題目：

(2013屆)OntheTranslationofEnglishFilmTitlesfromtheCross-cultural跨文化視野下的英語電影片名翻譯分專班姓學(xué)

院業(yè)級名號

外國語分院英語09本四09307613408指導(dǎo)老師:完成日期:

2013年3月

溫州大城學(xué)院學(xué)位論原性聲明本人鄭重聲明：所提交的學(xué)位論文是本人在導(dǎo)師的指導(dǎo)下，獨立進行研究工作所取得的研究成果。除文中已經(jīng)加以標(biāo)注引用的內(nèi)容外，本論文不包含其他個人或集體已經(jīng)發(fā)表或撰寫過的研究成果，也不含為獲得溫州大學(xué)城市學(xué)院或其它教育機構(gòu)的學(xué)位證書而使用過的材料。對本文的研究做出重要貢獻的個人和集體，均已在文中以明確方式標(biāo)明。本人承擔(dān)本聲明的法律責(zé)任。作者簽名：

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Contents摘

要:Chapter

ChapterTwoDefinitionofThoughtand..................22.1The22.2The...............................................................................................22.3The..........................................................................................2ChapterThreeThebetweenLanguage,ThoughtTranslation63.1Language………………3.2Thought,LanguageandTranslation…………………Chapterbackgroundsthedifferent……….................74.1TheofTransferringInformation4.2TheofReflectingCulture................................................................................74.3TheofArt.........................................................................................84.4TheofValue................................................................................ChapterFiveofFilmTitle

.....5.1Transliteration................................................................................................................105.2LiteralTranslation.........................................................................................................105.3Liberal115.4TheAVarietyofMethods............................................13ChapterSixConclusion

.......................................................................................................14References

.................................................................................................................................15

IlikeexpressmysincereLiShude,whohasandunceasinglyme,withkindlyvaluablecourseofwritingthethesis,withouthelp,thecompletionthishaveimpossible.Hiswillingnesstogivehertimesohasbeenverymuchappreciated.shouldbeextendedtoallthehavematerialsarerelatedtomytopic.Inwritingpaper,Ibenefitedfrompresenceofmyteachersandmyclassmates.TheyhelpedmecollectmaterialsImanyinvaluablesuggestions.Iherebyextendmygratefultothemforkindhelp,whichthepaperbeenitis.LastnotIamtofamily,withoutaffectionsupportthesisnothaveappearedinfinalform.i

Abstract:

Inthisinformationeraofglobalizationandcinematicsisincreasinglybecomingapopularwithpowerfulinfluence.Itmakescinematicsthecountry,identity,factorssuchashistory,geographicalenvironment,customandandwhichbydifferentlanguages.Inviewofthepopularityofinworld,turnintolanguageofthefilminthethefilmisthesouloffilmscript.bytheconnotationsavoidinculturalcommunication,

obstacles

incrosstranslationsuccessfully.thecommunicationcanbefavorably.AnonthetranslationoffilmnamesonlySino-Westernbutcanculturalenhancethetransmissionandthecommunicativebetweenandwesterncountriesinthecross-culturalbackground.Thethesiswilldiscusssomefunctionalfilmtitletranslation,andprovidemethodsoffilmtitletranslation.theofunderstandingoffilmisofimportantpartsincommunicationculturaltranslation.Authorgeneralprinciplesoffilmtitletranslation,filmtranslationtheoryfromofculturaltheoryinprocessofKey

Cross-cultural;EnglishTitleTranslation;translationii

摘

要:

在如今這個不斷全球化和國際化的信息時代，電影藝術(shù)日益成為一種廣泛傳播、影響力超強的大眾文化，這就使得電影欣賞不斷跨越國家、民族、身份、文化等限制。成為不同語種的觀所共享的跨文化現(xiàn)象。鑒于英語在世界的普及，英文成為電影在國際上傳播的主要語言，同時，電影名是電影文本的濃縮和靈魂所在入英語電影片名的翻譯研究不僅能促進中西方文化的交流拓化經(jīng)濟市場，增強我國與西方跨文化背景下的信息傳通與交際活動。本文將討論關(guān)于英語電影片名翻譯的一些特性與功能性，從跨文化交流的視角研究電影片名翻譯的一般原則，并給出了相關(guān)的實際例證探討英語電影片名的翻譯方法及策略。關(guān)鍵詞跨文化；英文電影片名翻譯；片名翻譯策略iii

