新視野大學(xué)英語視聽說教程第二冊聽力練習(xí)錄音文本和答案UNIT1IILISTENINGSKILLS1MWHYDONTWEGOTOTHECONCERTTODAYWILLGOGETTHEKEYSQWHATDOESTHEWOMANIMPLY2WICANTFINDMYPURSEANYWHERETHEOPERATICKETSAREINITMHAVEYOUCHECKEDINTHECARQWHATDOESTHEMANIMPLY3MAREYOUGOINGTOBUYTHATPIRATEDCDWDOILOOKLIKEATHIEFQWHATDOESTHEWOMANIMPLY4MDOYOUTHINKTHESINGERISPRETTYWLETSJUSTSAYTHATIWOULDNT/TVOTEFORHERINTHELOCALBEAUTYCONTESTQWHATDOESTHEWOMANIMPLYABOUTTHESINGER5MHAVEYOUSEENTOMICANTFINDHIMANYWHEREWTHELIGHTINHISDORMWASONJUSTAFEWMINUTESAGOQWHATDOESTHEWOMANMEAN1B2B3D4C5AIIILISTENINGINTASK1ENCOREASSOONASTHESINGERCOMPLETEDTHESONG,THEAUDIENCECRIED,“ENCOREENCORE”THESINGERWASDELIGHTEDANDSANGTHESONGAGAINSHECOULDNTBELIEVEITWHENTHEAUDIENCESHOUTEDFORHERTOSINGITAGAINTHECYCLEOFSHOUTSANDSONGSWASREPEATEDTENMORETIMESTHESINGERWASOVERJOYEDWITHTHERESPONSEFROMTHEAUDIENCESHETALKEDTHEMANDASKEDTHEMWHYTHEYWERESOMUCHAUDIENCEINHEARINGTHESAMESONGAGAINANDAGAINONEOFTHEPEOPLEINTHEAUDIENCEREPLIED,“WEWANTEDYOUTOIMPROVEITNOWITISMUCHBETTER”1F2T3F4T5FTASK2THECARPENTERSWTHEYPLAY“YESTERDAYONCEMORE”ALLTHETIMEONTHECAMPUSRADIODOYOULIKEITMIDOINEVERGETTIREDOFITILIKETHECARPENTERSTHEIRVOICESARESOBEAUTIFULANDCLEARIGUESSTHATSWHYTHEYRESOPOPULARWILIKETHEWAYTHEIRVOICESBLENDTHEREWEREJUSTTWOOFTHEM,BROTHERANDSISTER,RIGHTMYES,RICHARDANDKARENITHINKTHEYWERESHEDIEDITHINKWYES,ANOREXIAITISHARDTOBELIEVETHATSOMEONESOBEAUTIFULWOULDSTARVEHERSELFTODEATHMITSAPROBLEMEVERYWHEREINTHEWORLD,INCLUDINGCHINA,IMAFRAIDWOMENWORRYTOOMUCHABOUTTHEIRAPPEARANCES,ANDARESOCRAZYABOUTLOSINGWEIGHTWWELL,LETSGOFORLUNCHBEFOREWEGOTOTHECONCERT1BEAUTIFULANDCLEAR2BLENDWELL3SISTER4WORRYTOOMUCH5MOREIMPORTANTTASK3MOZARTMOZARTWASAFASCINATINGMUSICIANANDCOMPOSERWHOSEFAMECONTINUESTOGROWMORETHANTWOCENTURIESAFTERHISDEATHHEWASBORNINSALZBURG,AUSTRIA,IN1756BEFORETHEAGEOFFOUR,HEHADSHOWNGREATMUSICALTALENTHISFATHERTHENDECIDEDTOLETHIMSTARTTAKINGHARPSICHORDLESSONSTHEBOYSREPUTATIONASAMUSICALTALENTGREWFASTATFIVE,HEWASCOMPOSINGMUSICFORMTHATTIMEON,MOZARTWASPERFORMINGNCONCERTSANDWRITINGMUSICBYHISEARLYTEENS,HEHADMASTEREDTHEPIANO,VIOLINANDHARPSICHORD,ANDWASWRITINGSYMPHONIESANDOPERASHISFIRSTMAJOROPERAWASPERFORMEDINMILANIN1770,WHENHEWASONLYFOURTEENATFIFTEEN,MOZARTBECAMETHECONDUCTORFORANORCHESTRAINSALZBURGIN1781,HELEFTFORVIENNA,WHEREHEWASINGREATDEMANDASBOTHAPERFORMERANDACOMPOSITIONTEACHERHISFIRSTOPERAWASASUCCESSBUTLIFEWASNOTEASYBECAUSEHEWASAPOORBUSINESSMAN,ANDHISFINANCESWEREALWAYSINABADSTATEHISMUSICFROMTHENEXTDECADEWASNOTVERYPOPULAR,ANDHEEVENTUALLYFELLBACKONHISTEACHINGJOBSFORALIVINGIN1788HESTOPPEDPERFORMINGINPUBLIC,PREFERRINGONLYTOCOMPOSEHEDIEDIN1791ATTHEAGEOFTHIRTYFIVEALTHOUGHHELIVEDONLYASHORTLIFE,HECOMPOSEDOVER600WORKS1WHICHOFTHEFOLLOWINGISTRUEOFMOZARTD2HOWLONGHASMOZARTSFAMELASTEDA3WHICHOFTHEFOLLOWINGISTRUEOFTHEFOURYEAROLDMOZARTB4WHATCOULDMOZARTDOATTHEAGEOFSIXC5WHICHOFTHEFOLLOWINGISNOTMENTIONEDASONEOFMOZARTSACCOMPLISHMENTSWHILEHEWASINHISEARLYTEENSCIVSPEAKINGOUTMODEL1DOYOULIKEJAZZLAURAHEYBOBHELLOLAURADOYOULIKEJAZZ,BOBBOBNO,NOTMUCHDOYOULIKEITLAURAWELL,YES,IDOIMCRAZYABOUTWYNTONMARSALISBOBOH,HESAPIANOPLAYER,ISNTHELAURANO,HESATRUMPETPLAYERSO,WHATKINDOFMUSICDOYOULIKEBOBILIKELISTENINGTOROCKLAURAWHATGROUPDOYOULIKEBESTBOBER,THECRANBERRIESTHEYRETHEGREATESTWHATABOUTYOUDONTYOULIKETHEMLAURAUGHTHEYMAKEMYSTOMACHTURNSAMPLEDIALOGADOYOULIKECLASSICALMUSICBNO,IDONTLIKEITATALLAWHATTYPEOFMUSICDOYOULIKEBIMAREALFANOFPOPSONGSAWHOSYOURFAVORITESINGERORGROUPBJAYCHOUWHATDOYOUTHINKABOUTHIMAICANHARDLYBEARPOPSONGSTHEYAREALLNOISETOMEMODEL2DOYOULIKEPUNKROCKMAXWHATKINDOFMUSICDOYOULIKEFRANNIEWELL,ILIKEDIFFERENTKINDSMAXANYINPARTICULARFRANNIEER,IESPECIALLYLIKEPUNKROCKMAXPUNKROCKYOUDONTSEEMLIKETHEPUNKROCKTYPEFRANNIEYOUSHOULDHAVESEENMEINHIGHSCHOOLIHADMYHAIRDYEDBLUEMAXWOW,THATMUSTHAVEBEENASIGHTFRANNIEITSUREWASWHATABOUTYOUWHATSYOURFAVORITEMUSICMAXIGUESSILIKEJAZZBESTHEY,IMGOINGSHOPPINGFORCDSTOMORROWWOULDYOULIKETOCOMEALONGFRANNIESURE,THATSOUNDSGREATSAMPLEDIALOGAWHATSPORTSAPPEALTOYOUBILIKEALMOSTEVERYKINDOFSPORTAISTHEREANYTHINGYOULIKEESPECIALLYBWELL,ILIKEXSPORTSINPARTICULARAXSPORTSYOUDONTLOOKLIKETHEEXTREMESPORTSTYPEBIHAVEEVENTRIEDBUNGEEJUMPINGANDSURFINGAWOW,YOUCERTAINLYSURPRISEDMEBTHENHOWABOUTYOUWHATKINDOFSPORTDOYOUPREFERAILIKETAICHIMOSTINFACT,IMGOINGTOBUYSOMEBOOKSABOUTTAICHIWHYDONTYOUCOMEWITHMEBSOUNDSGOODLETSGOMODEL3ITJUSTSOUNDSLIKENOISETOMEPHILIPTURNDOWNTHATNOISEWHATONEARTHISITANYWAYLAURABUTDADTHISISMETALLICA1THEYRESOCOOLTHEYAREONEOFTHEMOSTFAMOUSHEAVYMETALBANDSPHILIPIDONTCAREITJUSTSOUNDSLIKENOISETOMEICANTSTANDITLAURAILOVETHISKINDOFMUSIC,BUTIFYOUREALLYHATEITTHATMUCH,ILLOUTONSOMETHINGELSEWHATDOYOUWANTTOHEARPHILIPHOWABOUTSOMEPOPULAREASYLISTENINGMUSICMAYBESOMETHINGLIKECELINEDIONLAURANOTHERAGAINHERMUSICISNTVERYHIPANYMOREITHINKSHEISABORESAMPLEDIALOGATHATMUSICISTERRIBLETURNOFFBBUT,MOM,THISISBACKSTREETBOYSHITSONG“GETDOWN”ITSREALLYAPPEALINGANONSENSEITSJUSTNOISETOMEICANTPUTUPWITHITANYMOREBITSMYFAVORITEMUSICBUTIFYOUHATEITSOMUCH,ILLHATESOMETHINGYOULIKEWHATWOULDLIKETOLISTENTOAWHATABOUTSOMEOLDSONGSOFTHE1970SLIKE“THEWHITEHAIREDGIRL”BHAHAHAHAITSNOTFASHIONABLEANYLONGERILLBEBOREDTODEATHVLETSTALKTHEORIGINOFTHESONG“HAPPYBIRTHDAYTOYOU”THESTORYOFTHESONG“HAPPYBIRTHDAYTOYOU”BEGANASASWEETONE,BUTLATERBECAMEBITTERTWOSISTERS,MILDREDHILL,ATEACHERATAKINDERGARTEN,ANDDRPATTYHILL,THEPRINCIPALOFTHESAMESCHOOL,WROTEASONGTOGETHERFORTHECHILDREN,ENTITLED“GOODMORNINGTOALL”WHENMILDREDCOMBINEDHERMUSICALTALENTSWITHHERSISTERSKNOWLEDGEINTHEAREAOFKINDERGARTENEDUCATION,GOODMORNINGTOALL”WASSURETOBEASUCCESSTHESISTERPUBLISHEDTHESONGINACOLLECTIONENTITLED“SONGSTORIESOFTHEKINDERGARTEN”IN1893THIRTYONEYEARSLATER,AFTERDRPATTYHILLBECAMETHEHEADOFTHEDEPARTMENTOFKINDERGARTENEDUCATIONATCOLUMBIAUNIVERSITYSTEACHERSCOLLEGE,AGENTLEMANBYTHENAMEROBERTCOLEMANPUBLISHEDTHESONG,WITHOUTTHESISTERSPERMISSIONHEADDEDASECONDPART,WHICHISTHEFAMILIAR“HAPPYBIRTHDAYTOYOU”MRCOLEMANSADDITIONOFTHESECONDPARTMADETHESONGPOPULARAND,FINALLY,THESISTERS”O(jiān)RIGINALFIRSTPARTDISAPPEARED“HAPPYBIRTHDAYTOYOU”HADALTOGETHERREPLACEDTHESISTERSORIGINALSONG“GOODMORNINGTOALL”IN1916PATTYTOOKLEGALACTIONAGAINSTMRCOLEMANINCOURT,SHESUCCEEDEDINPROVINGTHATHEYWERETHEREALOWNERSOFTHESONG1TEACHERATAKINDERGARTEN2GOODMORNINGTOALL3HAPPYBIRTHDAYTOYOU4HAPPYBIRTHDAYTOYOUGOODMORNINGTOALLPOSSIBLERETELLINGFORTHETEACHERSREFERENCETHESTORYOF“HAPPYBIRTHDAYTOYOU”WASANICE,SWEETONEATTHEVERYBEGINNING,BUTLATERTURNEDINTOABITTERONETHEREWERETWOSISTERSONEWASMILDREDHILL,ANDTHEOTHERPATTYHILLTHEFORMERHADGREATMUSICALTALENTS,WHILETHELATTERHADKNOWLEDGEOFKINDERGARTENEDUCATIONBUCOMBININGTHEIRABILITIES,THETWOPRODUCEDASONGCALLED“GOODMORNINGTOALL”ITWASASUCCESS,ANDLATERPUBLISHEDINACOLLECTIONOFSONGSFORKINDERGARTENSTHIRTYONEYEARSLATERAMANNAMEDCOLEMANPUBLISHEDTHESONGWITHOUTTHESISTERSPERMISSIONTOMAKETHINGSWORSE,HEADDEDASECONDPART,WHICHISTHEPRESENT“HAPPYBIRTHDAYTOYOU”THISNEWSONGSOONBECAMEPOPULARANDEVENTUALLYITREPLACEDTHESISTERSFIRSTPARTALTOGETHERTHEN