ThecomparisonbetweenChinesepainting

andWesternpainting--精品--ThecomparisonbetweenChinese1ChinesepaintingStress'empty'and'no',performfor‘virtual’Advocatefreehandbrushwork

Pursuitlikeness

--精品--ChinesepaintingStress'empty'2WesternpaintingStress“does”and“has”Performfor“real”PursuitresembleCenteronentity--精品--WesternpaintingStress“does”3ChineseLandscapepaiting--精品--ChineseLandscapepaiting--精品4Painter:HuangGongwang

Painting:《FuChunShanJuTu》--精品--Painter:HuangGongwangP5WesternLandscapepaiting--精品--WesternLandscapepaiting--精品6ChinesepaintingWesternpaintingLinesasmainmodelingmeans.Twocolours--whiteandblackReason:usewritingbrushandChineseink.Lightandcolourtoperformimages.Variouskindsofcolours.Paintingtoolsarediverse:pens,oilcolormedium,charcoal--精品--ChinesepaintingWesternpainti7DynastyYuanPainterShitao--精品--DynastyYuan--精品--8StarryNightbyVincentvanGogh--精品--StarryNightbyVincentvanGo9perspectiveChinesepainting

Perspectivehasnosense,

minorityofChinesepainting;Explainwhyportraitshavenolightandshadecontrast.WesternpaintingAlwaysapplyperspectiveskill,

makesomelifepaintingjustlikerealthings.--精品--perspectiveChinesepainting10《Taibaixingyintu》PainterLiangKaiMona

LisabyVinciperspective

--精品--《Taibaixingyintu》Mona

Lisa11

finalpart

LargeemptyspaceChinesepaintingLeavealargeemptyspaceonpaper.Reason:giveviewerssufficientspacetoimagine.Westernpainting

Fulllyuseeveryspaceonthepaper.Reason:itisadvocatedtobefullonthepaper.--精品--finalpartLargeChinesepai12Thedifferencesofcultural

traditionandthinking

modelChinaThebasicmodeofthinkingistheharmonybetweenmanandnatureFocuonsubjectivefeelings,nottoforcetheobjectivethingsThewestThebasicmodeofthinkingis"theDistinctivenessof

Heaven

andMan”Emphasizetheobjectiveperformanceoftherealobjects--精品--Thedifferencesofcultural

tr13Thankyou--精品--Thankyou--精品--14ThecomparisonbetweenChinesepainting

andWesternpainting--精品--ThecomparisonbetweenChinese15ChinesepaintingStress'empty'and'no',performfor‘virtual’Advocatefreehandbrushwork

Pursuitlikeness

--精品--ChinesepaintingStress'empty'16WesternpaintingStress“does”and“has”Performfor“real”PursuitresembleCenteronentity--精品--WesternpaintingStress“does”17ChineseLandscapepaiting--精品--ChineseLandscapepaiting--精品18Painter:HuangGongwang

Painting:《FuChunShanJuTu》--精品--Painter:HuangGongwangP19WesternLandscapepaiting--精品--WesternLandscapepaiting--精品20ChinesepaintingWesternpaintingLinesasmainmodelingmeans.Twocolours--whiteandblackReason:usewritingbrushandChineseink.Lightandcolourtoperformimages.Variouskindsofcolours.Paintingtoolsarediverse:pens,oilcolormedium,charcoal--精品--ChinesepaintingWesternpainti21DynastyYuanPainterShitao--精品--DynastyYuan--精品--22StarryNightbyVincentvanGogh--精品--StarryNightbyVincentvanGo23perspectiveChinesepainting

Perspectivehasnosense,

minorityofChinesepainting;Explainwhyportraitshavenolightandshadecontrast.WesternpaintingAlwaysapplyperspectiveskill,

makesomelifepaintingjustlikerealthings.--精品--perspectiveChinesepainting24《Taibaixingyintu》PainterLiangKaiMona

LisabyVinciperspective

--精品--《Taibaixingyintu》Mona

Lisa25

finalpart

LargeemptyspaceChinesepaintingLeavealargeemptyspaceonpaper.Reason:giveviewerssufficientspacetoimagine.Westernpainting

Fulllyuseeveryspaceonthepaper.Reason:itisadvocatedtobefullonthepaper.--精品--finalpartLargeChinesepai26Thedifferencesofcultural

traditionandthinking

modelChinaThebasicmodeofthinkingistheharmonybetweenmanandnatureFocuonsubjectivefeelings,nottoforcetheobjective