Chapterwithglobalizationandpolicyofinterculturalcommunicationbecomescloserthanbefore.PeopleestheticsentimentshaveconstantlyFilmisformthatthroughofthinkingtoformthevisualizationwhichistheparticularreflectionoflife,andexpressthoughtsandpeople'saestheticaestheticentertainment2008:97).Asgoeson,filmthewaytocommunicate,andnodoubtnowadaysEnglishfilmsamongofintoall,atitlecanthefilmmorecharismaqualityoftranslationonlyculturalartisticoftheoriginalalsodirectlythefilmThefilmtitletranslationisacreativejob.translationthemovie.Itnotbethatgoodtitlevividleisurelife,ChinesetopromoteInternationalcommunication.Withtheaccelerationoftheglobalizationofthecross-culturalcommunicationbecomesincreasinglycloserthanbefore.PeopleabilitytoappreciatethehavefilmthebestwaytocultureEnglishfilmsinChinesemarketisamongofAfilmtitlecantoTheoffilmtitletranslationtheoforiginalmoviebutisrelatedculturaldirectly.Fromtheofcross-culturalauthorresearchtranslationofthefilmtitlebetweenWestcommunicationbetweendifferentcultures.First,thegeneratedfromtranslationoftitleintheofculturecommunicationreasonfortheoffilmtitletranslation,discussedfilmtitletranslationrelatedtheoryfromofculturalcommunicationandspecificinprocessoftranslation.ThethefeaturesofEnglishFilmTitleTranslationunderbackgroundofandgivessuggestionsonthetranslationdiscussestranslationadoptedinfilmtitletranslationwithrich1

examplestoseetheyused.ChapterTwoofFilmTitlesInthischapteraregoingtothefeaturesoffilmjustas，stylesofwithfunctiona1equivalence.2.1.ofFilmTheoforiginalfilmtounderstandsourceofthetitleaccurately.bothfilmtitlealwaysderivefrombackground,hero,Sometimes,titleison，withuporiginalfilm.FortheplotisalwaysprimarysourceoffilmtitleJustDeepImpact(

天地大沖撞).Thecanrepresent、themewhichhavesignificanceanimportantsourceoftitle.Forexample:Titanic泰坦尼克;WaterlooBridge魂斷藍橋

);AirForceOne空軍一號.Quiteafewfilmtitlesareafterwhichmeaningfulthought-provoking.JustAsGoodIt盡善盡美

);Indecent(桃色交易)Brave(驚世未了情).Thefilmtitlescharacter.ForGump阿甘正);LionKing獅子王

);RainMan(雨).TheothersfilmsthedevelopmentoftheplotsuchasList(勒的名單)黃金眼).2.2ofFilmTitles

辛德TheoffilmtitlebrieftohasaframeworkandwithrhetoricMetaphor“Andfilmtitlesarerelatedtheofrhetoricalsuchsimile,metaphor,irony,personification,oxymoron”

(DingJin,2008)2.3FilmFilmtitlehasfour1)Informationtransmissionfunction.Ittohighlightfilmtohelptounderstandfilmbetter.Andthroughtitle,conveyof2

filmtheaudiencetheaudiencebettercontentoforiginalfilm.SuchasthefilmGump

阿甘正傳

),whicharoundtheworld,willthatthefilmaboutGump'sfirstThisisthetitlewhatsayinformationfunction.2)ExpressionwiththeaudiencewithstrongthrillingorThefunctionintoattractaudience,ofcanChinesefilmoftheexpressionmakeaudiencefeelbeautybythefilmtranslationthefortheuseofsilenceofthelambs(

