2025年大學(xué)《阿爾巴尼亞語(yǔ)》專業(yè)題庫(kù)——阿爾巴尼亞藝術(shù)家作品賞析考試時(shí)間：______分鐘總分：______分姓名：______一、選擇題（每題2分，共20分）1.下列哪位藝術(shù)家是阿爾巴尼亞現(xiàn)代主義繪畫的先驅(qū)？A.KristaqRamaB.VangjushMioC.BedriSpahiD.MihalMyrda2.被譽(yù)為“阿爾巴尼亞的米開(kāi)朗基羅”的雕塑家是？A.ElshadMekuliB.SulejmanSt?rmasiC.FatmirGjataD.OdhisePaskali3.作品《MotherAlbania》最著名的阿爾巴尼亞雕塑家是？A.OdhisePaskaliB.FatmirGjataC.KristaqRamaD.VangjushMio4.阿爾巴尼亞現(xiàn)實(shí)主義繪畫發(fā)展的高峰期大致處于哪個(gè)年代？A.18世紀(jì)末至19世紀(jì)初B.19世紀(jì)末至20世紀(jì)初C.20世紀(jì)中期D.20世紀(jì)末至21世紀(jì)初5.代表作《TheBalladoftheUshaq》的阿爾巴尼亞畫家是？A.VangjushMioB.ElshadMekuliC.MihalMyrdaD.BedriSpahi6.以下哪件作品不屬于KristaqRama的代表作？A.Self-PortraitB.StillLifewithFlowersC.ViewofTiranaD.TheBlackClock7.阿爾巴尼亞民族復(fù)興時(shí)期藝術(shù)主要反映的主題不包括？A.民族解放斗爭(zhēng)B.牧民生活C.城市風(fēng)光D.宗教信仰8.BedriSpahi的作品主要以哪種形式為主？A.雕塑B.油畫C.版畫D.裝置藝術(shù)9.作品《NightfallinGjirokast?r》的作者是？A.MihalMyrdaB.FatmirGjataC.VangjushMioD.ElshadMekuli10.阿爾巴尼亞當(dāng)代藝術(shù)的一個(gè)顯著特點(diǎn)是？A.嚴(yán)格遵循傳統(tǒng)風(fēng)格B.大量使用古典寫實(shí)技法C.積極融入國(guó)際現(xiàn)代藝術(shù)潮流D.完全排斥本土文化元素二、填空題（每空1分，共10分）1.阿爾巴尼亞藝術(shù)史上第一位獲得國(guó)際聲譽(yù)的藝術(shù)家是________。2.20世紀(jì)50年代至70年代是阿爾巴尼亞藝術(shù)史上的________時(shí)期。3.代表作《AlbaniaatDawn》的畫家________是阿爾巴尼亞現(xiàn)代繪畫的重要人物。4.阿爾巴尼亞傳統(tǒng)木雕藝術(shù)主要集中在________等地區(qū)。5.20世紀(jì)80年代，阿爾巴尼亞藝術(shù)界出現(xiàn)了以________為代表的實(shí)驗(yàn)藝術(shù)群體。6.藝術(shù)家________的作品常帶有強(qiáng)烈的社會(huì)批判色彩。7.阿爾巴尼亞國(guó)家美術(shù)館位于首都________。8.________是阿爾巴尼亞最具影響力的藝術(shù)評(píng)論家之一。9.代表作《TheKnight》的雕塑家________對(duì)阿爾巴尼亞當(dāng)代雕塑產(chǎn)生了深遠(yuǎn)影響。10.阿爾巴尼亞藝術(shù)中的“Shqiponj?”(鷹)圖案常常象征著________。三、名詞解釋（每題3分，共15分）1.Realism(Realizmi)2.SocialRealism(RealizmiSocial)3.VloraSchool(ShkolaeVlor?s)4.ElshadMekuli5.SulejmanSt?rmasi四、簡(jiǎn)答題（每題5分，共20分）1.簡(jiǎn)述阿爾巴尼亞藝術(shù)中的“SocialRealism”時(shí)期的主要特點(diǎn)。2.比較阿爾巴尼亞畫家VangjushMio和MihalMyrda在藝術(shù)風(fēng)格上的主要異同。3.簡(jiǎn)述雕塑家FatmirGjata作品中的“力量”主題是如何體現(xiàn)的。4.阿爾巴尼亞藝術(shù)如何反映國(guó)家獨(dú)立和民族復(fù)興的歷史進(jìn)程？五、論述題（每題10分，共20分）1.試析ElshadMekuli的畫作《TheBalladoftheUshaq》在主題、風(fēng)格和技法上的特點(diǎn)及其意義。2.結(jié)合具體作品，論述阿爾巴尼亞雕塑藝術(shù)的發(fā)展脈絡(luò)及其文化內(nèi)涵。試卷答案一、選擇題1.B2.D3.A4.B5.A6.D7.D8.C9.C10.C二、填空題1.OdhisePaskali2.Realism(Realizmi)3.KristaqRama4.Gjirokast?r,Berat,Pult5.PrishtinaGroup(GrupiiPrishtin?s)6.BedriSpahi7.Tirana8.FatmirGjata(Note:Thisisaspeculativeanswerbasedonthecontextofaninfluentialcritic;actualanswermightvarydependingonthespecificcurriculum)9.FatmirGjata10.Freedom(Liri),Strength(Q?ndrueshm?ri)三、名詞解釋1.Realism(Realizmi):RealisminAlbanianartofthemid-20thcenturyreferstoastyleemphasizingobjectivedepictionofreality,oftenfocusedonsocialistthemes,dailylife,andworkers.Artistsaimedtoportraytheworldtruthfully,reflectingthesocialchangesofthetime.Thestyleischaracterizedbyitsstraightforwardapproach,realisticmodeling,andfocusonpositivesocialsubjects.2.SocialRealism(RealizmiSocial):SocialRealismisasubsetorpeakoftheRealistmovementinAlbania.Itspecificallyinvolvestheartisticrepresentationofsocialistreality,glorifyingtheworkingclass,collectivefarming,industrialization,andthestateideology.Theartwasoftendidactic,servingthepurposeofpoliticalpropagandaanddepictingheroicfiguresengagedinlaborandnationalconstruction.Compositionsareusuallydynamicandoptimistic.3.VloraSchool(ShkolaeVlor?s):TheVloraSchoolreferstoagroupofartistscenteredintheVloraregionduringtheearly20thcentury,beforeAlbania'sindependence.InfluencedbyEuropeanacademicart,theirworkoftendepictedlocallandscapes,coastalscenes,portraits,andhistoricalsubjectsrelatedtotheregion.TheyareconsideredpioneersinestablishingformalartistictrainingandpracticesinsouthernAlbania.KeyfiguresassociatedincludeNaumMyrdaandotherslinkedtotheearlyartcirclesinVlora.4.ElshadMekuli:ElshadMekuliisahighlyacclaimedAlbanianpainter,consideredoneofthemostimportantfiguresofthepost-WWIIgeneration.Hisworkisknownforitspsychologicaldepth,expressiveuseofcolor,andexplorationofhumanemotionsandsocialissues.Mekulioftendepictedeverydaylife,figuresinurbanenvironments,andscenesreflectingthehumanconditioninAlbania.Hisstyleblendselementsofrealismwithexpressivetechniques,makinghimasignificantvoiceinmodernAlbanianpainting.5.SulejmanSt?rmasi:SulejmanSt?rmasiisaprominentcontemporaryAlbanianpainterknownforhisdynamicandoftenabstractcompositions.Hisworkfrequentlyincorporatesvibrantcolorsandenergeticlines,exploringthemesrelatedtotheAlbanianlandscape,identity,andsociallife.St?rmasiisrecognizedforhiscontributiontodevelopingamodernvisuallanguageinAlbanianart,oftenreflectingurbanexperiencesandthecomplexitiesofcontemporarysocietythroughhisdistinctivepainterlystyle.四、簡(jiǎn)答題1.簡(jiǎn)述阿爾巴尼亞藝術(shù)中的“SocialRealism”時(shí)期的主要特點(diǎn)。SocialRealisminAlbanianart,dominantmid-20thcentury,focusedondepictingsocialistrealitywithobjectivity.Keycharacteristicsinclude:subjectmattercenteredonworkers,collectivefarming,industrialization,andconstructionprojects;positiveportrayaloftheworkingclassandstateideology;didacticpurpose,servingaspoliticalpropaganda;useofrealisticstylebutoftenwithheroicandoptimisticcompositions;emphasisonnationalunityandprogressundersocialistrule.Artaimedtoreflectandcelebratetheachievementsofthesocialistsociety.2.比較阿爾巴尼亞畫家VangjushMio和MihalMyrda在藝術(shù)風(fēng)格上的主要異同。Similarities:Bothwerekeyfiguresofthepost-WWIIgeneration,influencedbysocialistrealisminitially,andexploredthemesrelevanttoAlbaniansocietyandidentity.Bothpossessedastrongsenseofobservationanddepictionofthehumanfigure.Differences:Mio'sstyleisgenerallymorefigurativeandnarrative,oftenfocusingonurbanscenes,dailylife,andsocialcommentarywithatouchofpsychologicalexpression.Myrda'sstyleisoftenmoremonumental,stylized,andfocusedonpublicmonumentalsculpturesandreliefs,emphasizingthegrandeurofsocialistsubjectsandfigures.Miotendstowardsamorepainterlyandcontemporaryapproach,whileMyrda'sworkisoftencharacterizedbyitsmonumentalscaleandpublicfunction.3.簡(jiǎn)述雕塑家FatmirGjata作品中的“力量”主題是如何體現(xiàn)的。FatmirGjata'sworksfrequentlyembodythethemeof"strength"throughseveralmeans:PhysicalForm:Heoftendepictedpowerful,dynamichumanfigures,sometimesabstracted,showcasingmusculardefinition,tension,orheroicposture.Composition:Hissculpturesoftenfeaturedynamiccompositions,movement,andasenseofforceorimpact.Materiality:Gjataskillfullyusedtheinherentstrengthofmaterialslikebronzeorstonetoconveypowerandendurance.Symbolism:Subjectslikeknights(asin"TheKnight"),athletes,orevenabstractformscansymbolizenationalresilience,strength,andhistoricalendurance.Overall,thecombinationofform,composition,material,andsubjectmattercreatesapowerfulvisuallanguagecenteredonphysicalandmetaphoricalstrength.4.阿爾巴尼亞藝術(shù)如何反映國(guó)家獨(dú)立和民族復(fù)興的歷史進(jìn)程？Albanianartreflectstheindependenceandnationalrevivalprocessprimarilythrough:1)HistoricalThemes:Depictingkeyhistoricalevents,figures(likeSkanderbeg),andmomentsofstruggleandresistanceagainstforeignrule.2)NationalIdentity:PortrayingsymbolsofAlbanianculture,landscape,andpeople,fosteringasenseofsharedidentityandpride.3)RevivalofTradition:Incorporatingfolkelements,traditionalmotifs,andsometimesrevivingolderartistictechniquesduringtherevivalperiod.4)PatrioticSentiment:Expressingloveforthehomeland,nationalunity,andthedesireforsovereigntythroughvisualmeans.5)TransitiontoModernity:Showingtheshiftfromtraditionallifetomodernization,oftencelebratingindustrializationandeducationaspartofbuildinganewnation.五、論述題1.試析ElshadMekuli的畫作《TheBalladoftheUshaq》在主題、風(fēng)格和技法上的特點(diǎn)及其意義。ElshadMekuli'spainting"TheBalladoftheUshaq"issignificantforitsexplorationofsocialthemesandexpressivestyle.Theme:Thepaintingdepictsapoignantsceneofteninterpretedasreflectingthedifficultlifeofshepherds(Ushaqisashepherdboy)orperhapsmetaphoricallythestrugglesoftheordinarypeopleinpost-warAlbania.Itcapturesamomentofquietintensity,focusingonhumanemotionandsocialcontextratherthangrandheroicsubjectstypicalofSocialistRealism.Style:Mekuliemploysasemi-figurative,expressionisticapproach.Formsaresomewhatsimplifiedbutchargedwithemotion.Colorisusedexpressivelyratherthannaturalistically,contributingtothemood–oftensomberyetintense.Thecompositionmightbeintimate,focusingattentiononthefiguresandtheirinteraction.Technique:Hisbrushworkistypicallyconfidentandexpressive,conveyingmovementandfeeling.Hemasterfullyblendsobservationwithsubjectiveinterpretation.Meaning:Thepaintingstandsoutforitspsychologicaldepthandhumanism,movingbeyondpropaganda.Itoffersamorenuanced,empatheticviewofsociety,highlightingthehumanconditionamidstsocialchanges.ItrepresentsMekuli'scontributiontointroducingamorepersonal,sociallyconscious,andemotionallyresonantdimensiontoAlbanianpaintingofhisgeneration,challengingthedominantstyleofthetime.2.結(jié)合具體作品，論述阿爾巴尼亞雕塑藝術(shù)的發(fā)展脈絡(luò)及其文化內(nèi)涵。Albaniansculpturehasevolvedsignificantly,reflectingbroaderhistoricalandculturalshifts.EarlyPeriod:Initially,sculpturewaslimited,oftenincorporatingfolkwoodcarvingtraditions,primarilyfunctional(ornaments,religiousobjects)andregionalincharacter,foundinsouthernAlbania(Gjirokast?r,Berat).Modernization&Independence:Withindependence,effortsweremadetointroduceEuropeanacademicsculpture,leadingtotheworkoffigureslikeOdhisePaskali,whogainedinternationalrecognitionearlyon,oftenfocusingonheroicnationalthemes.SocialistRealism:Post-WWII,monumentalsculptureflourished,oftencommissionedbythestatetocelebratesocialistachievements,nationalheroes,andcollectivelabor.Stylesweregenerallyrealisticandheroic,asseeninworksbyOdhisePaskali(