ChinesefolkartGroupno.2Shadowplay（皮影）于玲Chineseknot（中國(guó)結(jié)）杜靜paper-cut

（剪紙）常艷紅Facemakeup（臉譜）李夢(mèng)玲Acrobatics（雜技）閆紅蓮ShadowplayOrigin（起源）Theoriginofthename（名稱由來(lái)）Development（皮影的發(fā)展）OriginWesternHanDynastytwothousandyearsagoOriginatedinChina,Shanxinameshadow,shadowplay,soilfilm.

theshadowisfortheuseofleathermaterials,itisbettertoleatheranddonkeyskin.

Development1.Itisdecoratedwithdifferentpatterns,conciseandnotempty.2.Eachimageisnotonlyengaginglocal,buttheoverallfitbothsubstantialandvivid,perfectformofartasawhole.ItistheoldestvarietyArtsChineseandevenintheworldInthedomesticskineverposition,similartotheQinShihuangTerracottaArmyinChineseArchaeologystatus.華縣皮影Chineseknot1.Origin：Chinesenode,ourthoughtsconnectedwiththeancestors;Chinanode,weconnectedwiththeancientcomplex.nottheolddays,nohardfeelings,heartlikedoublescreen,therearethousandsofnodes.2.Meaning:itisthesymbolofgoodluckandhappiness.Polishtraditionalthingsofacertainagearenotafraidof.So,noresearch,tracetheoriginChinaknotmustbestartedfromtheancientMaybeCoffeedrinkmanyfeeldull,perhapsbusyforalongtimeandhopethedepositionandaccumulation.Atabout90intheearly1980s,modernpeoplebeganthestartofthetraditionalsearchknot.承藝Humanhistoryislong,howlongisthetraditionalknotart

paper-cut(1)PapercuttingisoneofthemostpopularfolkartinChina,itshistorycanbetracedbacktothe6thcenturyAD(2)Paper-cutisoftenusedinreligiousceremonies,decorationandplasticartsIntroduction:TwelvechinesezodiacsignsInfluenceFolkpaper-cutthecreatorsofthepapercuttingasapartoflife,longingforabetterlifeandworshipofancienttotemFolkpapercuttingisthemaincontentsofexpression.年年有余

EveryyearhaveenoughthingtospendBeijingOperatypesoffacialmakeupinartContentsTheformationofthePekingOperaCharacterclassificationThecolorofthefacialmakeupsymbolBeijingOperabigfourTheformationofthePekingOperasymbol：FourHuiBanxi(1790)Intopractice：In1840Characterclassificationsheng:themalecharactertypeinBeijingopera.dan:

thefemalecharactertypeinBeijingoperaNewdrunkenedconcubineHUADANPekingOperaBluesOLDDANJING:

the“paintedface”,acharactertypeinBeijingopera,etc.militaryjingCHOU:clowninBeijingoperathe“paintedface”,Thecolorofthefacialmakeupsymbol敖

閏包

拯程咬金二郎神蝙蝠精地

神曹

操董

卓1、REDFACERepresentbravecompassionatejustice,suchasguanyu.2、Whiteface

Symbolsinister,Suspectedfraud,Suchascaocao.3、BlackfaceAlreadyseriousperformancecharacter,unsmiling,suchas:bao;Symbolforthrightrecklesspersonalitytraits,suchaszhangfei,likui.4、Yellowfacesymbolfierce

fighting,Suchas:dianwei.5、Blueface

Obstinateandunrulysymbol,strongcharacter,suchasDou.6、purplefaceSymbolofsolemn,sedate,richsenseofjustice,suchas:XuYanzhao.7、GreenfaceThesymbolofstubborntemper,suchas:greensurfaceofthetiger.9、Gold,silverfaceMainlyusedforperformancegod,Buddha,elveslichrole.BeijingOperabigfour梅蘭芳程硯秋尚小云荀慧生IntroductionofChina`s

ACROBATICSAcrobatics

istheperformanceofextraordinaryfeatsofbalance,agilityandmotorcoordination.Itcanbefoundinmanyoftheperforming,aswellasmanysports.雜技TraditionalChineseAcrobaticsTumblingthroughhops?；▔疨layflowerbad柔術(shù)、軟功Contortion

頂碗BowlesonHeadsContortionistwithglasses走鋼絲WireWalking舞獅子Li