沉默的羔羊

);theofpersonification,(

小雞快跑

);theuseofpun,withwolves(

與狼共舞)theuseofalliteration:(

傲慢與偏見)theuseofoxymoron:Lies

真實的謊言

)thesealltitles3)Aestheticfunctions:influenttheaudienceaestheticistothetitlecarefully,theaudiencetoasenseofbeauty.EnglishfilmusedtoChinesefilmtitlesgoodrhetoricwithromanticSuchAmericanfilmAWalkintheClouds(

云中漫步),iffilmintheliteralsense,Itwould(

在云中走

),itwouldbetomakeaudiencelovestoryofyounginlovethe(

云中漫步

)tothetargetaudiencehabits,whichalsoisromanticlove,thethemeoffilm,willwithromanticartisticconceptionoffilm.(LouJimei,2008)4)Toaudience,theoftheoffice.Thefunctioncancausetheaudienceinterest,stimulatethemtothinkaboutit,andtoactimmediately,meansbuyingatickettowatchmovies.Leon(

這個殺手不太冷),Inception(盜夢空間

.“盜“夢

”“間

”thesewordsmakehigh-levelofthe“”highlighttheplotofthemovie,whichcausethecuriosityoftheaudience,stimulatetheaudiencetoexploresecrets,“夢whichisbizarreandfantastihasthemovieaccurately.Thisnotintroducedthebutconveyedtheeffectofthefilm,toaudiencetotheaterstoitout.ifto(

奠基

，theaudiencewillbeconfused,havetocinema3

2.4TypeFilmspeaking,filmusuallyfallstypes:documentary,educationalWeseethatfirsttypesmainlythepurposeofpopularization,sothesealwaysbecomeplaininformalinwording.Forexample:OneSurvivor(一個幸存者的回)fromQuilt(共同的線索).Thefilmisthemostoffilms,usuallyanfictionalstory,andbeacceptedbyaproportionaudience.InviewofvariouskindsoffilmhavedifferentAuthorfictionalfilm41)kind:Horrorfilm,whichActionmovies,disasterfilm,thehorrormovie,Western,heistfilm,film.Thesetitlesmainlythepurposeofbreathtakingatmosphere.forTheRing中諜).

午夜兇);DieHard膽龍威);Impossible(

碟2)Secondfilmisbasedonscientificfuturistictechnology.offilmusuallyrevealsthefancyideaoffilmintenttoattractForinstance:StarWars星球大戰(zhàn);(

侏羅紀(jì)公園

);Backthe(

回到未來)HarryPotterandtheGobletofFire哈利·波與火焰杯);SpiderMan(蜘蛛俠3)Thirdkind:ThistitleitselfItisdesignedtoprovokethelaughterbysituation,thistitleintoproducehumorousontheforAlone(

小鬼當(dāng)家

);Mr.憨豆先);MeettheParents(拜見岳大);Mask變相怪杰

);Legally律政俏佳人).4)Fourthkind:lyricfilm,whichconsistromanticfilm,familyfilm,featurefilmmusical.Thisoftitlehasstyle,plainwithForinstance:Goldenpond

金色池塘)AinClouds(云中漫步)AWithAView(看得見風(fēng)景的房);FourWeddingsAndAFuneral個禮和一葬禮;Woman風(fēng)俏佳人

).2.5TheoryFilmTyler,A.wrotethatEssayonofAtranslationisremoveoftheworkanothercompletely,ofcanfeelingoforiginallanguageclearly,(qtdinJin,:92)atranslationproducesameeffectnoinadifferenttheoriginallanguagesociety.Translationtheprocesstoolofbetweentwoittopromotetheofeconomyandcultureinthelanguage-communityitsownkind,to4