,IN1916,PATTYTOOKLEGALACTIONAGAINSTCOLEMANINCOURTSHEMANAGEDTOPROVETHATSHEANDHERSISTERREALLYOWNEDTHESONGVIFURTHERLISTENINGANDSPEAKINGTASK1KARAOKEDALINITSMIKESBIRTHDAYONFRIDAY,SOABUNCHOFUSAREGOINGTOGOTOTHEKARAOKEBARWOULDYOULIKETOCOMEWITHUSLAURAKARAOKEBARYOUHAVEASPECIALPLACEJUSTFORSINGINGINAMERICA,BARSSOMETIMESHAVEAKARAOKENIGHTWHERETHECUSTOMERSCANSINGASONG,BUTWEHAVENTSPECIALKARAOKEBARSDALINREALLYINCHINA,KARAOKEISAVERYPOPULARWAYFORFRIENDSROSPENDTIMETOGETHERWECANSELECTTHEMUSICTHATURGROUPENJOYSWEMOSTLYSINGPOPSONGSLAURADOYOUSINGINDIVIDUALLYORINGROUPSSINGINGISNOTAVERYINTHING,SOIDONTSINGVERYWELL1F2F3T4T5FTASK2WHENWASMUSICFIRSTSENTDOWNATELEPHONELINESOYOUTHINKDOWNLOADINGMUSICFROMTHEINTERNETTHROUGHAPHONELINEISAREALLYCOOLMODERNTHINGNOTSOIN1896,THADDEUSCAHILLFILEDAPATENTONTHEINSTRUMENTFORTRANSMITTINGMUSICELECTRONICALLY,ANDUNTIL1914HESENTMUSICSIGNALSDOWNTELEPHONELINESWITHTHISINSTRUMENTANDHEWASNTEVENTHEFIRSTELISHAGRAYTRANSMITTEDMUSICOVERATELEPHONELINEIN1876,WHICHWASTHESAMEYEARTHETELEPHONEWASINVENTEDGRAYINVENTEDTHEFIRSTELECTRONICMUSICINSTRUMENTIN1874,CALLINGITTHE“MUSICALTELEGRAPH”ALEXANDERGRAHAMBELLALSODESIGNEDANEXPERIMENTAL“ELECTRICHARP”FORSPEECHTOBETRANSMITTEDOVERATELEPHONELINEUSINGTECHNOLOGYSIMILARTOGRAYSBELLWASASPEECHTEACHERFORTHEDEAFIN1879HECREATEDANINSTRUMENTTOMEASUREHEARINGLOSSTHATISWHYTHEDEGREESOFLOUDNESSCAMETOBEMEASUREDINBELSORDECIBELS54213TASK3THANKYOUFORTHEMUSICIMNOTHINGSPECIAL,INFACTIMABITOFABOREIFITELLAJOKE,YOUREPROBABLYHEARDITBEFOREBUTIHAVEATALENT,AWONDERFULTHINGCAUSEEVERYONELISTENSWHENISTARTTOSINGIMSOGRATEFULANDPROUDALLIWANTISTOSINGITOUTLOUDSOISAYTHANKYOUFORTHEMUSIC,THESONGSIMSINGINGTHANKSFORALLTHEJOYTHEYREBRINGINGWHOCANLIVEWITHOUTIT,IASKINALLHONESTLYWHATWOULDLIFEBEWITHOUTASONGORADANCEWHATAREWESOISAYTHANKYOUFORTHEMUSICFORGIVINGITTOMEMOTHERSAYSIWASADANCERBEFOREICOULDWALKSHESAYSIBEGANTOSINGLONGBEFOREICOULDTALKANDIVEOFTENWONDERED,HOWDIDITALLSTARTWHOFOUNDOUTTHATNOTHINGCANCAPTUREAHEARTLIKEAMELODYCANWELL,WHOEVERITWAS,IMAFANSOISAYTHANKYOUFORTHEMUSIC,THESONGSIMSINGINGSPEAKINGMUSICALMEMORIESTONYLISTENQUICK,TURNUPTHERADIOISNTTHAT“CANYOUFEELTHELOVETONIGHT”NANCYYEAH,ITIS,BUTWHATSTHEBIGDEALTONYWHENIWASALITTLEBOY,MYGRANDMOTHERTOOKMETOSEETHEMOVIETHELIONKINGTHATSTHEELTONJOHNSONGFROMTHEMOVIENANCYISTILLCANTUNDERSTANDWHYITSSOIMPORTANTTOYOUTONYBECAUSEITWASTHEFIRSTMOVIEIEVERSAWWITHMYGRANDMAANDBECAUSEIREALLYLOVEDSPENDINGTIMEWITHHERITISMYFAVORITESONGOFALLTIMESNANCYTHEFIRSTTIMETOMANDIWENTONADATE,WEWENTTOSEETITANICIALWAYSTHINKOFTHESONG“MYHEARTWILLGOON”ASOURSONGWHENEVERIHEARIT,ITHINKOFTHATNIGHTTONYOH,ICANUNDERSTANDWHYYOULOVETHATSONGISNTITINTERESTINGALLTHEMEMORIESWECONNECTWITHSONGSUNIT2IILISTENINGSKILLS1WFROMWHATICANREMEMBER,THEDIRECTORASKEDUSTOREHEARSETHISAHUNDREDTIMESMONEHUNDREDTIMESISTHEDIRECTOROUTOFHISMINDQWHATDOESTHEMANIMPLY2MDOYOUTHINKWEHAVEMADEENOUGHFOODFORTHEPARTYWTHEREFRIGERATORISABOUTTOEXPLODEQWHATDOESTHEWOMANIMPLY3WSHESAIDSHEMIGHTBECOMEAFAMOUSMOVIESTARMYES,ANDPIGSMIGHTFLYQWHATDOESTHEMANMEAN4MALTHOUGHTHEMANOFTENPLAYSABADGUYINMOVIES,INREALLIFEHEHASAHEARTOFGOLDWSODOESAHARDBOILEDEGGQWHATDOESTHEWOMANMEAN5WWHATABEAUTIFULSUNSETMDONTBLINKYOUMIGHTJUSTMISSITQWHATDOESTHEMANMEAN1A2D3B4C5BIIILISTENINGINTASK1WAITINGFORTHENEWHARRYPOTTERMOVIEAMYIMSOEXCITEDABOUTFINALLYSEEINGTHISMOVIEPETERMETOOIMCRAZYABOUTHARRYPOTTERHAVEYOUHEARDTHATJKROWLINGHASADDEDANOTHERBOOKTOTHESERIESAMYSHESALREADYWRITTENBOOKSEVENIMSTILLWAITINGFORBOOKFIVEPETERIKNOWWHOISNTATLEASTWEHAVETHEMOVIESTOWATCHINTHEMEANTIMEAMYBYTHEWAY,HAVEYOUSEENTHETRAILERYETPETERYEAHITWASGREATITHINKTHEMOVIEITSELFWILLBEREALLYSCARYAMYITSURELYWILLALLTHATWRITINGONTHEWALLINBLOODITSCARESMETODEATHJUSTTOTHINKABOUTITBOTHTHEGIRLANDTHEBOYAREEXCITED/CRAZYABOUTTHEMOVIEANDTHEHEROHARRYPOTTERTHEBOYHEARDTHATTHEWRITERJKROWLINGHASWRITTENTHELATESTBOOK,WHICHISBOOKSEVEN,THOUGHTHEGIRLISSTILLWAITINGFORBOOKFIVETHEBOYHASBEENTHETRAILERANDBELIEVESTHEFILMWILLBESCARYTHEGIRLSHARESTHATVIEWBECAUSEOFTHEWRITINGONTHEWALLINBLOODTASK2AGREATACTORTHEREWASONCEAGREATACTORWHOCOULDNOLONGERREMEMBERHISLINESAFTERSEVERALYEARSOFSEARCHING,HEFINALLYFOUNDATHEATERTHATWASWILLINGTOGIVEHIMATRYTHEDIRECTORSAID,“THISISTHEMOSTIMPORTANTPART,ANDITHASONLYONELINEATTHEOPENINGYOUWALKONTOSTAGECARRYINGAROSEYOUHOLDTHEROSETOYOURNOSEWITHJUSTONEFINGERANDTHUMB,SMELLITDEEPLYANDTHENSAYTHELINEONPRAISEOFTHEROSEAH,THESWEETSMELLOFMYLOVE”THEACTORWASEXCITEDALLDAYLONGBEFORETHEPLAYHEPRACTICEDHISLINEOVERANDOVERAGAINFINALLY,THETIMECAMETHECURTAINWENTUP,THEACTORWALKEDONTOTHESTAGE,LOOKEDATTHEAUDIENCE,ANDWITHGREATEMOTIONSAIDTHELINE,“AH,THESWEETSMELLOFMYLOVE”THEAUDIENCEEXPLODEDINLAUGHTERONLYTHEDIRECTORWASFURIOUS“AHHHHHHYOUDAMNEDFOOL”HECRIED“YOUVERUINEDMYPLAYYOUVERUINEDME”THEACTORWASPUZZLED,“WHATHAPPENEDDIDIFORGETMYLINE”“NO”SHOUTEDTHEDIRECTOR“YOUFORGETTHEROSE”1D2C3D4A5BTASK3MOVIEREVIEWSILOVEMOVIESANDAFTERISEETHEM,ILIKETOCOMMENTONTHEMTHESEAREMOVIESISAWTHISYEARIWOULDLIKETORECOMMENDAMONGCOMEDIESIHIGHLYRECOMMEND“MONSOONWEDDING”ITSANINDIANMOVIETHESTORYISABOUTANINDIANWEDDINGPREPARATIONSFORTHEWEDDINGBRINGOUTFUNNYANDSADSITUATIONSTOUCHINGONLOVEANDAPASTRAPETHISMOVIESHOWSSOMEOFTHEWONDERFULCUSTOMSOFINDIA,ANDTHEIMPORTANCEOFFAMILYANDLOVEITSGREATAMONGDRAMAS,ILIKE“ADAPTATION”ITISANEXCELLENTMOVIEBUTFORMETHEFIRSTPARTOFTHEMOVIEWASTOOFASTTOFOLLOWIHOPETOSEEITAGAINONDVDWITHCAPTIONS“THEPIANIST”ISSETINTHESECONDWORLDWARITSABOUTAYOUNGPOLISHJEWISHPIANIST,WHOLIVESINWARSAWWITHHISFAMILYTHENAZISSENTHISFAMILYTODIEINTHECONCENTRATIONCAMPSHEWASSAFE,BUTWOULDHAVEDIEDWITHOUTUNUSUALLYGOODLUCKANDTHEKINDNESSOFAFEWNONJEWSTHISISAPOWERFULMOVIEWITHTHOUGHTPROVOKINGTHEMES“RABBITPROOFFENCE”ISSETINTHE1930SINAUSTRALIA,ANDITSBASEDONREALEVENTSITISABOUTTHREENATIVEGIRLSWHOARESEPARATEDFROMTHEIRFAMILIESBYTHERACISTPOLICEWHOSENDTHEMTOSPECIALCENTERSTHERETHEGIRLSARETAUGHTPRACTICALSKILLS,ANDTHEGOVERNMENTTRIESTOINTEGRATETHEMINTOWHITEAUSTRALIANSOCIETYTHEYCANAWAYFROMTHECAMPANDWALKED1,500MILESTOFINDTHEIRMOTHERSTHISISASAD,TOUCHINGSTORYTHATYOUSHOULDNOTMISS1HELIKESTOSEEMOVIESANDCOMMENTONTHEM2FOUR3THREE4ONEIVSPEAKINGOUTMODEL1WILLYOUCOMEWITHMEJOHNLAURA,IAMWONDERINGIFYOUREFREETOMORROWNIGHTLAURAWELL,IGUESSIAMWHYJOHNIVEGOTTWOSTARWARSPREMIERETICKETSWILLYOUCOMEWITHMELAURAYEAH,DEFINITELYTHANKSFORINVITINGMEJOHNITSMYPLEASUREMOVIESCONTENTSANDCHARACTERISTICSMONSOONWEDDINGITISABOUTANINDIANWEDDINGPREPARATIONSFORITREVEALLOVEANDAPASTRAPETHEMOVIESHOWSINDIANCUSTOMS,FAMILYANDLOVEADAPTATIONITISTOOFASTFORTHESPEAKER,WHOWANTSTOSEEITAGAINONDVDWITHCAPTIONSTHEPIANISTITISABOUTAJEWISHPIANISTINWARSAWTHENAZISSENTHISFAMILYTOTHECONCENTRATIONCAMPSHEWASSAFE,ANDTHISNARROWESCAPEWASDUETOGOODLUCKANDTHEKINDNESSOFAFEWNONJEWSRABBITPROOFFENCEITISABOUTTHREENATIVEGIRLSRACISTPOLICESEPARATETHEMFROMTHEIRFAMILIESANDSENDTHEMTOSPECIALCENTERSTHERETHEYARETAUGHTPRACTICALSKILLSTHEGOVERNMENTINTENDSTOINTEGRATETHEMINTOWHITEAUSTRALIANSOCIETYTHEYRANAWAYFROMTHECAMPANDWALKED1,500MILESTOFINDTHEIRMOTHERSLAURAIREALLYWANTEDTOSEESTARWARSONTHEOPENINGNIGHT,BUTTHETICKETSWERESOLDOUTHOWDIDYOUMANAGETOGETHOLDOFTHEMJOHNAFRIENDOFMINEWORKSATTHE“PEPSI”HEADQUARTERS,WHICHISAMAJORSPONSOROFTHEMOVIESOHEWASABLETOGETTHETICKETSFORFREELAURAWOW,PEOPLEAREPAYINGASMUCHAS200EACHONTHEBLACKMARKETIMFLATTEREDYOUWENTTHROUGHALLTHISTROUBLEJUSTFORMEJOHNYOUREWELCOMENOWYOURTURNSAMPLEDIALOGAHI,AREYOUBUSYTHISWEEKENDBYESWHATSONYOURMINDAIVEGOTTWOTICKETSFORTHECAREXHIBITIONWOULDYOULIKETOGOWITHMEBSURETHANKSFORYOURINVITATIONAITSNOTHINGBIVEBEENWANTINGTOSEEEXHIBITION,BUTITWASNOTATALLEASYTOGETATICKETHOWDIDYOUMANAGETOGETTWOTICKETSAAFRIENDOFMINEWORKSATTHEEXHIBITIONCENTERSHEWASABLETOGETTHREEFREETICKETSBWOW,PEOPLEAREPAYINGALMOST100YUANFORATICKETONTHEBLACKMARKETTHANKYOUVERYMUCHINDEEDFORINVITINGMEANOPROBLEMMODEL2WHATDIDYOUTHINKABOUTTHEMOVIEJOHNSOWHATDIDYOUTHINKABOUTTHEMOVIELAURAWELLITHINKTHISSTARWARSEPISODEISANEXCELLENTPIECEOFWORK,BUTNOTASGOODASTHEPREVIOUSONESJOHNREALLYBUTITHINKTHISSTARWARSEPISODEWASINCREDIBLELAURAWHYDOYOUTHINKSOJOHNWELL,ONEOFTHEMOSTSPECTACULARTHINGSABOUTITWASTHESPECIALEFFECTSSTATEOFTHEARTSPECIALEFFECTSWERETHEMAINREASONFORTHESUCCESSOFTHEPREVIOUSEPISODESLAURAYOURERIGHTTHESPECIALEFFECTSWEREAMAZINGANDILIKETHEFACTTHATTHEYCREATEDSOMANYFANTASTICSETTINGSANDOTHERWORLDLYCOSTUMES,WEAPONSANDCREATURESNOWYOURTURNSAMPLEDIALOGAWHATDIDYOUTHINKABOUTTHELIONKINGBWELLITHINKTHISCARTOONWASPRETTYGOOD,BUTNOTASGOODASBEAUTYANDTHEBEASTITSAKILLERFLICKAREALLYBUTITHINKTHELIONKINGWASUNBELIEVABLYGOODBITHOUGHTITWASJUSTOKWHYDOYOUTHINKSOAWELL,ITSSOINTERESTINGTHATTHELIVESOFTHELIONSWERESIMILARTOTHELIVESOFHUMANBEINGSBYOURERIGHTTHEMURDERINTHELIONKINGWASALMOSTTHESAMEASTHEMURDERINTHESHAKESPEAREANPLAYHAMLETMODEL3THEPLOTISFIRSTCLASSJOHNITSKINDOFCOOLTHATTHEYSTILLUSEDTHESAMESTARWARSTHEMESONGFORTHISMOVIELAURAYEAHITJUSTREMINDSMEOFTHEPREVIOUSSTARWARSSCENESJOHNIKNOWEXACTLYWHATYOUMEANHEARINGTHATSONGMAKESMETHINKOFTHEPASTLAURAITHINKTHEPLOTWASFIRSTCLASSBUTIDONTTHINKTHECHARACTERDEVELOPMENTWASTHATSTRONGJOHNDOYOUTHINKTHATHASANYTHINGTODOWITHTHECASTINGOFTHEMOVIELAURANO,THECASTINGWASGREATTHEACTORSAREEXCELLENT,BUTITHINKTHEACTINGWASALITTLEWEAKTHEYJUSTDIDNTHAVEALOTOFFUNNYORMEANINGFULLINESJOHNWELL,MAYBE,BUTILIKEDTHELITTLEKIDTHATPLAYED“SKYWALKER”ICANTIMAGINEANYONEELSEPLAYINGTHATPARTLAURAYEAH,ILIKEDHIMTOOHESSOOOOCUTENOWYOURTURNSAMPLEDIALOGAWHATDOYOUTHINKABOUTTHEMOVIEBITHINKTHEPLOTWASFIRSTCLASSBUTIDONTTHINKTHECHARACTERDEVELOPMENTWASSOSTRONGAYES,THECHARACTERIZATIONWASRATHERWEAKDOYOUTHINKITISBECAUSEOFTHECASTINGOFTHEMOVIEBNO,THECASTWASSTRONGBUTTHEACTINGWASRATHERPOORANDTHELINESARENOTINTERESTINGATALLAWELL,MAYBEBUTILIKEDTHEHEROINEOFTHEMOVIESHEISEXCELLENTBYEAH,ILIKEDHERTOOSHESADORABLEVLETSTALKALFREDHITCHCOCKALFREDHITCHCOCKWASABRITISHDIRECTORHISMOVIESFREQUENTLYSHOWINNOCENTPEOPLECAUGHTUPINSITUATIONSBEYONDTHEIRCONTROLOREVENUNDERSTANDINGHITCHCOCKPREFERREDTHEUSEOFSUSPENSEINHISMOVIESINSURPRISE,THEDIRECTORPROVIDESTHEVIEWERWITHFRIGHTENINGTHINGSINSUSPENSE,THEDIRECTORTELLSORSHOWSTHINGSTOTHEAUDIENCEWHICHTHECHARACTERSINTHEMOVIEDONOTKNOW,ANDTHENSKILLFULLYBUILDSUPTENSIONAROUNDWHATWILLHAPPENWHENTHECHARACTERSFINALLYLEARNTHETRUTHHITCHCOCKHADAGREATSENSEOFHUMORONCEATAFRENCHAIRPORT,ASUSPICIOUSCUSTOMSOFFICIALLOOKEDATHITCHCOCKSPASSPORT,WHICHWASMARKEDSIMPLYPRODUCERTHECURIOUSOFFICIALASKED,“ANDWHATDOYOUPRODUCE”“GOOSEFLESH”REPLIEDHITCHCOCKALFREDHITCHCOCKALWAYSMANAGEDTOMAKEABRIEFAPPEARANCEINHISMOVIESHEWASSOMETIMESGETTINGONABUS,ORCROSSINGASTREET,PRWALKINGINFRONTOFASTORE,ORACROSSTHECOURTYARDINANAPARTMENTHOWEVER,FORTHEMOVIELIFEBOATIN1944,HEWASFACEDWITHADIFFICULTPROBLEMTHEENTIREMOVIEWASSETINALIFEBOATOUTATSEA,ANDTHEREWEREONLYAFEWCHARACTERSINTHEBOATORIGINALLY,HEWANTEDTOFLOATBYASADEADBODY,BUTHEWASAFRAIDHEDSINKHISCLEVERSOLUTIONWASTOPLACEAPHOTOGRAPHOFHIMSELFINANEWSPAPERTHATONEOFTHECHARACTERSREADDURINGTHECOURSEOFTHEMOVIE1A2C3DVIFURTHERINGLISTENINGANDSPEAKINGLISTENINGTASK1ONLYONELINEPETERHASALWAYSWANTEDTOBEANACTOR,BUTNEVERSUCCEEDEDBECAUSEHEHADAHARDTIMEMEMORIZINGLINESAFRIENDOFHISTOLDHIMABOUTASMALLPARTINAPLAYHEPROMISEDPETERTHATHECOULDDOITBECAUSEHESONLYHAVETOREMEMBERONELINEPETERDECIDEDTOTAKETHEPARTHISONLYLINEWAS,“LISTEN,IHEARTHEGUNSROAR”PETERPRACTICEDANDPRACTICED,“LISTEN,IHEARTHEGUNSROAR”O(jiān)NTHEOPENINGNIGHTOFTHEPLAYPETERWASVERYNERVOUSBACKSTAGE,HEPRACTICEDHISLINE,OVERANDOVERAGAIN,“LISTEN,IHEARTHEGUNSROARLISTEN,IHEARTHEGUNSROAR”FINALLYCAMEHISTURN,PETERWENTONTOSTAGEHEHEARDALOUDBOOMANDCRIEDOUTINSPITEOFHIMSELF,“WHATTHEHELLWASTHAT”1MEMORIZINGLINES2REMEMBERONELINE3IHEARTHEGUNSROAR4ALOUDBOOM5HISLINETASK2ANINTERVIEWWITHJKROWLINGQHOWDIDYOUGETT