'SLEADI2GFU2DRUMM 眉 眉 _, 眉 眉 ——礦: ainclcdes transcription110f3anywe=-knownrecordings礦nnK”Innlude刀—nkl,TIAM刀—眾多鼓手和教育家極力推薦本書!"AdvancedFunkStudiesisexcellent.ThebookiswellwrittenandtheTapesaresohelpful.Thiswillcausemetopracticealittlemore."LouieBe/IsonAuthor,ClinicianWorldrenownDrum-set"Iwould mendRickLatham'sbookAdvancedFunkStudiestoallseriousdrummers.Thenotationisextremelywellthoughtoutandeasytoread."JimChapinAuthor,TeacherTheFatherofDrum-Set"Latham'sbookAdvancedFunkStudiesisoneofthebestbooksonthemarketdealingwithcontemporaryFunk-Rocktechniques.Itishelpfultoalldrummers."EdAuthor,Teacher,NBCOrchestra,TheTonight"AdvancedFunkStudiesisawellwrittenandinformativeadditiontodrumsetli ture.Youhavedoneagreatjobofcapturingtoday'sdrum-setstyle."JohnBeckPercussionInstructorEastmanSchoolofMusicTimpanist,RochesterPhil."Iamveryhappytoendorsethismostinteresting/en/ightingbook...Thestickingalonemakesthepatternsfuntoy.ColinTeacher,Author,and"Avaluableadditiontotheareaofpercussioninstructionliture.Therecordedmaterialmakesthebookanespeciallypowerfulteachingaidwhilestillallowingsufficientlatitudeforthestudenttodevelophisownstyles."HaroldA.AssociateProfessorofMusicEastCarolinaUniversity"RickLatham'sconceptonFunkDrummingisanecessaryadditiontodrumsetstudy.Thematerialispertinentandchallenging..."RobertSchietromaCoordinatorofPercussionNorthTexasStateUniversity"Allofthebeatssoundgoodand"Cook".Therearealltwofewqualitybooksinthisarea.YoursexcellentandcontainsmanyoriginalideasHenryInstructorofPercussion(Drumset)NorthTexasStateUniversity"Ithinkthereisaneedforabookofthistypeinadvanced...theexcerptsarechallengingandRonAssociateProfessorandeP.O.BoxP.O.Box進階放 By HaroldA.…forAbouttheThesuccessofhisbest-sellingdrumtext,AdvancedFunkStudies,launchedRickLathamintotheinternationalpercussionspotlight.However,ithasbeenhisexpertiseasaversatileperformerthathasmadehimoneofcontemporarydrumming'smostrespectedyers.Rickstarteddrummingattheageoftwelve.Initiallyself-taught,hisearsledhimtosuchpowerfulrhythmandbluesinfluencesasthehitMotownandAtlanticlabelrecordingsoftheday.yingclubdatesduringhishighschoolyearsinNorthandSouthCarolina,Rickattendedtothetechnicalaspectsofdrumming,buthisprimaryfocuswasyingthe11groove.11Later,whileearningaBachelorofArtsdegreeinPercussionPerformanceatEastCarolinaUniversity,heexpandedhisrhythmicandpercussionrelatedvocabulary,studyingmalletsandtimpaniunderHaroldJones.ItwasduringthisperiodthatheperformedwithsuchjazzgreatsasBillWatrous,DavidSamuels,JerryCokerandDavidFriedman.In1977,hewasgrantedateachingassistantshipatNorthTexasStateUniversity,wherehetaughtmalletsandsnarewhileworkingonhisMastersDegreeinPercussionwithRobertSchietromaandRonFink,andstudyingdrumsetwithJimHall.TheinspirationandknowledgeRickgainedfromtheseinstructorspromptedhimtocreateAdvancedFunkStudies.Atextoforiginalconcepts,transcriptionsofrecordedworksbyhisfavoritedrummers,and byaudiocassettes,AdvancedFunkStudieswasanimmediatehit,establishingitselfasaleadingsourceofreferencewithdrummersandeducatorstheworldover.AfterhisyearsatNTSU,hebeganrealizinghisdreamof ingaprofessionaltouringmusicianin1979andtouredextensivelythroughouttheUnitedStatesandCanada.HereturnedtoTexasintheearIy80s.InDa||as,hebecameamemberofR&B11BassLegend11ChuckRainey'sbandRaineyManandhiscareerasasessionyerandsought-aftersidemanwithsuchgreatsasbluesmanB.B.King.In1984,RickrelocatedtoLosAngeles,wherehehassinceenjoyedtheopportunityofperformingwithalonglistofleadingfiguresincludingrockersEdgarWinter,RickDerringerandPatTravers,aswellasjazzguitaristHowardRoberts.HisversatilityhasalsobeenhighlightedwithsuchtopentertainersasRitaMoreno,BenVereenandReddFoxx,inadditiontohiscontributionsonthethemeforevision's119to511series,"me1theQuincyJonesproducedsoundtrackFastForwardandmorerecentlytheDVDreleaseofGonein60Seconds.In1990,hereleasedhissecondsuccessfulbookContemporaryDrumsetTechniquesandsoonafterwardsthemuchanticipatedinstructionalsthatparalleltheseworks.Hehasfirmlyestablishedhimselfasaworld-class.AppearancesatsuchmajorgatheringsasGermany?sKoblenzInternationalDrummer?sMeetingandtheFrankfurtMusicMesse,theUnitedStatesNAMMshows,Switzerland'sMontreuxJazzFestivalandnumerousperformancesthroughoutEuropeandAsiahaveprovidedtheuninitiatedwiththeopportunitytowitnessoneofthenewmastersofcontemporarydrumming.InadditiontomaintainingafullyingscheduleinLosAngelesalongwithngsessionsandteaching,RickinvolveshimselfwithproducingandleadinghisownjazzgroupRickLathamandTheGrooveDoctors.Formoreinformationpleasevisithiswebsite Tableof閉合踩镲放克節(jié)奏os
練習編 CD編 頁Exercise CDNo.1tra Exnationof IntroductoryExercises.……………....1- FixeclHi-hat Hi-hatQuarterNotes……………….....1-10.....……………..….2- Hi-hatEig_hthNotes.……....…………..1-10…….12- Hi-hatOffBeat..………..…………….....1-10……..........…......22- Hi-hatSixteenthNotes(and-ah}…..1-10………·…....……..32- Hi- Openings……………....………..1-18.………………..….42- Exercise CDNo.2t『 ambinatioExercises…..…………..1-34..…...………………1- FillPatterns…......……….1-12.……18- FunkPatterns……·…........…………....1-74…...……………....24- Gadd..….....…………......…..1-15…………......…....61- Garibaldi.....……......……..16-18....………·…….....76- HarveyMason………..…..……….19- PeterErskine...........................22-24.........................82- GerryBrown.……………......………... Richard"Moon"Calhoun……....... Ed SolosNos.1-1O..........................................…...…..….........89- 前 大師級鼓手們的常用放克節(jié)奏型,如Steveadarvesn,Dabli本書的第一部分包含了必須要會的分解練習。這些練習分為三種類型:(1)踩镲,(2)軍鼓,(3) NATIONOF圖例符號Thenotationusedinthisbookisbasicallystandardpercussionnotation.Ihaveusedsomesym-bolswithwhichthereadermaybeunfamiliar.本書的圖形符號基本都是標準的打擊樂符號。作者使用的符號有少數(shù)作者可能不太熟悉,請看下面圖例。 或 HI-HAT踩 OPENHI- 踩镲(打開 吊I*IIJ|I*IIJ|BELLOFCYMBAL镲 COW 牛 J軍JJl_4Jl_4II—SMALLTOM-TOM一通(高音桶鼓 MIDDLETOM- 二通(中音桶鼓 FLOORTOM-地通(低音桶鼓lI lI橐BASSDRUMFOURBASICHI-HATOPENINGS四種基本的踩镲莊Openontheclosedonnext
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Openon"e"ofclosedonnext
Openon"ah"ofclosedonnext正拍上開,下一拍 正拍后面的八分音
上正拍后面的十六分 正拍里的第四個十6Drum-on.taob6
分音上開,下一拍合TT演奏注意鬼 在本書的放克節(jié)奏中,一般情況下都是右手打踩镲,左手打軍鼓,特殊情況會標注。引導(dǎo)練沒有標注槌法的應(yīng)遵守右手踩镲,左手軍鼓的原則廣3_,--.3--斤 ,r----.3--13訂罩聲 163----,廣3--T3-- 3 19
17 FIXEDHI-HAT閉合踩镲節(jié)奏ThisnextgroupofexercisesdealswithfourbasicHi-HatstickingpatternsfoundinFunk 以下是四種基本的固定踩镲的放克節(jié)奏練習Hi-HatysquarterHi-Hatyseighth
踩镲八分音符Hi-Hatysonthe"and"ofthebeat(offbeat)踩镲在第二個八分音符(拍后Hi-Hatyssixteenthnotesonthe"and-ah"ofthe踩镲在第三和第四個十六分9Foramoreeffectivefeel,yaBassDrumdottedeighth-sixteenthorSambapatternwiththese 為了更好的練習效果,可以在底鼓上踩附點或者桑巴節(jié)奏型。9踩镲四分音踩镲八分音踩镲第二個八分音符(拍后音踩镲第三和第四個十六分音符1尸界尸
91啟尸尸 101盧盧尸HI- 踩镲打TheseexercisesdealwithopeningtheHi-Hatondifferentpartsofthebeat,creatingtheSHUP...sound.*Alsotrytheseusingalternatingsticking.以下是一些踩镲開合的練尸盧尸j虧
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171嚴氣181盧亨COMBINATION組合練習以下的練習是將之前的練習結(jié)合起來的綜合練習。Thecombinationexercisesdealwithwhathasbeencoveredthusfar;differentcementoftheHi-Hat,SnareDrum,BassDrum,andTom-Toms,aswellasstickingproblems.* 21:勹勹 10 門 11匡均 1尸習d丿 12叮勹5,匯歸 13I兀門旯 習.勹 141廠尸尸 I,口 15廠氣8 161/了Drum-171尸P盧181啟項19I腔旯旯責
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個(Hi-HatwithRRL'.RRL'SIM- · 72凳莊烹73貫酶序可冗 > 序可冗轉(zhuǎn)ThefollowingbeatsandsolosaresomeofmyfavoritesthatIhavetranscribedoverthelastfewyears.ThesearetogiveyousomeunderstandingofthestyleandtechniqueusedbysomeofthetopFunkDrummerstodayandtohelpdevelopyourownstyleandtechnique.Ihopethatyouwillfindthemenjoyableand以下都是作者從大師們的歌曲中轉(zhuǎn)錄歌曲 演奏 專輯 速豆豆
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