shifttherealworld'slogicalorartisticimages,areinoriginalfromonekindoftokind.ContemporaryA.putforwardformaldynamicprinciple,atlastcameupwithequivalence,improvethisconstantly.inLianNidaisthelanguageofWesternscholars.view,consistsinreproducinginlanguageclosestoffirstinofsecondlyintermsofEugeneNida,2004:12).Therefore,itimportanttranslationreadertextreadersimilarlysamethebasicsimilarinformation,Similarly,themostfamousEnglishtheoristoftranslationNewmarkPeterCommunicativetranslationasitstheoretical"functionalequivalence"principleareinseparable:translationreferstotranslationofthereaderseffectshouldbeequaltotoreaderseffectCommunicativetranslationtoeffect,attentiontoastartingattentionwordsthatcausedbythefortherealizationofcommunication.(WangInATextbookofthatcomparetocenterofsemantictranslation，theasthecenteroftranslationarelikelyPeter，thisprincipleismoresuitablefor“specialtypetext”whichisaccepteffectfilmtranslationisonethem.Newmarkthatlanguagehasfunctions:function;informativefunction;function;aestheticphaticfunctionmetalingualAmongthefirstofisimportant.Initistooriginalinformationvalue,valueinoftransmission.AtthesamethecommercialshouldbeInspecific,nottheoriginalcontentbutalsofitthetargetculturalBydoingistoconcisecontentinaffectaudiencetoboxofficeThemovietitleisaproperItproductthewriterselaboratewhichcanhighlythemethecanstronglydesiretowatchfilm.Thatwhythehasinformativefunction,vocativefunctionfunction.betotranslationoffilmshouldnotthecorrespondingformaltitle,butfullythefilm's5

andsubstance,etc.,basedontoinChinese,basedthetotheuseclosestexpressiontheChinesewillbeoutthecontenttofunctional.ChapterThreeEnglishTitleTranslationasanActionThetranslationofthetitleofmovieamagnificentjob.GoodtranslationtheItnotbethataudiencelife,leadChinesemovietopromotesInternationalcultural(HeYing,01).ThetranslationDoctor.Nidathinkthatinseveraloftranslationsocialtranslationmethodistheoftranslationmethods.thetheoryofsocialasymbolThesemanticstheimportantpartinlanguageitthefunctionsoflanguage.Andthroughyearsofexploration,Nidaconcluded:“Thetranslatiooftechnicalability,butaroottoexactlycompletelyoftranslationakindofart"(EugeneThuscanseenatureoftranslation.filmitselfisThemovietitletheofrfilmrelatedinformation,whichcanhelppotentialtotheinformationthefilminthepossibletime,indesiretoenjoy.Titleaconcentrationofanimportantroleintheprocessofthefilmrecommendation.know,translationisnotonlyatransferoflinguisticsigns,butalsocross-culturecommunication.Christianesimply"cross-culturalcommunication"of1998:02).Inofglobalizedtranslationistheofcross-culturaltranslationisnotonlyalanguagebutaculturaltheprocesssocialisaprocessofculturalcommunicationtotheconnotationofintoanother.(Jin2003:5).isknownpeopleincross-culturalcommunicationfromsametraditionalculturemodel,culturespirit;havedifferentchannelshavedifferentofobservationofnaturehumancommonnessofhumanitself,differentco-exists,similarityculturehumanperceptioncomprehensionhavein6

constitutestheunderstandabilityofcross-culturalInwakeinandtheofhumanculturalhasbeeninseparablefromculturalexchange.Cross-culturalcommunicationisbroadenthehorizonsofpeopleculturalTranslationisnotkindofcrosscommunicationatsamealsoakindofsofcross-culturalanroleinoftranslation.Titletranslationisnottoanofbuttomakerealofcultural.2004:filmtitletranslationisacross-culturalactivityinWiththeexposuretoitbeintranslatingcarefullytheinfluenceofculturefilmtitletranslation.ChapterThePrinciplesofEnglishFilmTitleTranslationoffilmtranslationaretohighlighttheofmovie,themeinsight.Atsamegoodtitleestablishestoneformovie,providedelightattractaudience.translationoftitleshouldthesebasicconcepts.4.1ThePrincipleThetitletranslationfaithfullyexpressinformationthatrelatescontentoforiginalfilm,sodoestheformoftitleTitletofilm,likethethetourist

——haveofdirection.whodifferentpreferencechoosetohistasteForinstance:Justlike(

亞歷山大大)(

特洛伊

);KingArthur(

亞瑟王

),etc.AudiencewillthesebelongtothemewhichcantheaudienceinterestedofhistoryOtherslikeTheLordofRings:TheofKing(

指環(huán)王王者歸來);StarWars星球大);Extra-Terrestrial(

外星人

)filmtitlesattractfictionTheotherslikeTombRaider古墓麗影);Expendables(敢死隊)filmtitlesaudiencewhotoseekterroristincitation4.2ReflectingTranslationisnotasimpleprocessofsametimesocialofculturaltaskoftranslationoffilmtitlestotheculturalpromoteculturalcommunicationAs7

differencesbetweenChineseandwesterninclimate、、、geographicalenvironment,customreligionsTheofculturalvaluefirstoffullyunderstandingculturalinformationthattheoriginaltitleavoidingmistranslating.In1995thereafamouspsychological"Seven":identityitselfasgod,Catholicdeathitembyarticlereferstodeaththatthemenoftenfault、pride、envyandwrath.inreligiousisinmovie,rain,days,evenbyinoftheseventhday,ubiquityof"7"thatpunishment.Whenthefilmofficiallyfilmtitletranslation

(七宗罪),whichpointoutstorylinereligious4.3ThePrincipleofAestheticArtFilmisartharmoniously.Whichcan，express，reflecttherealitylife，providetheaudiencetheenjoyment，Nidaconcluded:“Thetranslationisakindoftechnicalability,butreturnsaroottogiveoftranslationakindofart"(Eugenea.1993).Withoflivingpeople'scontinuously,Translationtitleschord,requirequality.translation“beautiful"information,makingtheaudiencehaveastrongpeek.canprovidewithentertainmentthroughtheircombinationofsound,color,andTitletranslationshouldridoforiginalwordsbound,grasptheideaofworkcontent.Thetranslatorshouldcreatethecreation;theinformationtomovie(

魂斷藍橋

)alovestoryinI,inwhichadancerandwhomeetaencounteronWaterlooBridge.Myraisainaprestigiousdanceturnstoprostitutionmistakenlythathasbeenkilled.Whensheistomarriedwithher,MyraistellRoylife,sheinnottoinvolveRoyinaItsmovietitletranslationinChineseintheisregardedastheclassicaltranslation,anditstranslationisbeautifulandfullofrichpoeticflavor.8

adoubt,ifitstitletranslationis滑鐵盧橋),filmtitlewillthefilmsellsat4.4TheofThemovieisanofculturalWeneedfactorsinthetitletranslation.First,itthetranslatortofullycomprehendculturalcharacteristicsaudienceaesthetictemperamentandcreateafilmtitlethatresonateswithaudience,whichthemapprovementallystimulatestheirtomovie.ForThefilmSoundof(音樂之聲

)culturedtastes,widelyacceptedbyaudience.However,itbeentranslated(

仙樂飄飄何處聞)havedifficultyunderstandEmphasizingonthetitleisreflectionofThesetitlesgoodsuspenseandreinforcingtheartisticoffilm.AndAlone(小當(dāng)家

)tellsthatKevin,boywasaccidentallyleftwhenfamilywentforainoverholiday.helefthimhomebyKevintoforbutunfortunatelytherearetwoburglarsdecidedtoBurglaryinKevinhouse,andKevinhashouseagainstburglars,seriesofinterestingthings.filmtitletranslation(鬼當(dāng)家

)pointthemeofthemovieprovideaffectaudience,attracttoboostboxoffice.Forinstance:Sister(

修女也瘋狂)Net(網(wǎng)驚魂);TheRock(石天);Allofthemchic,canattentionlargeprofit,beeye-catching,appropriatewithalotofGiveofcombinationofcommercial.ChapterFiveTheofFilmTitleEnglishfilmtitletranslationisnotsimplebutalsoisaprocessofculturalCulturaldifferencesmakepeoplewhounderthedifferenthavedifferentculturalassociationofthesamethesurface,Thefilmtitletranslationtowordintranslatorhaveadeepartisticattainments,canutilizetranslationfelicitously.Infilmtitletranslation,arevarioustranslationand9

Andinwilltypesoftranslationstrategieswith5.1TransliterationWhenwefilmwilltheforeignnames、propernouns、、historicalevent,andvocabularywhichdidnhavecorrespondinginChinese.Innotcausedistortion,cantranslatethefilmtitleswithtransliteration.Transliterationtophoneticwhichusuallyinthetranslationofnames,thenameofpersonsandplaces,historicalevent,andvocabularywhichdidnhavecorrespondinginChineseinfilmtitles.Withtheofculturalexchangetheaudience'sabilitytoculturalimproved.Inthetheaudienceacceptculturerelymoreonofwiththedevelopmentoftechnology,communicationbetweenbecomesmorebytoaaudience,foreignistobebyForfilmiftitlesummingupcontentitmayturn(

北非諜影

),butwetranslateit卡薩布蘭)keepfoamoforiginaltitles.filmsadaptedfromfamousstory.Romeo(

羅密歐與朱麗葉

);(

傲慢與偏見

);(

簡愛

);GreatExpectations(

遠大前程)HarryPotter(

哈利波特);(

泰坦尼克)Lincoln(

林肯);King金剛);Aladdin(阿丁)areallworldorinhistory,areadaptedimportantevent.WhenofEnglishfilmtitles,usuallytransliteration.5.2LiteralTranslationcharacteristicsoftranslatethesourcelanguagefilmtitlewithkeepingoriginaltitleformandtranslation.otherwords,offilmtitletranslation,originalstructureshouldassameasthestructureoffilmpremiseofnotmoviestorycontent,totargetfilmtitleinavisualway.AtypicalistheliteralofTrue(

真實的謊言

)titleseemstobeAsaleadsadoubleAtheisa10

agent,whileathepretendstobeasalesman.Inprotecthisfamily,hidesidentityformanyyears,evenhiswifedidnknowhistrueidentity.Inthefilm,trytohiswifeinfrontofthetaskinadilemma.“

謊言”meanstheliesthatHarrytellstohiswife,andthe“

真實

”meansHarrysincereloveforThistitleshouldbeinChinesetranslation.AndanotherexampleisHoliday(

羅馬假日),ThecharmingAudreyHepburnplayedaAnnwhotiredleftthepalaceonquiet,dreamedlifeasanordinarytouristinRome.Shewithreporteraftertrueidentity.Bradleytostoryandtakeabouttomoney.ThentheyainthegoodtimeandsomecomicalFinally,thefellinalthoughtheywitheachotheridentity,hispicturesstoryoftimewillbeTheplotofholidayverybutwithsuccessofthefilm,theofhasbecomeafamoussightseeingofworld.blendplacesofwithplot,broughtwarmthintothethefilmtitlesinliteralakindofthatmakeRomeaofromanticloveChinesecouldbefoundinliteralLordofRings指環(huán)王

);

List(

辛德勒的名;

Gladiator(

角斗士)DaVinci(

達芬密碼)TheEnglishPatient(英病人)SavingPrivate(拯救大兵瑞恩)TheAgeofInnocence(純真時代);TheKing'sSpeech(

國王的演講)AmericaSweethearts(

美國甜心)Original(原);Inc.怪物公司;Spy(間諜游戲

);(六天七;

Scentof(女香

;

BraveHeart(敢的心

);DanceswithWolves(與狼共舞)TheoftheLambs(默的羔羊;TheGod(教);Reader(朗讀者)黑天鵝);TheSocialNetwork(社網(wǎng)絡(luò)

).5.3LiberalTranslationTranslationisnotconversionbetweentwolanguages,butbetweendifferentcultures.BothEnglishChinesehavealotofinvocabulary,structure.hasgreatdifficultyforEnglishfilmtitletranslation.literalisdifficultreflecttheinthistime,needtranslation.LiberaltranslationtocombinecontentandformthefilmMakingtheChineseaudienceintoroleoffilmquickly,helpingtheaudiencetofilmeasily.Forinstance:(

人鬼情未了

)aatimelessfilmoffantasyand11

Mollyareaveryhappydeeplyinlove.Onetheywalkingbacktoapartment,theyencounterainaalley,Samismurdered.UnabletofullyMolly,sinaremainsonEarthbutunseentonormalrealizeswasnotanAndMollyisdanger,trappedbetweenthisworldandnext.WithhelpofBrown,SamtriesherhertohelphimMolly,communicatewithMollyhopesofshelivesalifeofevenleavedher,buthisalwayswithIfGhostinliteraltranslation(鬼

),theaudiencewillthathorrorfilm.whenwethecontentthefilm,wecanitaabouttheoflove“人“”thesetwowordsinChinesegivetheinformationtoaudiencethatheroineseparatedbylife,gettightermore,onanotheraspect,“情

”“

未了

”thesewordsinfilmabroken-heartedtragicloveofthedifferencebetweenculturalcognition,thesamereferentinthesourcethetranslationmaybefromtheliteralofwordsrefertranslationmerelyoftransformationbetweentwolanguages,italsoaexchangesthetwoInsomevocabularywithrhetoricalculturalsignificance,behardunderstandthepeoplewhonotnativealsofindwordsinoffilmtitles,thereneedinterpretthesewordswhichculturalintoYouconsidertherhetoricalculturalsignificancethedirectly.Associativearousedorimplicationgivenbythetoreadersconnotation(JinHuikang,2002:81

).AmericansfamousfilmOneFlewOvertheCuckooshasbeentranslatedas

(

飛越杜鵑窩

).MostofChineseaudiencedidntunderstanditatthefirstActually,theCuckoosNestisusuallyasadisparagingformadhouseEnglish.PeopleinculturalwillassociatedittheitatwhiletherenosuchameaninginTherefore,itwithbothliteralmeaningmeaning.Inisnoinmovie,ittellsrevoltsocialcastoff,andatofthesociety.filmsadlifeconditionofthementalpatients,andpatientsresistancestrugglesagainsttraditionalvaluesinstitutions.Thisfilmimpliesrealityofthe12

.Itshowstheuglyfactsofcapitalismandthecrueltyofpolitic.Sobetterforustoitto(

飛越瘋?cè)嗽?ifwewanttobetocontentandassociativemeaningoftheareStory(

玩具總動員)FindingNemo

(海底總動員;(

超人總動員)(盜空間

);TheMatrix(

黑客帝國

);TheIdentity(

諜影重重

);MissionImpossible(

碟中諜

);Beauty(出水);HomeAlone(小鬼當(dāng)家);Transformer(變金剛

);TheBridgeofMadisonCounty(橋遺夢)(死時速)WaterlooBridge(斷藍橋;Rebecca蝴蝶夢);(子復(fù)仇記;Cleopatra(及艷后

);(荒島余生)(情歸巴黎

);Airport九霄驚);

Volcano地火危城

);of(少年派的奇幻漂流)

TheHurt拆彈部隊.5.4TheAVarietyofMethodsDifferenthavedifferentcharacteristicsform,similarinvocabulary,grammar,idioms,alsodifferentplaces.wedifferentmethodstranslate,suchasliteralliberaltranslationandtransliteration.Thefinalpurposetranslationistofaithfullyoriginalcontentstyle.Whenallaboveisdifficultachievetheequivalence,canthesemethods1)TheofLiberalTranslationTransliterationSuchTitanic(

泰坦尼克號

);Shrek(

史萊克怪物)Elizabeth(

伊莉莎白女王);Tarzan

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廊橋遺夢)TheFugitive(命天涯

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